Keith Jarrett – Solo Concerts: Bremen / Lausanne
Label: |
ECM Records – ECM-1035/37 |
|---|---|
Format: |
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Country: |
US |
Released: |
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Genre: |
Jazz |
Style: |
Tracklist
| A | Bremen, July 12, 1973, Part I | 18:05 | |
| B | Bremen, July 12, 1973, Part IIa | 19:40 | |
| C1 | Bremen, July 12, 1973, Part IIb | 20:31 | |
| C2 | Bremen, July 12, 1973, Part IIb | 5:44 | |
| D | Lausanne, March 20, 1973, Part Ia | 22:50 | |
| E1 | Lausanne, March 20, 1973, Part Ib | 7:20 | |
| E2 | Lausanne, March 20, 1973, Part IIa | 12:34 | |
| F | Lausanne, March 20, 1973, Part IIb | 22:35 |
Companies, etc.
- Distributed By – Polydor Incorporated
- Pressed By – All Disc Records, Inc.
- Phonographic Copyright ℗ – ECM Records GmbH
- Lacquer Cut At – Sterling Sound
Credits
- Design [Cover Design], Layout – B & B Wojirsch
- Engineer [Remix] – Martin Wieland
- Lacquer Cut By – RL*
- Photography By – Roberto Masotti
- Piano, Composed By – Keith Jarrett
- Producer – Manfred Eicher
Notes
Comes in a hard box cover with a 12-page booklet.
Pressing variation with a 6 under cat# on labels.
Runouts are etched except 'STERLING' is stamped.
Side C is listed on label and in booklet as one track with a length of 26:15, however the final 5:44 is indexed separately from the main track. Corrections listed above
Pressing variation with a 6 under cat# on labels.
Runouts are etched except 'STERLING' is stamped.
Side C is listed on label and in booklet as one track with a length of 26:15, however the final 5:44 is indexed separately from the main track. Corrections listed above
Barcode and Other Identifiers
- Pressing Plant ID (Labels): 6
- Matrix / Runout (Side A label): ECM 1035/37 A
- Matrix / Runout (Side B label): ECM 1035/37 B
- Matrix / Runout (Side C label): ECM 1035/37 C
- Matrix / Runout (Side D label): ECM 1035/37 D
- Matrix / Runout (Side E label): ECM 1035/37 E
- Matrix / Runout (Side F label): ECM 1035/37 F
- Matrix / Runout (Side A runout, variant 1): ECM-3-1035/37-AS-AD-2 STERLING RL
- Matrix / Runout (Side B runout, variant 1): ECM-3-1035/37-BS-AD-2 STERLING RL
- Matrix / Runout (Side C runout, variant 1): ECM-3-1035/37-CS-AD-2
- Matrix / Runout (Side D runout, variant 1): ECM-3-1035/37-DS-AD-2 STERLING RL
- Matrix / Runout (Side E runout, variant 1): ECM-1035/37E STERLING
- Matrix / Runout (Side F runout, variant 1): ECM-3-1035/37-FS-AD-2
- Matrix / Runout (Side A runout, variant 2): ECM- 3- 1035/37 - AS- AD-2 STERLING RL 33
- Matrix / Runout (Side B runout, variant 2): ECM-1035/37B STERLING 33
- Matrix / Runout (Side C runout, variant 2): ECM-3 - 1035/37 -CS - AD -2 33
- Matrix / Runout (Side D runout, variant 2): ECM-3 - 1035/37- DS- AD -2 STERLING RL 33
- Matrix / Runout (Side E runout, variant 2): ECM-1035/37E STERLING 33
- Matrix / Runout (Side F runout, variant 2): ECM- 3 - 1035/37- FS- AD-2 33
Other Versions (5 of 52)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Solo Concerts: Bremen / Lausanne (3×LP, Box Set, ) | ECM Records | ECM 3-1035-37 ST | US | 1973 | ||
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Recently Edited
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Solo Concerts: Bremen / Lausanne (3×LP, Album, Box Set, ) | ECM Records | PA 3031~3, PA 3031~33 | Japan | 1973 | ||
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Recently Edited
|
Solo Concerts: Bremen / Lausanne (3×LP, Album, Stereo, Box Set, ) | ECM Records | ECM 1035-37 ST | 1973 | |||
|
Recently Edited
|
Solo Concerts: Bremen / Lausanne (Box Set, , 3×LP, Album) | ECM Records | PA 3031~3, PA 3031~33 | Japan | 1973 | ||
|
Needs Changes
|
Solo Concerts: Bremen / Lausanne (3×LP, Stereo, Box Set, ) | ECM Records | ECM 3-1035/37 ST | US | 1973 |
Recommendations
Reviews
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It sounds like there's roughly ~10 seconds between the end of side D and the start of side E that was edited out for the CD releases. It's a series of staccato arpeggiations before the sustained ones ring out. The edit is cleverly hidden at ~22:40 on CD; you'll hear the second part of the right hand phrase is noticably quieter. Anyone else notice this? -
Lovely clear and clean pressing. I don't think you can slot Jarrett into any genre. He lies somewhere between jazz and classical. Whatever you classify him in, he is brilliant.
Of this album I prefer the pace of the Lausanne portion to Bremen. But it's all great.
My box was missing the booklet, so I got the collection for only $12. W00t! -
Edited 2 years agoKeith Jarrett occupies that space at the very top of the jazz food chain, next to Bird, Coltrane, and Bill Evans. The music he creates is on a higher plane than many. A jazz neophyte, armed with such knowledge, might hasten to the store to grab The Köln Concert, or similar acclaimed Jarrett release, only to be utterly confused, perhaps disappointed on first listen. Understand, these sounds, ideas, harmonies, etc. may take years, even decades, to settle in.
I've been studying Jazz 4 decades and I'm still not there. My listening diet includes measured doses of Jarrett's solo pieces; in this manner I'm able to appreciate his greatness, still at the shallow end of the pool.
Here are several beautifully developed motifs, richly explored by Jarrett. Based in jazz, there are elements of classical fugue, blues, gospel, and other styles.
My favorite section is that short piece in the second half of Side C.
The recordings are outstanding with great dynamics. The piano sounds gorgeous and is nicely recorded. It also looks as though Robert Ludwig had a hand in the mastering. The end result is stunning.
A nice clean pressing that honors the recorded content. Four stars. Recommended. -
Really enjoyable box set. I'm not sure I understood who he is or what he did. I knew the name. He's a great pianist. .
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