Ornette Coleman – The Shape Of Jazz To Come
Label: |
Rhino Records (2) – SD-1317 |
|---|---|
Format: |
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Country: |
US |
Released: |
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Genre: |
Jazz |
Style: |
Post Bop |
Tracklist
| A1 | Lonely Woman | 4:59 | |
| A2 | Eventually | 4:20 | |
| A3 | Peace | 9:04 | |
| B1 | Focus On Sanity | 6:50 | |
| B2 | Congeniality | 6:41 | |
| B3 | Chronology | 6:05 |
Companies, etc.
- Mastered At – Better Quality Sound
- Pressed By – Rainbo Records – S 42460
- Pressed By – Rainbo Records – S 42461
Credits
- Alto Saxophone – Ornette Coleman
- Cornet – Donald Cherry*
- Design [Cover] – Marvin Israel
- Double Bass – Charlie Haden
- Drums – Billy Higgins
- Engineer [Recording Engineer] – Bones Howe
- Lacquer Cut By – David Cheppa
- Liner Notes – Martin Williams (6)
- Photography By [Cover Photo] – William Claxton
- Supervised By – Nesuhi Ertegun
- Written-By – Ornette Coleman
Notes
This Release is a reissue of the original stereo The Shape Of Jazz To Come on Atlantic. This reissue uses original artwork (on cover and center label) and no reissue information is mentioned on the cover or vinyl. It can be distinguished from other releases by etchings in the deadwax area.
Contrary to the indication on the original sticker, this release is not 180g, but just 140g!
Original shrink wrap includes a sticker that states "Manufactured by Rhino Records. Produced under license from Atlantic Recording Corp.; exclusively distributed by Scorpio Music, Inc."
The catalog number without the SD in front appears on the front cover and spine, the one with SD on the back cover and LP. Another Catalog number appears only on the LP (though significantly smaller than the SD 1317): (ST-A-59176 PR) on both sides.
Copyright Notices on cover:
Atlantic Recording Corporation, 1841 Broadway, New York, New York 10023
All tracks: MJQ Music, BMI
Markings on LP
Both catalog numbers: SD 1317 and (ST-A-59176 PR)
Contrary to the indication on the original sticker, this release is not 180g, but just 140g!
Original shrink wrap includes a sticker that states "Manufactured by Rhino Records. Produced under license from Atlantic Recording Corp.; exclusively distributed by Scorpio Music, Inc."
The catalog number without the SD in front appears on the front cover and spine, the one with SD on the back cover and LP. Another Catalog number appears only on the LP (though significantly smaller than the SD 1317): (ST-A-59176 PR) on both sides.
Copyright Notices on cover:
Atlantic Recording Corporation, 1841 Broadway, New York, New York 10023
All tracks: MJQ Music, BMI
Markings on LP
Both catalog numbers: SD 1317 and (ST-A-59176 PR)
Barcode and Other Identifiers
- Matrix / Runout (Side A handetched into run out groove): 5032 SD1317-1 (A) S 42460 Dc Bq s
- Matrix / Runout (Side B handetched into run out groove): 5032 SD1317-1 B S 42461 Dc Bq s
Other Versions (5 of 109)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Shape Of Jazz To Come (LP, Album, Stereo) | Atlantic | SD 1317, SD-1317 | US | 1959 | |||
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New Submission
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The Shape Of Jazz To Come (LP, Album, Mono) | Atlantic | 1317 | US | 1959 | ||
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New Submission
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Le Jazz De Demain (LP, Album, Mono) | Atlantic | 332010, 332.010 | 1959 | |||
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New Submission
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The Shape Of Jazz To Come (LP, Album, Stereo) | Atlantic | SD 1317 | Denmark | 1959 | ||
|
New Submission
|
The Shape Of Jazz To Come (LP, Album, Mono) | Atlantic | 1317 | Denmark | 1959 |
Recommendations
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1995 USVinyl —LP, Album, Limited Edition, Reissue, Remastered, Stereo -
2000 CanadaVinyl —LP, Album -
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USVinyl —LP, Album, Reissue, Stereo -
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Reviews
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Edited 5 months agoI’m curious as to who entered the comments on this release. I weighed my copy and it was over 190 grams. Also, the labels are consistent with a late 1960s reissue, not the original labels in 1959 when this record was first released. At any rate, this record is nothing less than amazing and is a great place to start your journey into free jazz and the artistry of Ornette Coleman. All of the players are given adequate opportunity to shine on this album. The interplay between the cornet and sax is beautiful and Haden and Higgins do very well to and accompany them. This is an essential jazz record for your collection. This is a well done reissue that is highly recommended.
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**Lonley Woman - discordant from the start baseline adds to tension. Track feels like it is "searching" to me. *Eventually - rapid runs fast and aggressive - bebop. *Peace - cool jazz feel I love it when the playing turns extremely delicate in Cherry's solo. **Focus On Sanity - shocks then gets quiet with a solo base line then builds from there. Congeniality - fairly straight forward *Chronology twisty sax solo over straight rhythm.
Charlie Hanson's bass playing is on of my favorite elements if this album.
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