The Prodigy – The Day Is My Enemy
Label: |
Cooking Vinyl – HOSPBOX005 |
|---|---|
Format: |
Box Set
, Album, Deluxe Edition, Limited Edition
Vinyl
, 12", 45 RPM
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| A1 | The Day Is My Enemy | 4:26 | |
| A2 | Nasty | 4:03 | |
| B1 | Rebel Radio | 3:52 | |
| B2 | Ibiza | 2:46 | |
| B3 | Wall Of Death | 4:04 | |
| C1 | Wild Frontier | 4:28 | |
| C2 | Get Your Fight On | 3:39 | |
| C3 | Invisible Sun | 4:16 | |
| D1 | Destroy | 4:29 | |
| D2 | Beyond The Deathray | 3:09 | |
| E1 | Rok-Weiler | 3:51 | |
| E2 | Rhythm Bomb | 4:12 | |
| F1 | Roadblox | 5:01 | |
| F2 | Medicine | 3:56 |
Companies, etc.
- Licensed To – Cooking Vinyl Ltd.
- Phonographic Copyright ℗ – Take Me To The Hospital
- Copyright © – Take Me To The Hospital
- Pressed By – MPO
- Recorded At – Tileyard Studios
- Mixed At – Sarm Studios
- Mastered At – Metropolis Mastering
- Published By – BMG
- Published By – Copyright Control
- Published By – Wb Music Corp.
- Published By – Kobalt
- Published By – Perfect Songs
- Published By – Incentive Music Management
- Published By – Copyright Control
- Published By – Wipeout Music
- Published By – MTA
- Published By – Catskills Music Publishing
- Published By – Maximum Boost Publishing
- Published By – Sony ATV
- Published By – Warner/Chappell
- Published By – Universal Egg (Westbury)
Credits
- Artwork – Luke Insect
- Lacquer Cut By – John D.*
- Mastered By – John Davis (4)
- Photography By ['Urban Fox In Bristol Street'] – Ian Wade Photography
- Photography By [Live Photography] – Rahul Singh
- Sleeve [Image] – Nick McFarlane
- Technician [Pro Tools Operation] – Neil McLellan
Notes
Pre-orders from The Prodigy store included instant grat of the tracks Nasty, The Day Is My Enemy, Wild Frontier, Ibiza, Rhythm Bomb, Get Your Fight On & Wall Of Death.
Choice of Lossless or MP3 Audio s.
Full color rigid 12x12 cardboard box with lift off lid.
On hype sticker:
“The Prodigy
The Day Is My Enemy
Limited edition deluxe 3LP boxset
Included in box:
3 X 180 gram individual coloured 12” cut at 45 rpm
3D lenticular of album cover
36” X 24” double sided poster
12” X 12” credit sheet
* card for Hi Res / mp3 digital files
Includes ‘Wild Frontier’ & ‘Nasty’”
The Day Is My Enemy:
Incorporating elements of "All Through The Night" by Cole Porter.
Published by WB Music Corp. All rights istered by Warner/Chappell North America Ltd.
Used by permission. All rights reserved.
Published by BMG / Copyright Control / WB Music Corp.
Nasty:
Published by BMG / Kobalt / Perfect Songs / Incentive Music Management.
Rebel Radio:
Published by BMG / Incentive Music Management / Copyright Control / Perfect Songs.
Ibiza:
Published by BMG / Wipeout Music.
Wall Of Death:
Published by BMG / Copyright Control / Kobalt.
Wild Frontier:
Published by BMG / MTA / Perfect Songs / Incentive Music Management.
Get Your Fight On:
Contains a sample of "Salami Fever" by Pepe Deluxé courtesy of Catskills Records.
Published by BMG / Kobalt / Perfect Songs / MTA / Catskills Music Publishing / Incentive Music Management.
Invisible Sun:
Published by BMG.
Destroy:
Published by BMG / Incentive Music Management.
Beyond The Deathray:
Published by BMG / Copyright Control.
Rok-Weiler:
Published by BMG / Kobalt / Copyright Control.
Rhythm Bomb:
Featuring samples from the Jomanda recording "Make My Body Rock 1990" produced under license from Atlantic Recording Corp. by arrangement with Rhino Entertainment Company, a Warner Music Group Company.
Flux Pavilion appears courtesy of Circus Records / Atlantic.
Published by BMG / Maximum Boost Publishing istered by Sony / ATV / Warner Chappell.
Roadblox:
Published by BMG / Kobalt.
Medicine:
Contains a sample of "Se Makri Sofra / At A Long Table" by Babaka & His Ensemble as featured on the album "Music Of The Balkans Vol 2" (FM 707) courtesy of FM Records.
Published by BMG / Universal Egg (Westbury) / Kobalt.
Written and recorded in various hotel rooms around the world, on planes and at The Prodigy Tileyard Studio. Mixed at Sarm.
Mastered at Metropolis.
Thank you…
Liam H: Martin, Rob, Chris, Anette, Shamus and all at Cooking Vinyl and everyone at releasing labels around the world, Alexi, Steve, Kirsten and Tom at my great new home BMG Publishing, Alison Hook and Guy - respect as always, Nick Halkes (Thank u for the input in making this record bro) and Timur at Incentive Music Management. Special thanks to John Fairs - Big respect for finding the sellotape and superglue, Claire Townend at JCF, Gavin and Dave, Ruth, Beth and all at Toast, Rob at Airplayer, Karen at Big Sister, Jo Hart at Hart Media, Jackson, Martina Topley-Bird, Top Secret Drum Corps, Tim Hutton, Brother Culture, Stu Henshall and Black Futures crew, Jason Williamson (Sleaford Mods), Joe and Luca (KillSonik), Josh (Flux Pavilion), Zak H Laycock, YT, Mark Summers, Chris Field Guitar, Paul Spraggon, Chris, David Bloomfield, Anna Neville at SSB, Mike Shepherd, Luke Insect, Nick McFarlane, SOL - Big respect man (Gig on the moon?), Simon Moran and all at SJM, Jon ‘Ragga Bass’ Burton, Mat Davie - Thanks for havin my back, Andy Hurst - Another level mate!, Jie Campbell - Come back!, Tyrone Brunton, Kat, Nobby, Tom, JB, Con, Steve and to all our crew - No one better, Dave Clarke and all at DPC Media, Edd and Steph, Mel and Trevor - Thanks for lettin us shake ur building for the last time, Nick and all at Tileyard, Zane, Biba for late night cuisine that kept us going, John Davis at Metropolis, Phil ol skool u know that!, Adamsk, Biggy D, A To The Dee, Olly B - Respect for always bringing the noise brother, Same Ol Sean - U know the ruckus will be brung!, Studio powered by Moet and wine gums, The Witching Hours, Big luv and respect to Rob Rock, Leo and to my 2 brothers Keef and Maxim - Let’s go!, Neily - Respect my brother for being such a major part of this journey, my sister and family and biggest luv to my wife and kids for all ur , bests x.
Maxim: Respect to all my family and friends who have ed me along the journey.
Keef: Barrie Tamlyn.
We live for the beats!
℗ & © 2015 Take Me To The Hospital under exclusive license to Cooking Vinyl Ltd.
Made in the EU.
Choice of Lossless or MP3 Audio s.
Full color rigid 12x12 cardboard box with lift off lid.
On hype sticker:
“The Prodigy
The Day Is My Enemy
Limited edition deluxe 3LP boxset
Included in box:
3 X 180 gram individual coloured 12” cut at 45 rpm
3D lenticular of album cover
36” X 24” double sided poster
12” X 12” credit sheet
* card for Hi Res / mp3 digital files
Includes ‘Wild Frontier’ & ‘Nasty’”
The Day Is My Enemy:
Incorporating elements of "All Through The Night" by Cole Porter.
Published by WB Music Corp. All rights istered by Warner/Chappell North America Ltd.
Used by permission. All rights reserved.
Published by BMG / Copyright Control / WB Music Corp.
Nasty:
Published by BMG / Kobalt / Perfect Songs / Incentive Music Management.
Rebel Radio:
Published by BMG / Incentive Music Management / Copyright Control / Perfect Songs.
Ibiza:
Published by BMG / Wipeout Music.
Wall Of Death:
Published by BMG / Copyright Control / Kobalt.
Wild Frontier:
Published by BMG / MTA / Perfect Songs / Incentive Music Management.
Get Your Fight On:
Contains a sample of "Salami Fever" by Pepe Deluxé courtesy of Catskills Records.
Published by BMG / Kobalt / Perfect Songs / MTA / Catskills Music Publishing / Incentive Music Management.
Invisible Sun:
Published by BMG.
Destroy:
Published by BMG / Incentive Music Management.
Beyond The Deathray:
Published by BMG / Copyright Control.
Rok-Weiler:
Published by BMG / Kobalt / Copyright Control.
Rhythm Bomb:
Featuring samples from the Jomanda recording "Make My Body Rock 1990" produced under license from Atlantic Recording Corp. by arrangement with Rhino Entertainment Company, a Warner Music Group Company.
Flux Pavilion appears courtesy of Circus Records / Atlantic.
Published by BMG / Maximum Boost Publishing istered by Sony / ATV / Warner Chappell.
Roadblox:
Published by BMG / Kobalt.
Medicine:
Contains a sample of "Se Makri Sofra / At A Long Table" by Babaka & His Ensemble as featured on the album "Music Of The Balkans Vol 2" (FM 707) courtesy of FM Records.
Published by BMG / Universal Egg (Westbury) / Kobalt.
Written and recorded in various hotel rooms around the world, on planes and at The Prodigy Tileyard Studio. Mixed at Sarm.
Mastered at Metropolis.
Thank you…
Liam H: Martin, Rob, Chris, Anette, Shamus and all at Cooking Vinyl and everyone at releasing labels around the world, Alexi, Steve, Kirsten and Tom at my great new home BMG Publishing, Alison Hook and Guy - respect as always, Nick Halkes (Thank u for the input in making this record bro) and Timur at Incentive Music Management. Special thanks to John Fairs - Big respect for finding the sellotape and superglue, Claire Townend at JCF, Gavin and Dave, Ruth, Beth and all at Toast, Rob at Airplayer, Karen at Big Sister, Jo Hart at Hart Media, Jackson, Martina Topley-Bird, Top Secret Drum Corps, Tim Hutton, Brother Culture, Stu Henshall and Black Futures crew, Jason Williamson (Sleaford Mods), Joe and Luca (KillSonik), Josh (Flux Pavilion), Zak H Laycock, YT, Mark Summers, Chris Field Guitar, Paul Spraggon, Chris, David Bloomfield, Anna Neville at SSB, Mike Shepherd, Luke Insect, Nick McFarlane, SOL - Big respect man (Gig on the moon?), Simon Moran and all at SJM, Jon ‘Ragga Bass’ Burton, Mat Davie - Thanks for havin my back, Andy Hurst - Another level mate!, Jie Campbell - Come back!, Tyrone Brunton, Kat, Nobby, Tom, JB, Con, Steve and to all our crew - No one better, Dave Clarke and all at DPC Media, Edd and Steph, Mel and Trevor - Thanks for lettin us shake ur building for the last time, Nick and all at Tileyard, Zane, Biba for late night cuisine that kept us going, John Davis at Metropolis, Phil ol skool u know that!, Adamsk, Biggy D, A To The Dee, Olly B - Respect for always bringing the noise brother, Same Ol Sean - U know the ruckus will be brung!, Studio powered by Moet and wine gums, The Witching Hours, Big luv and respect to Rob Rock, Leo and to my 2 brothers Keef and Maxim - Let’s go!, Neily - Respect my brother for being such a major part of this journey, my sister and family and biggest luv to my wife and kids for all ur , bests x.
Maxim: Respect to all my family and friends who have ed me along the journey.
Keef: Barrie Tamlyn.
We live for the beats!
℗ & © 2015 Take Me To The Hospital under exclusive license to Cooking Vinyl Ltd.
Made in the EU.
Barcode and Other Identifiers
- Barcode (Text Box): 7 11297 88057 1
- Barcode (Scanned Box): 711297880571
- Label Code: LC:7180
- Barcode (Stickered Text (US Version)): 0 9362492877 5
- Matrix / Runout (Side A): MPO HOSP BOX 005 A
- Matrix / Runout (Side B): MPO HOSP BOX 005 B1 John D
- Matrix / Runout (Side C): MPO HOSP BOX 005 C1
- Matrix / Runout (Side D): MPO HOSP BOX 005 D1
- Matrix / Runout (Side E): MPO HOSP BOX 005 E1
- Matrix / Runout (Side F): MPO HOSP BOX 005 F1
Other Versions (5 of 42)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
The Day Is My Enemy (2×LP, Album, 180 Gram) | Cooking Vinyl | HOSPLP005 | UK | 2015 | ||
| The Day Is My Enemy (CD, Album) | Cooking Vinyl | HOSPCD005 | Australia & New Zealand | 2015 | |||
| The Day Is My Enemy (CD, Album) | Cooking Vinyl | HOSPCD005 | UK | 2015 | |||
| The Day Is My Enemy (CD, Album) | Cooking Vinyl | 06025 4720769 2 | Europe | 2015 | |||
|
Recently Edited
|
The Day Is My Enemy (CDr, Album, Numbered, Promo, Watermarked) | Cooking Vinyl | HOSPCD005P | UK | 2015 |
Recommendations
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2022 WorldwideVinyl —LP, Album, Limited Edition, Reissue, Repress, Stereo -
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Reviews
-
Very nice box and LP play excellently at 45 RPM.
Too bad that the code inside is no longer working because the site has been deleted. -
Disappointing release. Just doesn't have the magic of Jilted and Experience, I just don't think I'm into him anymore. The album is way too loud and has no dynamics. The breaks are re-used too many times over. The sound pallette is a tad cold too. -
Edited 10 years agovery disappointing. the prodigy have always been one of my fave acts i've always defended, but this seems like a sequel to "Invaders" with no progression whatsoever. Liam's production is still amazingly good as a output, but i sense he's ran out of ideas, as he goes even as far to use the same set of samples/presets from his last record. still, there is some highlights as the opener track "the day is my enemy" with its strong percussion backed by fuzzy sounding synths, Medicine with its Bulgarian sampling opening, the anti-club DJ rantathon Ibiza with a certain sleaford mod, and the space opera that is Beyond The Deathray (which imo, should've closed the album..) apart from that though i can't say a lot more and believe if you want good prodigy albums look towards the first 3 albums and the dirtchamber sessions. 3/5
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