Bowie* – A Reality Tour
Tracklist
A1 | Rebel, Rebel | |
A2 | New Killer Star | |
A3 | Reality | |
A4 | Fame | |
A5 | Cactus | |
A6 | Sister Midnight | |
B1 | Afraid | |
B2 | All The Young Dudes | |
B3 | Be My Wife | |
B4 | The Loneliest Guy | |
B5 | The Man Who Sold the World | |
B6 | Sunday | |
C1 | Fantastic Voyage | |
C2 | Hallo Spaceboy | |
C3 | Under Pressure | |
C4 | Life On Mars | |
C5 | Battle For Britain (The Letter) | |
C6 | Never Get Old | |
D1 | Ashes To Ashes | |
D2 | The Motel | |
D3 | Loving The Alien | |
D4 | Changes | |
D5 | I'm Afraid Of Americans | |
E1 | Heroes | |
E2 | Bring Me The Disco King | |
E3 | Slip Away | |
E4 | Heathen (The Rays) | |
F1 | Five Years | |
F2 | Hang On To Yourself | |
F3 | Ziggy Stardust | |
F4 | Fall Dogs Bomb The Moon | |
F5 | Breaking Glass | |
F6 | China Girl |
Companies, etc.
- Licensed To – Sony Music Entertainment
- Manufactured By – Sony Music Entertainment
- Manufactured For – Friday Music
- Phonographic Copyright ℗ – ISO Records
- Copyright © – ISO Records
- Pressed By – Record Technology Incorporated – 25123
- Pressed By – Record Technology Incorporated – 25271
- Recorded At – The Point Depot
- Mastered At – Sterling Sound
- Mastered At – Friday Music Studios
Credits
- Bass Guitar – Gail Ann Dorsey
- Coordinator – Julian Stockton
- Coordinator [Assistant] – Eileen D'Arcy
- Drums – Sterling Campbell
- Engineer [Pro Tools & 5.1] – Mario J. McNulty
- Executive-Producer – Henry Wrenn-Meleck
- Guitar – Earl Slick
- Guitar, Leader [Band Leader] – Gerry Leonard
- Keyboards – Mike Garson
- Mandolin – Catherine Russell
- Mastered By – Ted Jensen
- Mixed By [Mix Engineer] – Tony Visconti
- Percussion – Catherine Russell
- Photography By [Additional Photos] – Mark Adams (11)
- Photography By [Cover] – Dorothea Müller
- Producer, Concept By – David Bowie
- Vocals – Sterling Campbell
Notes
From spine:
Friday Music 180 gram audiophile vinyl.
Silver sticker on shrink-wrap:
Vinyl Pressing HQ-180®
RTI Record Technology
® ed Trademark Record Technology Inc.
Cover Photo:
Dorothea Müller/Keystone Ⓒ 2004
Box of three LP with, as bonus, two posters.
Personal Assistant to Mr Bowie - Coco Schwab.
A REALITY TOUR was recorded November 22 and 23, 2003, in front of emotionally charged audiences at the Point Depot Dublin, Ireland.
Special thanks to David Bowie, Mark Adams and Sony Music Entertainment.
In memory of David Bowie.
Labels: ℗ 2016 ISO Records, manufactured under license by Sony Music Entertainment © 2016 ISO Records, manufactured under license by Sony Music Entertainment
Box: © 2009, 2016 ISO Records made under license by Sony Music Entertainment © 2009 The copyright in this sound recording is owned by ISO Records, under license by Sony Music Entertainment
Runouts are etched.
Friday Music 180 gram audiophile vinyl.
Silver sticker on shrink-wrap:
Vinyl Pressing HQ-180®
RTI Record Technology
® ed Trademark Record Technology Inc.
Cover Photo:
Dorothea Müller/Keystone Ⓒ 2004
Box of three LP with, as bonus, two posters.
Personal Assistant to Mr Bowie - Coco Schwab.
A REALITY TOUR was recorded November 22 and 23, 2003, in front of emotionally charged audiences at the Point Depot Dublin, Ireland.
Special thanks to David Bowie, Mark Adams and Sony Music Entertainment.
In memory of David Bowie.
Labels: ℗ 2016 ISO Records, manufactured under license by Sony Music Entertainment © 2016 ISO Records, manufactured under license by Sony Music Entertainment
Box: © 2009, 2016 ISO Records made under license by Sony Music Entertainment © 2009 The copyright in this sound recording is owned by ISO Records, under license by Sony Music Entertainment
Runouts are etched.
Barcode and Other Identifiers
- Barcode (Text): 8 29421 88272 5
- Barcode (Scanned): 829421882725
- Barcode (Sticker, text): 8 29421 75000 0
- Barcode (Sticker, scanned): 829421750000
- Matrix / Runout (Runout side A): 88875065901-A G-1 25123.1 (3)...
- Matrix / Runout (Runout side B): 88875065901-B G-1 25123.2 (3)...
- Matrix / Runout (Runout side C): 88875065901-C G-1 25123.3 (3)...
- Matrix / Runout (Runout side D): 88875065901-D G-2 25271.4 (3)...
- Matrix / Runout (Runout side E): 88875065901-E G-1 25123.5 (3)...
- Matrix / Runout (Runout side F): 88875065901-F G-1 25123.6 (3)...
Other Versions (5 of 42)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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A Reality Tour (DVD, DVD-Video, Multichannel, PAL, Digipak, Sony DADC Pressing) | Columbia | COL 202418 9 | Europe | 2004 | ||
A Reality Tour (DVD, DVD-Video, NTSC, Multichannel) | ISO Records | CVD 58755 | US | 2004 | |||
New Submission
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A Reality Tour (DVD, DVD-Video, PAL) | SMV Enterprises | 202418 9 | Australia & New Zealand | 2004 | ||
New Submission
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A Reality Tour (DVD, DVD-Video, Multichannel, NTSC, Album) | Sony Music | 9-202418 | Argentina | 2004 | ||
New Submission
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A Reality Tour (DVD, DVD-Video, Multichannel, PAL, Standard DVD Case) | Columbia | COL 202418 9 | Europe | 2004 |
Recommendations
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2018 USA & EuropeVinyl —LP, Album, Record Store Day, Limited Edition
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2016 EuropeVinyl —LP, Compilation, Reissue
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2020 WorldwideVinyl —LP, Album, Record Store Day, Limited Edition, Stereo
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2020 WorldwideVinyl —LP, Album, Record Store Day, Limited Edition, Stereo
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Reviews
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I am surprised that the quality here I read is very bad. In my case it is just the opposite. I really have the same version and sounds just perfect...how? No, I have a good music installation and ears :-)
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FRIDAY MUSIC is a disaster. It should be illegal for them to sell the garbage pressings they do, but people keep buying the trash they flood the market with. The sound on this is horrendous. Don't waste your money on anything Friday Music/ Joe Reagoso puts out.
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Edited 2 years agoNot one I’d recommend. To my mind, it’s almost like a well-made bootleg. Some of it sounds ok. My side 3 sounds terrible though. Loads of sibilance and the snares sound like someone shaking a box of matches.
. Save your money, folks.
Amazing set list though. Shame. -
I just picked up the recent reissue of this album that hit stores this past Friday, July 22, 2022. I selected this entry https://discogs.cinepelis.org/release/8566929-Bowie-A-Reality-Tour to enter it my record database but I'm wondering if it should have its own release version?
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The worst possible sound for a superb live, ultra-compressed and muddy sound even on vinyl, impossible to listen if you love this fantastic music.
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Edited 4 years agoIt’s doesn’t sound so so bad considering ... it’s a live and it’s been released 12 years after the event and wasn’t probably at the time recorded with the intention to be press on a vinyl, plus the lp is fully packed, too much songs per vinyl, and to give it a chance you have to throughly clean it because it comes fully loaded with static electricity.
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I thought the Friday Music offering of Heathen sounded quite good. And since this concert absolutely kicks ass, I wanted an “audiophile “ version. Now, from what I’m reading, I should have just stuck with my cd/dvd until some serious Hi-Res audio files come out digitally. Tony Visconti, help us out! Oh well, at least I like the color blue.
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Edited 6 years agoI'm just gonna add my voice to the chorus here. This is a ridiculously overpriced release, and the packaging is ludicrously misleading. There's just so much here that will have you scratching your head. Why is it in this giant box when there's nothing in it other than three LP's and two insubstantial inserts? Why are there 10-12 tracks crammed onto each LP when they could've just pressed it onto 4 LP's? I mean, they're charging us over $100...what are we paying for? The volume level is low and the sound quality isn't the best. The live albums that Parlophone released are all on 3 LP's, cost half as much, and sound significantly better.
That said, I can't be completely upset at this particular album, because quality issues aside, the setlist for A Reality Tour is truly outstanding. It's a really great mix of the best from Reality and Heathen, along with the best of his back catalog. A really great show overall. -
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This might be the only concert I've ever truly loved and having a big physical box of it is nice. The records are beautiful, though the high quality stream on Spotify sounds the same, the box was not worth the 100$ price tag. I feel like the presentation lacked love and the real attention it deserved for the price tag. But it is something I love.
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