David Bowie – 1. Outside (The Nathan Adler Diaries: A Hyper Cycle)
Label: |
Parlophone – DB 92013 |
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Format: |
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Country: |
Worldwide |
Released: |
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Genre: |
Rock |
Style: |
Leftfield |
Tracklist
| A1 | Leon Takes Us Outside | 1:26 | |
| A2 | Outside | 4:03 | |
| A3 | The Hearts Filthy Lesson | 4:58 | |
| A4 | A Small Plot Of Land | 6:33 | |
| B1 | Segue - Baby Grace (A Horrid Cassette) | 1:40 | |
| B2 | Hallo Spaceboy | 5:13 | |
| B3 | The Motel | 6:50 | |
| B4 | I Have Not Been To Oxford Town | 3:50 | |
| C1 | No Control | 4:32 | |
| C2 | Segue - Algeria Touchshriek | 2:02 | |
| C3 | The Voyeur Of Utter Destruction (As Beauty) | 4:22 | |
| Segue - Ramona A. Stone / I Am With Name | (4:01) | ||
| C4a | Segue - Ramona A. Stone | ||
| C4b | I Am With Name | ||
| C5 | Wishful Beginnings | 5:08 | |
| D1 | We Prick You | 4:35 | |
| D2 | Segue - Nathan Adler Pt. 1 | 1:01 | |
| D3 | I'm Deranged | 4:29 | |
| D4 | Thru' These Architects Eyes | 4:22 | |
| D5 | Segue - Nathan Adler Pt. 2 | 0:28 | |
| D6 | Strangers When We Meet | 5:10 |
Companies, etc.
- Copyright © – Jones/Tintoretto Entertainment Co., LLC
- Phonographic Copyright ℗ – Jones/Tintoretto Entertainment Co., LLC
- Licensed To – Parlophone Records Ltd.
- Copyright © – Parlophone Records Ltd.
- Record Company – Warner Music Group
- Designed At – Gas Associates
- Published By – Tintoretto Music
- Published By – RZO Music, Inc.
- Published By – Upala Music Inc.
- Published By – Exploded View Music
- Published By – BMG Firefly
- Published By – Jones Music America
- Published By – ARZO Publishing
- Published By – RZO Music Ltd.
- Published By – Opal Music
- Published By – BMG Rights Management (UK) Limited
- Published By – Kevin Alexander Armstrong
- Published By – Strept Throat Music
- Published By – WB Music Corp.
- Recorded At – Mountain Studios
- Remastered At – AIR Mastering
- Pressed By – Optimal Media GmbH – BK04839
Credits
- Backing Vocals – Ruby Edwards (tracks: A3, C4b)
- Bass – Yossi Fine
- Bass, Keyboards – Erdal Kizilçay*
- Co-producer [Co-produced By], Engineer [Engineered By] – David Richards
- Design Concept [Album Cover Concept] – Denovo (4)
- Design [Album Design], Artwork [Image Manipulation] – Denovo (4)
- Design [Remaster Design By] – Scott Minshall
- Drums – Sterling Campbell
- Engineer [Assistant Engineer] – Jon Goldberger
- Grand Piano – Mike Garson
- Guitar [Additional Guitar] – Tom Frish (tracks: D6)
- Lead Guitar, Vocals – Reeves Gabrels
- Mixed By [Assisted By], Engineer [Additional Treatments Assisted By] – David Bowie
- Mixed By, Engineer [Additional Treatments By] – David Richards
- Painting [Front Cover Painting] – David Bowie
- Photography By – John Scarisbrick
- Producer [Produced By] – David Bowie
- Remastered By – John Webber
- Remastered By [With] – Brian Eno
- Rhythm Guitar, Vocals – Carlos Alomar
- Stylist – Jennifer Elster
- Synthesizer [Synthesizers], Effects [Treatments And Strategies] – Brian Eno
- Vocals, Saxophone, Guitar [Guitars], Keyboards – David Bowie
Notes
Recorded at Mountain Studios, Switzerland
Remastered at Air Mastering, London, thanks also to Jasper Ward
Remaster design at Gas Associates, London, 2020.
Tracks A1, A3 to B1: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Upala Music, Inc. (BMI), Exploded View Music (ASCAP) c/o BMG Firefly, Jones Music America (ASCAP) istered by ARZO Publishing. Rest of World - Tintoretto Music/RZO Music Ltd., Jones Music America/RZO Music Ltd., Opal Music, London (PRS), Exploded View Music/BMG Rights Management (UK) Limited.
Track A2: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Kevin Alexander Armstrong (BMI). Rest of World - Tintoretto Music/RZO Music Ltd., Kevin Alexander Armstrong.
Tracks B2, B4, C1, C5, D1, D3, D5: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Upala Music, Inc. (BMI). Rest of World - Tintoretto Music/RZO Music Ltd., Opal Music, London (PRS).
Tracks B3, D6: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc. Rest of World - Tintoretto Music/RZO Music Ltd.
Track C2: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Upala Music, Inc. (BMI), Strept Throat Music (ASCAP) istered by WB Music Corp., Jones Music America (ASCAP) istered by ARZO Publishing. Rest of World - Tintoretto Music/RZO Music Ltd., Opal Music, London (PRS), Strept Throat Music/WB Music Corp.
Track C3: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Upala Music, Inc. (BMI), Exploded View Music (ASCAP) c/o BMG Firefly. Rest of World - Tintoretto Music/RZO Music Ltd., Jones Music America/RZO Music Ltd., Opal Music, London (PRS), Exploded View Music/BMG Rights Management (UK) Limited.
Tracks C4, D2: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Upala Music, Inc. (BMI), Strept Throat Music (ASCAP) istered by WB Music Corp., Jones Music America (ASCAP) istered by ARZO Publishing. Rest of World - Tintoretto Music/RZO Music Ltd., Jones Music America/ RZO Music Ltd., Opal Music, London (PRS), Strept Throat Music/WB Music Corp.
Track D4: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Strept Throat Music (ASCAP) istered by WB Music Corp. Rest of World - Tintoretto Music/RZO Music Ltd., Strept Throat Music/WB Music Corp.
Originally ℗1995, remaster ℗2021 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Company LLC under exclusive license to Parlophone Records Ltd. ©2021 Jones/Tintoretto Entertainment Company LLC. ©2021 Parlophone Records Ltd. A Warner Music Group Company.
Made in .
Track C2 is printed incorrectly as "Segue - Algeria Touchschriek" on the rear artwork, but is correctly spelled in the booklet.
Track D4 is printed incorrectly as "Thru These Architects Eyes" on the 6th page of the inner sleeve, for "Thru' These Architects Eyes" on back cover and the 7th page of the inner sleeve.
Runouts are etched.
All Optimal plating symbols may be inverted (e.g., "⊥" vs "T"), and the entire Optimal character string is mirrored (e.g., "1△" vs "△↾").
Stand alone breakout release from the boxed set Brilliant Adventure [1992-2001].
Remastered at Air Mastering, London, thanks also to Jasper Ward
Remaster design at Gas Associates, London, 2020.
Tracks A1, A3 to B1: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Upala Music, Inc. (BMI), Exploded View Music (ASCAP) c/o BMG Firefly, Jones Music America (ASCAP) istered by ARZO Publishing. Rest of World - Tintoretto Music/RZO Music Ltd., Jones Music America/RZO Music Ltd., Opal Music, London (PRS), Exploded View Music/BMG Rights Management (UK) Limited.
Track A2: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Kevin Alexander Armstrong (BMI). Rest of World - Tintoretto Music/RZO Music Ltd., Kevin Alexander Armstrong.
Tracks B2, B4, C1, C5, D1, D3, D5: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Upala Music, Inc. (BMI). Rest of World - Tintoretto Music/RZO Music Ltd., Opal Music, London (PRS).
Tracks B3, D6: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc. Rest of World - Tintoretto Music/RZO Music Ltd.
Track C2: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Upala Music, Inc. (BMI), Strept Throat Music (ASCAP) istered by WB Music Corp., Jones Music America (ASCAP) istered by ARZO Publishing. Rest of World - Tintoretto Music/RZO Music Ltd., Opal Music, London (PRS), Strept Throat Music/WB Music Corp.
Track C3: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Upala Music, Inc. (BMI), Exploded View Music (ASCAP) c/o BMG Firefly. Rest of World - Tintoretto Music/RZO Music Ltd., Jones Music America/RZO Music Ltd., Opal Music, London (PRS), Exploded View Music/BMG Rights Management (UK) Limited.
Tracks C4, D2: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Upala Music, Inc. (BMI), Strept Throat Music (ASCAP) istered by WB Music Corp., Jones Music America (ASCAP) istered by ARZO Publishing. Rest of World - Tintoretto Music/RZO Music Ltd., Jones Music America/ RZO Music Ltd., Opal Music, London (PRS), Strept Throat Music/WB Music Corp.
Track D4: Published by North America - Tintoretto Music (BMI) istered by RZO Music, Inc., Strept Throat Music (ASCAP) istered by WB Music Corp. Rest of World - Tintoretto Music/RZO Music Ltd., Strept Throat Music/WB Music Corp.
Originally ℗1995, remaster ℗2021 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Company LLC under exclusive license to Parlophone Records Ltd. ©2021 Jones/Tintoretto Entertainment Company LLC. ©2021 Parlophone Records Ltd. A Warner Music Group Company.
Made in .
Track C2 is printed incorrectly as "Segue - Algeria Touchschriek" on the rear artwork, but is correctly spelled in the booklet.
Track D4 is printed incorrectly as "Thru These Architects Eyes" on the 6th page of the inner sleeve, for "Thru' These Architects Eyes" on back cover and the 7th page of the inner sleeve.
Runouts are etched.
All Optimal plating symbols may be inverted (e.g., "⊥" vs "T"), and the entire Optimal character string is mirrored (e.g., "1△" vs "△↾").
Stand alone breakout release from the boxed set Brilliant Adventure [1992-2001].
Barcode and Other Identifiers
- Barcode (Text): 0 190295 253370
- Barcode (Scanned): 190295253370
- Rights Society: GEMA/MS
- Rights Society: BMI
- Rights Society: ASCAP
- Rights Society: PRS
- Label Code: LC30419
- Matrix / Runout (Side A label): DB 92013A
- Matrix / Runout (Side B label): DB 92013B
- Matrix / Runout (Side C label): DB 92013C
- Matrix / Runout (Side D label): DB 92013D
- Matrix / Runout (Runout side A, variant 1): 0190295253370 BK04839-01 A1 1-
- Matrix / Runout (Runout side B, variant 1): 0190295253370 BK04839-01 B1 1|V
- Matrix / Runout (Runout side C, variant 1): 0190295253370 BK04839-02 C1 1|+
- Matrix / Runout (Runout side D, variant 1): 0190295253370 BK04839-02 D1 1-
- Matrix / Runout (Runout side A, variant 2): 0190295253370 BK04839-01 A1 1△
- Matrix / Runout (Runout side B, variant 2): 0190295253370 BK04839-01 B1 11+
- Matrix / Runout (Runout side C, variant 2): 0190295253370 BK04839-02 C1 1IV
- Matrix / Runout (Runout side D, variant 2): 0190295253370 BK04839-02 D1 1IX
- Matrix / Runout (Runout side A, variant 3): 0190295253370 1II BK04839-01 A1
- Matrix / Runout (Runout side B, variant 3): 0190295253370 1IT BK04839-01 B1
- Matrix / Runout (Runout side C, variant 3): 0190295253370 2= BK04839-02 C1
- Matrix / Runout (Runout side D, variant 3): 0190295253370 1IV BK04839-02 D1
- Matrix / Runout (Runout side A, variant 4): 0190295253370 1+ BK04839-01 A1
- Matrix / Runout (Runout side B, variant 4): 0190295253370 BK04839-01 B1 1△
- Matrix / Runout (Runout side C, variant 4): 0190295253370 1I⋀ BK04839-02 C1
- Matrix / Runout (Runout side D, variant 4): 0190295253370 1I⋀ BK04839-02 D1
Other Versions (5 of 104)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (CD, Album, Stereo, Digibook) | Virgin | 7243 8 40711 2 7 | US | 1995 | ||
| 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (CD, Album, Stereo) | Arista | 74321303392 | Europe | 1995 | |||
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Recently Edited
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1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (CD, Album, Picture CD) | Arista | BVCA-677 | Japan | 1995 | ||
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Recently Edited
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1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (Cassette, Album) | Bertelsmann Music Group | 74321303394 | Europe | 1995 | ||
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Recently Edited
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Excerpts From Outside (The Nathan Adler Diaries: A Hyper Cycle) (LP, Album) | Arista | 74321303391, 74321 30339 1 | Europe | 1995 |
Recommendations
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2016 WorldwideVinyl —LP, Album, Reissue, Remastered, Stereo
Reviews
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Edited one month agoSnag also the contemporaneously reissued The Buddha of Suburbia soundtrack for its original, superior rendition of "Strangers When We Meet", which oozes a ion-anxiety-exultation energy that the Outside version lacks. -
Great pressing! Mine is super quiet, sound is dynamic and open. The bass slams. Sleeve is OK, art looks nice but the sleeve itself isn't heavy duty or anything. And you'll want some new inner sleeves. I'm very happy with this copy. -
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When I saw the previous vinyl edition with such a cumbersome trifold cover (I *HATE* trifold covers for double/triple albums, as they are not practical at all, horrible to handle), I decided to , even though "Outside" has been my favorite Bowie album since it came out back in the 1990s. I still have my old CD. I thought: if they want to include the original artwork, why not a large pocket with two inners, maybe printed, plus a big book with those lyrics and photos? Then... my prayers have been answered! This is it!
I love the large single pocket with the big book inside and the two inners.
The records sound superb! But do clean them before you play them the first time. They come dirty from the factory. And add some polyethylene inners for the records. Those glossy paper inners gather static.
I kind of wish that, instead of the Brilliant Adventures box set, they had made a five-record box set for Outside alone, including this + a record with the single B-sides ("Get Real", "Nothing to be desired", some of those remixes) + finally releasing "The Leon Suites" officially. That would be a dream! I think the releases from the "Outside" period were Bowie's best of his whole career! It's such a shame that era was not very successful. To this day, I think a musical movie with Nathan Adler's story would have been awesome, albeit most likely very controversial. (Some say the movie "Seven" is not far from this idea, but, apart from including one of this album's tracks and being a very dark story, I'd same it's much "tamer" than Nathan Adler's Diary.)
If you want this album in vinyl format: I strongly recommend this edition.
If you like CDs, there is a single-disc jewel-case version with the complete original 24-page *readable* booklet that includes "Get Real" as a bonus track, which is currently my favorite version, although I still keep my old original mediabook-like edition.
A sturdy mediabook with a triple CD, including the album + B-sides + Leon Suites would be a *dream*, but I seriously doubt such a thing will ever come out, unfortunately. -
Sounds better than the 2015 Friday Music double LP, but it I'd take the original CD any day. Not to say this is a bad sounding record, but it is digitally recorded anyway and even over the new CD the original CD has the edge. No massive compression on any version I've heard (still there to some extent on all versions) but still sounds fine. His best musical output since 1980.
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This album didn't really appeal to me musically, but I was even more disappointed by the quality of the recording.
The sound is very compressed and muddy. LP was listened on the two independent setups. -
Edited one year agoPeople here are very positive but I find this one problematic. I'm all for poetic cinema, intelligent concepts, abstract art, off-the-wall ideas and music that breaks the rules or follows completely new ones...but this project feels contrived, over-composed and ultimately deflating by the end. I say 'end', such as it is, personally I feel like I've been taken nowhere at all.
As well as that, the engineering is poor. Bowie is clear throughout but the instrumentation is muddled and cluttered. I even found the soundstage irritatingly small and biased too much to the right channel. I'll keep this in the Bowie collection (leaves a gap otherwise!) but there's another 25 Bowie albums I'd recommend well before it.
The pressing is clean and quiet. The artwork and presentation of the cover is excellent. I can't see playing it much though. Happier to move on through to Earthling, Hours, Heathen, Reality, Next Day and Black Star where the art is less operatic and all the more meaningful for it.
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I hate how muddy strangers when we meet sounds compared to the single on the re:call 5 comp. It's so much more powerful there! -
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Great packaging and well pressed vinyl. Does anyone know if certain songs have been remixed? They sound different from how I them from the original CD, those on side 1 especially. I know this is a new remaster, but it seems that more has been done.
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