David Bowie – Who Can I Be Now? [1974-1976]

David Bowie - Who Can I Be Now? [1974-1976] album cover

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Label:

 Parlophone – DBX 2

Format:
CD , Album, Reissue, Remastered
2 x CD , Album, Reissue, Remastered
2 x CD , Album, Reissue, Remastered
CD , Album
CD , Album, Reissue, Remastered
CD , Album, Reissue, Remastered
CD , Album, Reissue, Remastered
2 x CD , Album, Reissue, Remastered
CD , Compilation, Remastered
Box Set , Compilation, Limited Edition

Country:

Released:

Genre:

 Pop

Style:

 Glam

Tracklist

Diamond Dogs
1-1 Future Legend 1:00
1-2 Diamond Dogs 6:04
1-3 Sweet Thing
Flute – Unknown Artist
3:39
1-4 Candidate 2:40
1-5 Sweet Thing (Reprise) 2:32
1-6 Rebel Rebel 4:34
1-7 Rock 'N' Roll With Me 4:02
1-8 We Are The Dead 5:01
1-9 1984 3:27
1-10 Big Brother 3:23
1-11 Chant Of The Ever Circling Skeletal Family 2:06
David Live (Original Mix)
2-1 1984 3:21
2-2 Rebel Rebel 2:40
2-3 Moonage Daydream 5:07
2-4 Sweet Thing / Candidate / Sweet Thing (Reprise) 8:33
2-5 Changes 3:34
2-6 Suffragette City 3:41
2-7 Aladdin Sane 5:00
2-8 All The Young Dudes 4:18
2-9 Cracked Actor 3:25
3-1 Rock 'N' Roll With Me 4:16
3-2 Watch That Man 5:04
3-3 Knock On Wood 3:20
3-4 Diamond Dogs 6:29
3-5 Big Brother 4:07
3-6 The Width Of A Circle 8:11
3-7 The Jean Genie 5:17
3-8 Rock 'N' Roll Suicide 4:47
David Live (2005 Mix)
4-1 1984 3:22
4-2 Rebel Rebel 2:41
4-3 Moonage Daydream 5:08
4-4 Sweet Thing / Candidate / Sweet Thing (Reprise) 8:35
4-5 Changes 3:35
4-6 Suffragette City 3:42
4-7 Aladdin Sane 5:02
4-8 All The Young Dudes 4:14
4-9 Cracked Actor 3:26
4-10 Rock 'N' Roll With Me 4:16
4-11 Watch That Man 5:05
5-1 Knock On Wood 3:24
5-2 Here Today, Gone Tomorrow 3:48
5-3 Space Oddity 6:26
5-4 Diamond Dogs 6:26
5-5 Panic In Detroit 5:39
5-6 Big Brother 4:10
5-7 Time 5:23
5-8 The Width Of A Circle 8:10
5-9 The Jean Genie 5:19
5-10 Rock 'N' Roll Suicide 4:46
The Gouster
6-1 John, I'm Only Dancing (Again) 7:01
6-2 Somebody Up There Likes Me (Alternative Early Mix) 6:32
6-3 It's Gonna Be Me (Without Strings) 6:30
6-4 Who Can I Be Now? 4:42
6-5 Can You Hear Me (Alternative Early Version) 5:24
6-6 Young Americans 5:17
6-7 Right (Alternative Early Version) 4:40
Young Americans
7-1 Young Americans 5:17
7-2 Win 4:47
7-3 Fascination 5:48
7-4 Right 4:22
7-5 Somebody Up There Likes Me 6:36
7-6 Across The Universe 4:33
7-7 Can You Hear Me 5:08
7-8 Fame 4:21
Station To Station
8-1 Station To Station 10:17
8-2 Golden Years 4:03
8-3 Word On A Wing 6:04
8-4 TVC 15 5:35
8-5 Stay 6:16
8-6 Wild Is The Wind 6:06
Station To Station (2010 Harry Maslin Mix)
9-1 Station To Station 10:18
9-2 Golden Years 4:03
9-3 Word On A Wing 5:55
9-4 TVC 15 5:33
9-5 Stay 6:15
9-6 Wild Is The Wind 6:07
Live Nassau Coliseum '76
10-1 Station To Station 11:52
10-2 Suffragette City 3:30
10-3 Fame 4:01
10-4 Word On A Wing 6:05
10-5 Stay 7:24
10-6 Waiting For The Man 6:19
10-7 Queen Bitch 3:12
11-8 Life On Mars? 2:13
11-9 Five Years 5:04
11-10 Panic In Detroit 6:02
11-11 Changes 4:10
11-12 TVC 15 4:57
11-13 Diamond Dogs 6:38
11-14 Rebel Rebel 4:06
11-15 The Jean Genie 7:25
Re:Call 2
12-1 Rebel Rebel (Original Single Mix) 4:23
12-2 Diamond Dogs (Australian Single Edit) 3:00
12-3 Rebel Rebel (US Single Version) 3:00
12-4 Rock 'N' Roll With Me (Live - Promotional Single Edit) 3:29
12-5 Panic In Detroit (Live) 5:49
12-6 Young Americans (Original Single Edit) 3:17
12-7 Fame (Original Single Edit) 3:34
12-8 Golden Years (Single Version) 3:29
12-9 Station To Station (Original Single Edit) 3:41
12-10 TVC 15 (Original Single Edit) 3:36
12-11 Stay (Original Single Edit) 3:22
12-12 Word On A Wing (Original Single Edit) 3:14
12-13 John, I'm Only Dancing (Again) (1975) (Single Version) 3:26

Companies, etc.

  • Licensed To – Parlophone Records Ltd.
  • Manufactured By – Optimal Media GmbH – AG30277
  • Manufactured By – Optimal Media GmbH – AG33385
  • Manufactured By – Optimal Media GmbH – AG36553
  • Manufactured By – Optimal Media GmbH – AG42780
  • Manufactured By – Optimal Media GmbH – AG36237
  • Manufactured By – Optimal Media GmbH – AG36033
  • Manufactured By – Optimal Media GmbH – AG30276
  • Manufactured By – Optimal Media GmbH – AG30279
  • Manufactured By – Optimal Media GmbH – AA12207
  • Manufactured By – Optimal Media GmbH – AA12208
  • Manufactured By – Optimal Media GmbH – AG36238
  • Phonographic Copyright ℗ – Parlophone Records Ltd.
  • Phonographic Copyright ℗ – Jones/Tintoretto Entertainment Co., LLC
  • Copyright © – Parlophone Records Ltd.
  • Copyright © – Jones/Tintoretto Entertainment Co., LLC
  • Published By – Jones Music America
  • Published By – ARZO Publishing
  • Published By – Colgems-EMI Music Inc.
  • Published By – EMI Music Publishing Ltd.
  • Published By – Chrysalis Music
  • Published By – RZO Music Ltd.
  • Published By – Chrysalis Music Ltd.
  • Published By – Universal/Island Music Ltd.
  • Published By – Tintoretto Music
  • Published By – RZO Music, Inc.
  • Published By – Screen Gems-EMI Music Inc.
  • Published By – Chrysalis Songs
  • Published By – Irving Music, Inc.
  • Published By – Universal Music Publishing Ltd.
  • Published By – Warner/Chappell North America Ltd.
  • Published By – Ben-Ghazi Enterprises, Inc.
  • Published By – Songs of Universal, Inc.
  • Published By – Tro-Essex Music International, Inc.
  • Published By – Onward Music Ltd.
  • Published By – Elvee-Deekay Music, Inc.
  • Published By – EMI April Music Inc.
  • Published By – Uncle Ronnie's Music Co.
  • Published By – Colgems EMI
  • Published By – Elvee Deekay Music
  • Published By – Sony/ATV Tunes LLC
  • Published By – Sony/ATV Music Publishing Ltd.
  • Published By – Unitunes Music
  • Published By – EMI Publishing Ltd
  • Published By – Lenono Music
  • Published By – Anne-Rachel Music Corp.
  • Published By – Patti Washington Music
  • Published By – Catharine Hinen Music
  • Published By – Shapiro Bernstein & Co. Ltd.
  • Published By – Carlin Music Corp.
  • Published By – Universal Music Publishing MGB Ltd.
  • Published By – Oakfield Avenue Music Ltd.
  • Published By – Screen Gems EMI Ltd.
  • Recorded At – Olympic Studios
  • Recorded At – Island Studios
  • Recorded At – Studio L Ludolf
  • Recorded At – Tower Theater
  • Recorded By – Record Plant Mobile Studio
  • Recorded At – Sigma Sound Studios
  • Recorded At – Electric Lady Studios
  • Recorded At – Record Plant, N.Y.C.
  • Recorded At – Cherokee Studios
  • Recorded At – Nassau Coliseum
  • Overdubbed At – RCA Studio A
  • Mixed At – Sound House, London
  • Mixed At – Electric Lady Studios
  • Mixed At – Record Plant, N.Y.C.
  • Mixed At – The Hit Factory
  • Mixed At – The Barn Music Studio
  • Mixed At – Sweetersongs East Studios
  • Remixed At – Right Track Recording
  • Remixed At – RCA Studio A
  • Mastered At – Air Mastering
  • Mastered At – Bernie Grundman Mastering
  • Remastered At – Air Mastering
  • Designed At – Gas Associates
  • Produced For – Warner Music
  • Produced For – RZO Music

Credits

  • Advisor [Technical on Yamaha DM 2000] – John Patterson (11) (tracks: 4-1 to 5-9)
  • Alto Saxophone [Alto Sax] – David Sanborn (tracks: 2-1 to 5-9, 12-4, 12-5)
  • Arranged By – David Bowie (tracks: 1-1 to 1-11, 8-1 to 9-6, 12-1 to 12-3, 12-8 to 12-12)
  • Arranged By [Strings] – Tony Visconti (tracks: 1-9, 6-1 to 7-8)
  • Arranged By [Vocals] – Luther Vandross (tracks: 6-1 to 7-8)
  • Artwork [Scanning And Retouching] – Mark Adams (11)
  • Backing Vocals – Warren Peace (tracks: 2-1 to 9-6, 12-4 to 12-13)
  • Baritone Saxophone – Richard Grando (tracks: 2-1 to 5-9, 12-4, 12-5)
  • Bass – Willie Weeks (tracks: 6-1 to 7-8, 12-6, 12-7, 12-13)
  • Castanets, Congas, Backing Vocals [Additional] – Geoff Maccormack (tracks: 12-3)
  • Coordinator [Associate Project Coordinator] – Aisha Cohen
  • Coordinator [Production] – Joe D'Ambrosio (tracks: 4-1 to 5-9)
  • Crew [Live Sound] – Showco (tracks: 4-1 to 5-9)
  • Design – Scott Minshall
  • Design [CD6, CD10/11, CD12] – Scott Minshall
  • Design [CD8, CD9] – AGI (4)
  • Drums – Tony Newman (tracks: 1-1 to 5-9, 12-1 to 12-5)
  • Electric Piano – Michael Kamen (tracks: 2-1 to 5-9, 12-4, 12-5)
  • Engineer – Keith Harwood (tracks: 1-1 to 1-11)
  • Engineer [Assistant] – Brian Pugh* (tracks: 4-1 to 5-9)
  • Engineer [Original Recording] – Dave Hewitt* (tracks: 10-1 to 11-8)
  • Engineer [Pro Tools] – Mario McNulty* (tracks: 4-1 to 5-9)
  • Engineer [Record Plant] – Harry Maslin (tracks: 6-1 to 7-8)
  • Engineer [Sigma Sound] – Carl Parulow* (tracks: 6-1 to 7-6)
  • Flute – Richard Grando (tracks: 2-1 to 5-9, 12-4, 12-5)
  • Guitar – Stacey Heydon* (tracks: 10-1 to 11-8)
  • Guitar [Phased Guitar] – David Bowie (tracks: 1-1 to 1-11, 12-1 to 12-3)
  • Harpsichord – Mike Garson (tracks: 1-1 to 1-11, 12-1 to 12-3)
  • Keyboards – Tony Kaye (tracks: 10-1 to 11-8)
  • Liner Notes [Article, 1974] – Matt Damsker
  • Liner Notes [Concert Review, 1974] – Jack Lloyd (4)
  • Liner Notes [Concert Review, 1976] – John Rockwell
  • Liner Notes [Diamond Dogs Review, 1974] – Chris Charlesworth
  • Liner Notes [Interview by William S. Burroughs, 1974] – Craig Copetas
  • Liner Notes [Mixing Notes, Diamond Dogs] – Tony Visconti
  • Liner Notes [Recording Notes, Gouster And Young Americans] – Tony Visconti
  • Liner Notes [Recording Notes, Station to Station] – Harry Maslin
  • Liner Notes [Station to Station Review, 1976] – Charles Shaar Murray
  • Liner Notes [Young Americans Review, 1975] – Ian MacDonald
  • Management [Right Track Studio Manager] – Barry Bongiovi (tracks: 4-1 to 5-9)
  • Mastered By – Ray Staff (tracks: 6-1 to 6-7, 12-1 to 12-13)
  • Mastered By [Mastered With] – Tony Visconti (tracks: 6-1 to 6-7)
  • Mellotron – Mike Garson (tracks: 1-1 to 5-9, 12-1 to 12-5)
  • Mixed By – Tony Visconti (tracks: 1-1 to 1-5, 1-9 to 7-5)
  • Mixed By [Assistant] – Richard Mabery (tracks: 9-1 to 9-6)
  • Music Consultant [Mixing] – Gary Lux (2) (tracks: 9-1 to 9-6)
  • Music Director – Michael Kamen (tracks: 2-1 to 5-9, 12-4, 12-5)
  • Oboe – Michael Kamen (tracks: 2-1 to 5-9, 12-4, 12-5)
  • Painting [CD1], Artwork [CD1] – Guy Peellaert
  • Percussion – Ralph McDonald* (tracks: 6-1 to 7-8, 12-6, 12-7, 12-13)
  • Photography By [Book] – Tony Visconti
  • Photography By [CD10/CD11] – Andrew Kent (2)
  • Photography By [CD11] – Leee Black Childers
  • Photography By [CD12] – Geoff Maccormack
  • Photography By [CD2/3, CD4/5] – Dagmar (4)
  • Photography By [Cover Photography CD8/9, Box, Book Cover] – Steve Schapiro
  • Photography By [Sleeve CD6, Cover CD7] – Eric Stephen Jacobs
  • Piano – Roy Bittan (tracks: 8-1 to 9-6, 12-8 to 12-12)
  • Producer – Tony Visconti (tracks: 2-1 to 7-5, 12-4 to 12-6, 12-13)
  • Project Manager – Nigel Reeve
  • Recorded By – David Bowie (tracks: 8-1 to 8-6, 9-1 to 9-6)
  • Recording Supervisor [Live Recording Supervised By] – Keith Harwood (tracks: 2-1 to 5-9)
  • Remastered By – Ray Staff (tracks: 1-1 to 5-9, 7-1 to 9-6)
  • Remastered By [Remastered With] – Tony Visconti (tracks: 1-1 to 5-9, 7-1 to 9-6)
  • Saxophone – David Sanborn (tracks: 6-1 to 7-8, 12-6, 12-7, 12-13)
  • Synthesizer [Moog] – Mike Garson (tracks: 1-1 to 1-11, 12-1 to 12-3)
  • Tape Op [Tape Operator Record Plant] – Kevin Herron (tracks: 6-1 to 7-8)
  • Tape Op [Tape Operator Sigma Sound] – Michael Hutchinson (tracks: 6-1 to 7-5, 7-7)
  • Tape Op [Tape Operator] – David Whitman* (tracks: 7-6 to 7-8)
  • Tenor Saxophone [Tenor Sax] – David Bowie (tracks: 8-1 to 9-6, 12-8 to 12-12)
  • Transferred By – Ray Staff
  • Vocals – Warren Peace (tracks: 8-1 to 9-6)
  • Written-By – Warren Peace (tracks: 1-7, 3-1, 4-10, 12-4)

Notes

This box set includes an 128 page book of previously unpublished photos, producers' notes, contemporary reviews, copyright information and so on.

Unique to this box set:
David Live, original mix remaster
The Gouster
Station To Station (2010 Harry Maslin Mix) on CD (16/44.1)
Re:Call 2

Album and track notes
CD1: 'Diamond Dogs' released on RCA L1 0576 (U.S.) on 31 May 1974. Tracks 1-1 to 1-7 recorded at Olympic and Island Studios. Tracks 1-8 to 1-11 recorded at L. Ludolf, Hilversum, The Netherlands between October 1973 and February 1974. Mixing notes by Tony Visconti, interview of Bowie by William S. Burroughs edited by Chris Copetas, Rolling Stone, contemporary review by Chris Charlesworth, Melody Maker.

CD2, CD3, CD4, CD5: 'David Live' released on EMI 874 3049 on 14 Nov 2005. Recorded at the Tower Theater, Philadelphia [Upper Darby], 8-12 Jul, 1974. Concert review of shows used for David Live by Jack Lloyd, The Philadelphia Enquirer.

CD6: 'The Gouster', Previously unreleased as an album. Recorded at Sigma Sound, Philadelphia and mixed at Sound House, London and Record Pant, New York City, August to November 1974. Article by Matt Damsker, Rolling Stone.

CD7: 'Young Americans' released on RCA APL1-0998 (U.S.) [corrected from 1979 re-release AQL1-0998] on 7 Mar 1975. Recorded at Sigma Sound, Philadelphia, Electric Lady studios, New York City and mixed at Sound House, London and Record Plant, New York City. Recording notes by Tony Visconti, contemporary review by Ian MacDonald, New Musical Express.

CD8: 'Station To Station' released on RCA APL1 1327 on 23 Jan 1976. Recorded at Cherokee Studios, Hollywood, between September and November, 1975. Recording notes by Harry Maslin, contemporary (1976) review by Charles Shaar Murray, New Musical Express.
CD9: 'Station To Station (2010 Harry Maslin Mix)' first released in 2010 on EMI BOWSTSD 2010 in 5.1 and in stereo at 48KHz/24bit on the DVD-Audio disc, 20 Sep 2010.

CD10 and CD11: 'Live Nassau Coliseum '76' recorded live at Nassau Coliseum, Uniondale, NY, 23 Mar 1976. Released on EMI BOWSTSD 2010 within the Station To Station deluxe set, 20 Sep 2010. Concert review by John Rockwell, New York Times.

CD12: Re:Call 2
Track 12-1: "Rebel Rebel" released on RCA LPB05009 on 15 Feb 1974. Recorded at Olympic Studios, Barnes. Sourced from needledrop. Musicians as per album version on CD1.
Track 12-2: "Diamond Dogs" released on RCA 102462 in Australia in Jun 1974. Recorded at Olympic Studios, Barnes. Musicians as per album version on CD1.
Track 12-3: "Rebel Rebel" released on APB0-0287 in the United States and Canada in May 1974. Recorded at Olympic Studios, Barnes, overdubbed and remixed at RCA Studio A, New York. Musicians as per album version on CD1.
Track 12-4: Rock 'N' Roll With Me" (Live) released on RCA JB-10105 for promotional usage from the "David Live" album, Oct 1974. Recorded live at the Tower, Philadelphia, July 1974. Musicians as per album version on CD3.
Track 12-5: "Panic In Detroit" (Live) released on RCA 2466 on 14 Sep 1974. Recorded live at the Tower, Philadelphia. Musicians as per album version on CD1.
Track 12-6: "Young Americans" released on RCA 2523 on 21 Feb 1975. Recorded at Sigma Sound Studios, Philadelphia. Musicians as per album version on CD7.
Track 12-7: "Fame" released on RCA 2579 on 18 Jul 1975. Recorded at Electric Lady Studios, New York and mixed at Record Plant, New York. Musicians as per album version on CD7.
Track 12-8: "Golden Years" released on RCA 2640 on 21 Nov 1975. Recorded at Cherokee Studios, California. Musicians as per album version on CD8.
Track 12-9: "Station To Station" released on RCA 42549 in as a factory single sample in Feb 1976, Recorded at Cherokee Studios, California. Musicians as per album version on CD8.
Track 12-10: "TVC 15" released on RCA 2682 on 30 Apr 1976. Recorded at Cherokee Studios, California. Musicians as per album version on CD8.
Tracks 12-11 and 12-12: "Stay" / "Word On A Wing" released on RCA PB-10736 in July 1976. Recorded at Cherokee Studios, California. Musicians as per album version on CD8.
Track 12-13: "John, I'm Only Dancing (Again) (1975)" released on RCA BOW 4 on 7 Dec 1979. Recorded at Sigma Sound Studios, Philadelphia in Dec 1974. Musicians as per The Gouster album version on CD6.

Project produced for release by Nigel Reeve & Jo Blair for Warner Music and Henry Wrenn-Meleck for RZO Music. Associate project coordinator: Aisha Cohen for RZO Music.

℗ 2016 The copyright in this compilation is owned by Parlophone Records Ltd. © 2016 Jones/Tintoretto Entertainment Company LLC.
CD1, CD2/3: Originally ℗ 1974 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. Remaster ℗ 2016 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. © 2016 Jones/Tintoretto Entertainment Co., LLC.
CD4/5: Originally ℗ 2005 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. Remaster ℗ 2016 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. © 2016 Jones/Tintoretto Entertainment Co., LLC.
Track 6-1 Originally ℗ 1979, Track 6-4 Originally ℗ 1990, Track 6-6 Originally 1975 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. Remaster ℗ 2016 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. Tracks 6-2, 6-5, 6-7 ℗ 2016 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. This compilation ℗ 2016 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd.© 2016 Jones/Tintoretto Entertainment Co., LLC.
CD7: Originally ℗ 1975 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. Remaster ℗ 2016 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. © 2016 Jones/Tintoretto Entertainment Co., LLC.
CD8: Originally ℗ 1976 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. Remaster ℗ 2016 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. © 2016 Jones/Tintoretto Entertainment Co., LLC.
CD9, CD10/11: ℗ 2010 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. ℗ 2016 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. © 2016 Jones/Tintoretto Entertainment Co., LLC.
CD12: ℗ 2016 The copyright in this compilation is owned by Parlophone Records Ltd. © 2016 Jones/Tintoretto Entertainment Co., LLC.
All remasters ℗ 2016 except tracks 12-1, 12-3, 12-7, 12-8 ℗ 2015 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC. under exclusive license to Parlophone Records Ltd.

Publishing:
tracks 1-1 to 1-6, 1-8 to 2-2, 2-4, 3-4, 3-5, 4-1, 4-2, 4-4, 5-3, 5-5, 6-2, 6-3, 6-5 to 7-2, 7-4, 7-5, 7-7, 8-1 to 8-5, 9-1 to 9-5, 11-6, 11-7, 12-1 to 12-3, 12-6: North America - Jones Music America (ASCAP) istered by ARZO Publishing, Colgems-EMI Music, Inc. (ASCAP) o/b/o EMI Music Publishing Ltd., Chrysalis Music (ASCAP). Rest of world - Jones Music America / RZO Music Ltd., EMI Music Publishing Ltd., Chrysalis Music Ltd. except
tracks 1-7, 3-1, 4-10, 12-4: North America - Jones Music America (ASCAP) istered by ARZO Publishing, Colgems-EMI Music, Inc. (ASCAP) o/b/o EMI Music Publishing Ltd., Universal/Island Music Ltd., Chrysalis Music (ASCAP). Rest of world - Jones Music America / RZO Music Ltd., EMI Music Publishing Ltd., Island Music Ltd., Chrysalis Music Ltd.
tracks 2-3, 2-5 to 2-9, 3-2, 3-6 to 3-8, 4-3, 4-6 to 4-9, 4-11, 5-1, 5-2, 5-4, 5-6 to 5-9, 6-1, 10-1, 10-2, 10-4, 10-5, 10-7 to 11-5, 11-8, 12-5, 12-8 to 12-13: North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Screen Gems-EMI Music, Inc. (BMI) o/b/o EMI Music Publishing Ltd., Chrysalis Songs (BMI). Rest of world - Tintoretto Music / RZO Music Ltd., EMI Music Publishing Ltd., Chrysalis Music Ltd.
tracks 3-3, 4-12: North America: Irving Music Inc. (BMI). Rest of world - Universal Music Publishing Ltd., Warner Chappell North America Ltd.
track 5-1: North America - Ben Ghazi Enterprises, Inc. (BMI) Songs of Universal, Inc. (BMI). Rest of world - EMI Music Publishing Ltd.
track 5-2: North America - TRO-Essex Music International, Inc. (ASCAP). Rest of world - Onward Music Ltd.
track 6-4: North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Screen Gems-EMI Music, Inc. (BMI) o/b/o EMI Music Publishing Ltd. Rest of world - Tintoretto Music / RZO Music Ltd., EMI Music Publishing Ltd.
track 7-3: North America - Elvee Deekay Music, Inc. (ASCAP) istered by ARZO Publishing, EMI-April Music o/b/o Uncle Ronnie's Music Co (ASCAP), Colgems-EMI (ASCAP) o/b/o EMI Music Publishing Ltd. Rest of world - Elvee Kay Music / RZO Music Ltd. , EMI Music Publishing Ltd.
track 7-6: North America - Sony ATV Tunes LLC. Rest of world - Sony ATV Music Publishing Limited.
tracks 7-8, 10-3, 12-7: North America - Jones Music America (ASCAP) istered by ARZO Publishing, Unitunes Music (ASCAP), a division of Unidisc Music Inc., Colgems-EMI Music, Inc. (ASCAP) o/b/o EMI Publishing Ltd., Chrysalis Music (ASCAP), Lenono Music (BMI). Rest of world - Jones Music America / RZO Music Ltd., EMI Music Publishing Ltd., Chrysalis Music Ltd., Unitunes Music, a division of Unidisc Music Inc., Lenono Music.
tracks 8-6, 9-6: North America - Anne Rachel Music Corp. (ASCAP), Patti Washington Music (ASCAP), Catherine Hinen Music (ASCAP). Rest of world - Shapiro Bernstein & Co. Ltd., Carlin Music Corp., Universal Music Publishing MGB Ltd.
track 10-6: North America - Oakfield Avenue Music Ltd. (BMI) istered by Screen Gems-EMI Ltd. Rest of world - EMI Music Publishing Ltd.

CD12-7 is a slightly different edit than what was actually released on 7" in 1975. It was first released in 2015 on Fame.

Barcode and Other Identifiers

  • Barcode: 0190295989842
  • Other (CD1 Catalogue Number): DBX 2-1
  • Other (CD1 EAN-13): 0190295989163
  • Other (CD2, CD3 Catalogue Number): DBX 2-2
  • Other (CD2, CD3 EAN-13): 0190295989750
  • Other (CD4, CD5 Catalogue Number): DBX 2-3
  • Other (CD4, CD5 EAN-13): 0190295989156
  • Other (CD6 Catalogue Number): DBX 2-4
  • Other (CD6 EAN-13): 01902959891712
  • Other (CD7 Catalogue Number): DBX 2-5
  • Other (CD7 EAN-13): 0190295989149
  • Other (CD8 Catalogue Number): DBX 2-6
  • Other (CD8 EAN-13): 0190295989132
  • Other (CD9 Catalogue Number): DBX 2-7
  • Other (CD9 EAN-13): 0190295989675
  • Other (CD10, CD11 Catalogue Number): DBX 2-8
  • Other (CD10, CD11 EAN-13): 0190295989125
  • Other (CD12 Catalogue Number): DBX 2-9
  • Other (CD12 EAN-13): 0190295989637
  • Rights Society: GEMA/MS
  • Label Code: LC30419
  • Matrix / Runout (CD1 - Variant 1): 0190295989163 AG30277-01 manufactured by optimal media GmbH
  • Mastering SID Code (CD1 - Variant 1): ifpi L575
  • Mould SID Code (CD1 - Variant 1): IFPI 9742
  • Matrix / Runout (CD2 - Variant 1): 0190295989750-01 AG33385-01 manufactured by optimal media GmbH
  • Mastering SID Code (CD2 - Variant 1): ifpi L575
  • Mould SID Code (CD2 - Variant 1): IFPI 9742
  • Matrix / Runout (CD3 - Variant 1): 0190295989750-02 AG33385-02 manufactured by optimal media GmbH
  • Mastering SID Code (CD3 - Variant 1): ifpi L575
  • Mould SID Code (CD3 - Variant 1): IFPI 9742
  • Matrix / Runout (CD4 - Variant 1): 0190295989156-01 AG36553-01 manufactured by optimal media GmbH
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  • Mould SID Code (CD1 - Variant 2): IFPI 9742
  • Matrix / Runout (CD2 - Variant 2): 0190295989750-01 AG33385-01 manufactured by optimal media GmbH
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  • Matrix / Runout (CD4 - Variant 2): 0190295989156-01 AG36553-01 manufactured by optimal media GmbH
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  • Mastering SID Code (CD4 - Variant 2): ifpi L575
  • Matrix / Runout (CD5 - Variant 2): AG42780-01 manufactured by optimal media GmbH
  • Mould SID Code (CD5 - Variant 2): IFPI 9742
  • Mastering SID Code (CD5 - Variant 2): ifpi L575
  • Matrix / Runout (CD6 - Variant 2): 01902959891712 AG36237-01 manufactured by optimal media GmbH
  • Mastering SID Code (CD6 - Variant 2): ifpi L575
  • Mould SID Code (CD6 - Variant 2): IFPI 9742
  • Matrix / Runout (CD7 - Variant 2): 0190295989149 AG36033-01 manufactured by optimal media GmbH
  • Mould SID Code (CD7 - Variant 2): IFPI 9742
  • Mastering SID Code (CD7 - Variant 2): ifpi L575
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  • Mastering SID Code (CD8 - Variant 2): ifpi L573
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  • Mould SID Code (CD11 - Variant 2): IFPI 9742
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  • Mould SID Code (CD3 - Variant 3): IFPI 9742
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  • Matrix / Runout (CD9 - Variant 3): 0190295989675 AG30279-01 manufactured by optimal media GmbH
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  • Matrix / Runout (CD10 - Variant 3): 6476062 AA12207-01 manufactured by optimal media GmbH
  • Mastering SID Code (CD10 - Variant 3): ifpi L574
  • Mould SID Code (CD10 - Variant 3): IFPI 9742
  • Matrix / Runout (CD11 - Variant 3): 6476072 AA12208-01 manufactured by optimal media GmbH
  • Mastering SID Code (CD11 - Variant 3): ifpi L575
  • Mould SID Code (CD11 - Variant 3): IFPI 9742
  • Matrix / Runout (CD12 - Variant 3): 0190295989637 AG36238-01 manufactured by optimal media GmbH
  • Mastering SID Code (CD12 - Variant 3): ifpi L575
  • Mould SID Code (CD12 - Variant 3): IFPI 9742

Other Versions (5 of 8)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Who Can I Be Now? [1974-1976] (Box Set, Compilation, Remastered, 11×File, AAC, Album, Reissue, Remastered, 256kbps, 17×File, AAC, Album, Reissue, Remastered, 256kbps, 21×File, AAC, Album, Reissue, Remastered, 256kbps, 7×File, AAC, Album, Remastered, 256kbps, 8×File, AAC, Album, Reissue, Remastered, 256kbps, 6×File, AAC, Album, Reissue, Remastered, 256kbps, 6×File, AAC, Album, Reissue, 256kbps, 15×File, AAC, Album, Reissue, 256kbps, 13×File, AAC, Compilation, Remastered, 256kbps) Parlophone none US 2016
Who Can I Be Now? [ 1974–1976 ] (Box Set, Compilation, LP, Album, Reissue, Remastered, 2×LP, Album, Reissue, Remastered, 3×LP, Album, Reissue, Remastered, LP, Album, LP, Album, Reissue, Remastered, LP, Album, Reissue, Remastered, LP, Album, Reissue, 2×LP, Album, Reissue, LP, Compilation) Parlophone 0190295989835, DBXL2 Worldwide 2016
New Submission
Who Can I Be Now? [1974-1976] (49×File, FLAC, Compilation, Remastered, 192kHz/24bit) Parlophone none US 2016
New Submission
Who Can I Be Now? [1974-1976] (Box Set, Compilation, Remastered, CD, Album, Reissue, 2×CD, Album, Reissue, 2×CD, Album, Reissue, CD, Album, CD, Album, Reissue, CD, Album, Reissue, CD, Album, Reissue, 2×CD, Album, Reissue, CD, Compilation) Parlophone WPCR-17491/502 Japan 2016
New Submission
Who Can I Be Now? [1974-1976] (All Media, Compilation, 11×File, MP3, Album, Reissue, Remastered, 256 kbps, 17×File, MP3, Album, Reissue, Remastered, 256 kbps, 21×File, MP3, Album, Reissue, Remastered, 256 kbps, 7×File, MP3, Album, Remastered, 256 kbps, 8×File, MP3, Album, Reissue, Remastered, 256 kbps, 6×File, MP3, Album, Reissue, Remastered, 256 kbps, 6×File, MP3, Album, Reissue, 256 kbps, 15×File, MP3, Album, Reissue, 256 kbps, 13×File, MP3, Compilation, Remastered, 256 kbps) Parlophone none US 2016

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Reviews

  • Pancho_Ramone's avatar
    Pancho_Ramone
    It's funny how the entry notes basically reproduce the entire looong list of credits but no mention on whether the CDs of the original non counterfeit box are silver or gold in color
    • daFigz_2024's avatar
      daFigz_2024
      The Bowie compilation "Who Can I Be Now? [1974-1976]" could quickly be shrunk to a six-disc set. The proliferation of Bowie's "Live" releases must appeal to a specific fan group or else the recordings would never see the light of the Retail market. Instead, why not compile those as a retrospective to spare the non-fan of "Live" recordings from paying out dollars for "Live" Bowie music that is mostly ignorable?- @daFigz™
      • vincedoc's avatar
        vincedoc
        I am the only person that thinks the CD-size book and covers should have been redesigned? The 12” vinyl lay-outs have simply been shrunk making the albums’ inner sleeves especially difficult to read. The booklet isn't much better to be honest. This applies to the entire first three box-sets (no idea about the latter two).
        • electrosamurai's avatar
          electrosamurai
          Looking for a copy of The Gouster on vinyl, if soneone cnl help me please let me know!
          • panick93's avatar
            panick93
            This box, just like all the other Bowie-boxes which pop out since his ing, are - or seem to be - complete compilations of his periods of work. Therefore it is a very irritating fact that songs are simply omitted. This makes the boxes simply incomplete. I mean.... where is "After Today"?? You still need to buy the "Sound & Vision" box to have this track.
            • The-A-Man's avatar
              The-A-Man
              Please be aware of too-cheap sales of this release (LP/CD versions). A very poor Chinese counterfeit is suggested as an official product.
              • swetzel67's avatar
                swetzel67
                Edited 6 years ago
                Continuing Parlophone's remastering/reissue series that began with Five Years - this covers the period 1974-1976, usually referred to as Bowie's "soul" period in which he embraced soul and R&B styles - something he'd return to periodically for the rest of his career. I have no issue with the remastering on any of the original albums, or the bonus remixed version of David Live - not his best live album to start with - but I'm more than a little shocked at the paucity of bonus tracks from the era in question. Where, oh where, are "Dodo" and the original glam stomp version of "Candidate?" Both Ryko and Virgin included them on their re-issues (the Sound+Vision series and the 30th Anniversary edition respectively). I also noticed that unlike the other 3 box sets in this series, Re:Call 2 is a "single" disc. Unless there was some licensing issues, I'm sure there was enough bonus material (plus some leftover Aladdin Sane and Pin-Ups outtakes and/or B-sides that didn't make the cut for Re:Call 1) for a second disc. Put me down, and say I'm wrong (wink-wink, nudge-nudge), but the impression I got was these box sets were not only for "new" fans but to appeal to Bowie completists. Of course, there is the strong possibility Bowie nixed their inclusion as this re-issue project began before his death (if the liner notes concerning his vision of the 2018 remix of Never Let Me Down are truthful and accurate), but without those tracks the set seems ultimately incomplete.

                And, is it just me, or is this the first I've ever heard of "The Gouster" or its backstory? I've been a Bowie fan since REALLY discovering his music in middle school/high school in the early 80's - Scary Monsters and Let's Dance) - I had known who he was when I was a kid but was too young to appreciate (and he was too weird for my parents to give me permission to buy any of his records then - LOL!). I have read several biographies and critical history/discographies of Bowie and I'd never heard of "The Gouster" until this set was released. I'd had seen the photographs adorning the cover but thought they were some odd photo shoot he had done and not some for some album that was "rejected" by the label (or shelved by him). It's not bad, but it's really just an alternate take on the "Young Americans" LP - minus "Fame" and the title track.
                • pobbard's avatar
                  pobbard
                  I think I inadvertently bought a pirate copy of this, and not cheap. The set is very nice, but the discs are silver.

                  Also, on the spine of my copy of my Live Nassau '76, it say LIVE NASSAU COLISEUM '76 - DIAMOND DOGS, when the last two words should obviously be DAVID BOWIE. Does this mistake appear on legit copies, too?
                  • alonsodt's avatar
                    alonsodt

                    In this site does not appear that the surface of the discs is golden. Buy this box set new to 25 dollars, your book is hard cover beautiful graphics, the cds are silver sound excellent, all the information that appears is the same with the information on this site, check the CDs on both sides
                    • briacris9's avatar
                      briacris9
                      genuine CDs the playing surface is gold, as are all the 3 box sets as described on the David Bowie official website. I'm pretty sure the fake ones have a silver playing surface

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