The Doors – Live At The Matrix 1967: The Original Masters
Label: |
Bright Midnight Archives – 603497835911 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Psychedelic Rock |
Tracklist
| March 7, 1967 – First Set | |||
| 1-1 | Bags' Groove (Instrumental) | 8:42 | |
| 1-2 | Back Door Man | 5:29 | |
| 1-3 | My Eyes Have Seen You | 2:55 | |
| 1-4 | Soul Kitchen | 4:04 | |
| 1-5 | All Blues (Instrumental) | 8:06 | |
| 1-6 | Get Out Of My Life Woman | 4:03 | |
| 1-7 | When The Music's Over | 12:33 | |
| March 7, 1967 – Second Set | |||
| 1-8 | Close To You | 2:58 | |
| 1-9 | Crawling King Snake | 4:55 | |
| 1-10 | I Can't See Your Face In My Mind | 3:14 | |
| 1-11 | People Are Strange | 2:18 | |
| 1-12 | Alabama Song (Whisky Bar) | 3:52 | |
| 1-13 | The Crystal Ship | 2:51 | |
| 1-14 | Twentieth Century Fox | 2:47 | |
| March 7, 1967 – Third Set | |||
| 2-1 | Moonlight Drive | 5:31 | |
| 2-2 | Summer's Almost Gone | 3:30 | |
| 2-3 | Unhappy Girl | 4:00 | |
| 2-4 | Woman Is A Devil / Rock Me Baby | 8:13 | |
| 2-5 | Break On Through (To The Other Side) | 3:31 | |
| 2-6 | Light My Fire | 8:20 | |
| 2-7 | The End | 14:07 | |
| March 10, 1967 – First Set | |||
| 2-8 | My Eyes Have Seen You | 2:58 | |
| 2-9 | Soul Kitchen | 5:53 | |
| 2-10 | I Can't See Your Face In My Mind | 3:08 | |
| 2-11 | People Are Strange | 2:16 | |
| 2-12 | When The Music's Over | 11:18 | |
| March 10, 1967 – Second Set | |||
| 3-1 | Money | 3:01 | |
| 3-2 | Who Do You Love | 4:34 | |
| 3-3 | Moonlight Drive | 5:38 | |
| 3-4 | Summer's Almost Gone | 3:49 | |
| 3-5 | I'm A King Bee | 3:52 | |
| 3-6 | Gloria | 5:42 | |
| 3-7 | Break On Through (To The Other Side) | 3:48 | |
| March 10, 1967 – Third Set | |||
| 3-8 | Summertime (Instrumental) | 8:32 | |
| 3-9 | Back Door Man | 5:17 | |
| 3-10 | Alabama Song (Whisky Bar) | 3:17 | |
| March 8 Or 9, 1967 | |||
| 3-11 | The End [Partial] / "Let's Feed Ice Cream To The Rats" | 4:32 |
Companies, etc.
- Record Company – Warner Music Group
- Phonographic Copyright ℗ – Rhino Entertainment Company
- Copyright © – Rhino Entertainment Company
- Manufactured For – Rhino Entertainment Company
- Marketed By – Rhino Entertainment Company
- Recorded At – The Matrix
- Mastered At – Bernie Grundman Mastering
- Glass Mastered At – Sonopress – 58302065
- Glass Mastered At – Sonopress – 58302077
- Glass Mastered At – Sonopress – 58241901
Credits
- [Worldwide Publishing istration] – Wixen Music Publishing, Inc.
- Art Direction, Design – Fred Davis (3)
- Drums – John Densmore
- Editor [Editorial] – Sheryl Farber
- Guitar – Robby Krieger
- Keyboards – Ray Manzarek
- Legal – Ziffren, Brittenham LLP*
- Liner Notes – Joel Selvin
- Management [Associate Manager] – Kenny Nemes
- Management [Worldwide] – Jeffrey Jampol
- Mastered By – Bruce Botnick
- Photography By – Bobby Klein (3)
- Product Manager – Alicia Yaffe
- Project Manager [Project Assistance] – Susanne Savage
- Recorded By – Peter Abram
- Research [The Doors Archivist] – David Dutkowski
- Supervised By [Art Supervision] – Lisa Glines
- Supervised By [Project Supervision] – Patrick Milligan
- Vocals – Jim Morrison
Notes
"Made in U.S.A." appears on back cover above barcode; "Made in " appears on disc faces. Disc matrices and mastering/mould SIDs match EU release.
Both catalog numbers (R2 698484 and 603497835911) appear on spine, back cover, disc faces and hype sticker, and inside booklet.
1-1, 1-3, 1-5, 1-7, 2-2, 3-3, 3-7, 3-10, 3-11 marked as previously unreleased.
1-6, 1-9, 2-4, 2-5, 2-9, 2-10, 3-1, 3-2, 3-5, 3-6, 3-8, 3-9 marked as first time released from the Original Master Tapes.
Both catalog numbers (R2 698484 and 603497835911) appear on spine, back cover, disc faces and hype sticker, and inside booklet.
1-1, 1-3, 1-5, 1-7, 2-2, 3-3, 3-7, 3-10, 3-11 marked as previously unreleased.
1-6, 1-9, 2-4, 2-5, 2-9, 2-10, 3-1, 3-2, 3-5, 3-6, 3-8, 3-9 marked as first time released from the Original Master Tapes.
Barcode and Other Identifiers
- Barcode (Scanned): 0603497835911
- Barcode (Text): 6 03497 83591 1
- Rights Society: GEMA/BIEM
- Matrix / Runout (CD 1): [Warner logo] 58302065/0603497835911-1-1 21
- Mastering SID Code (CD 1): IFPI LP 73
- Mould SID Code (CD 1): IFPI 0734
- Matrix / Runout (CD 2): [Warner logo] 58302077/0603497835911-2-1 21
- Mastering SID Code (CD 2): IFPI LP 73
- Mould SID Code (CD 2): IFPI 0734
- Matrix / Runout (CD 3): [Warner logo] 58241901/0603497835911-3 21
- Mastering SID Code (CD 3): IFPI LP 73
- Mould SID Code (CD 3): IFPI 072Y
Other Versions (4)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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New Submission
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Live At The Matrix 1967: The Original Masters (Box Set, Limited Edition, Numbered, Remastered, Stereo, 5×LP, Stereo, 7", 33 ⅓ RPM, Single Sided, Stereo) | Bright Midnight Archives | R1 698484, 603497836666 | Worldwide | 2023 | ||
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Recently Edited
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Live At The Matrix 1967: The Original Masters (3×CD, Limited Edition) | Bright Midnight Archives | 603497835911, R2 698484 | Europe | 2023 | ||
|
New Submission
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Live At The Matrix 1967: The Original Masters (3×CD, Album, SHM-CD) | Rhino Records (2) | WPCR-18620/22 | Japan | 2023 | ||
|
New Submission
|
Live At The Matrix 1967: The Original Masters (37×File, MP3, Album, Reissue, VBR) | Rhino Records (2) | none | US | 2025 |
Recommendations
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2023 WorldwideCD —Album, Record Store Day, Limited Edition -
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2017 WorldwideCD —Album, Reissue, Remastered, Stereo -
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2024 USCD —Album, Record Store Day, Limited Edition, Stereo
Reviews
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Overall, it's great, and much better than the 2008 2CD release, but has anyone noticed that Disc 2 is much louder than Disc 1? Disc 3 is OK since Disc 2 is only slight louder than Disc 3, but apparently the normalization for the 3 discs wasn't done properly, if it were done at all. Isn't it rather unprofessional to have such an easily noticeable normalization failure? -
Great quality on the audio, mastering is excellent and from original analog tapes. Packaging is horrible, all lightweight paper with sleeves, horrible protection for the CDs and the first CD sleeve tore first time I took out; vinyl set is better buy if you’re into vinyl.
Release
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