Alison Moyet – Hometime
Tracklist
| 1 | Yesterday's Flame | 4:27 | |
| 2 | Should I Feel That It's Over | 4:21 | |
| 3 | More | 3:59 | |
| 4 | Hometime | 3:47 | |
| 5 | Mary, Don't Come Back To Me | 3:38 | |
| 6 | Say It | 4:00 | |
| 7 | Ski | 4:22 | |
| 8 | If You Don't Come Back To Me | 4:30 | |
| 9 | Do You Ever Wonder | 3:10 | |
| 10 | The Train I Ride | 5:03 | |
| 11 | You Don't Have To Go | 4:17 |
Companies, etc.
- Phonographic Copyright ℗ – Motley Music Ltd.
- Copyright © – Sanctuary Records Group Ltd.
- Licensed To – Sanctuary Records Group Ltd.
- Distributed By – Pinnacle (3)
- Recorded At – Omni2
- Recorded At – State Of Art Studios
- Recorded At – Christchurch Studios
- Mixed At – Metropolis Studios
- Mixed At – Air Studios
- Mixed At – Alpha Studios, Somerset
- Mastered At – Metropolis Studios
- Published By – Bug Music
- Published By – Warner/Chappell
- Published By – Two Lands Music
Credits
- Art Direction – Bill Smith (19)
- Design [Album Design] – Ian Ross (5)
- Engineer [Additional] – Rick Dowding*
- Mastered By – Tim Young
- Mixed By – Corin Dingley (tracks: 1 to 10)
- Photography By – Paul Cox (5)
- Producer, Recorded By – The Insects
- Written-By – Pete Glenister (tracks: 1 to 5, 8, 10, 11)
Barcode and Other Identifiers
- Barcode (Text): 5 050159 012824
- Barcode (Scanned): 5050159012824
- Label Code: LC 6448
- Rights Society: P.R.S.
- Matrix / Runout: SANCD128 01 6
- Mastering SID Code: IFPI L136
- Mould SID Code: IFPI 04H3
Other Versions (5 of 19)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Hometime (CD, Album) | Sanctuary | 50501590128-2 | Brazil | 2002 | ||
|
Recently Edited
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Hometime (CD, Album) | Sanctuary | 06076-84570-2 | US | 2002 | ||
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Recently Edited
|
Hometime (CD, Album) | Sanctuary | SANBX128 | UK | 2002 | ||
|
New Submission
|
Hometime (CD, Album, Promo, Cardboard Sleeve) | Sanctuary | SANP1128 | 2002 | |||
|
New Submission
|
Hometime (CD, Promo) | Sanctuary | SANPR128 | UK | 2002 |
Recommendations
Reviews
-
A sparkling album that combines Alison's soulful vocals with electro cool.
Unlike her arresting work with Yazoo, Hometime is awash with lush
sounds of synths and guitars (and is that a harpsichord?!).
"Ski" is my favorite track... starting out almost New Age then launching
into a Deep Groove that predicted her glitchy sound on the later album Other.
"More" is a smooth sinuous track that meanders around Alison's voice
sounding so close to the ear... gorgeous! The entire album is a real
masterpiece and a treat for the senses.
Alison's departure from Sony was the best thing that could have
happened because since she has turned out amazing album after
amazing album always impressing and going forward to the future. -
Alison Moyet started her musical career in the early 1980s as a singer of the synthesizerduo Yazoo. This was followed by a successful solo career, of which the CDs Alf and formed the Raindancing highlights. Also in the Netherlands, she scored big hits with Love Resurrection, All Cried Out and That Ole Devil Called Love. Her latest album, Essex appeared in 1994 and then became silent. After eight years, however, she is totally back with Hometime. Her typical poppy crooner style is obviously matured during this period, as if it were a bottle of good wine. Her compositions common more depth and are optimally developed led by the producer duo The Insects in the Omni Studios by Massive Attack. The necessary trip hop influences are not from the air. However, the popkant hang more Hometime to making them manifests itself as a female version of David Bowie. All songs on Hometime are of such a high level, that it is very difficult to get a favorite from here. Rarely is a comeback so strong.
Release
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