Mahavishnu Orchestra – Visions Of The Emerald Beyond
Tracklist
A1 | Eternity's Breath - Part 1 | 3:10 | |
A2 | Eternity's Breath - Part 2 | 4:51 | |
A3 | Lila's Dance | 5:37 | |
A4 | Can't Stand Your Funk | 2:09 | |
A5 | Pastoral | 3:42 | |
A6 | Faith | 1:59 | |
B1 | Cosmic Strut | 3:29 | |
B2 | If I Could See | 1:16 | |
B3 | Be Happy | 3:31 | |
B4 | Earth Ship | 3:44 | |
B5 | Pegasus | 1:51 | |
B6 | Opus 1 | 0:21 | |
B7 | On The Way Home To Earth | 4:45 |
Companies, etc.
- Recorded At – Electric Lady Studios
- Mixed At – Trident Studios
- Phonographic Copyright ℗ – CBS Inc.
- Copyright © – CBS Inc.
- Manufactured By – Columbia Records
- Manufactured By – CBS Inc.
- Produced For – One Truth Productions Inc.
- Published By – Chinmoy Music, Inc.
- Published By – Warner-Tamerlane Publishing Corp.
- Pressed By – Columbia Records Pressing Plant, Pitman
Credits
- Alto Saxophone, Soprano Saxophone – Russel Tubbs*
- Bass Guitar, Double Bass, Vocals – Ralph Armstrong*
- Cello – Phillip Hirschi*
- Design [Cover], Illustration – Ashok Chris Poisson*
- Design [Inside Cover] – Paul Perlow
- Drums, Percussion, Vocals, Clavinet – Michael Walden*
- Electric Violin, Electric Violin [Electric Baritone Violin] – Jean-Luc Ponty
- Ensemble [String Trio] – Steven Kindler
- Guitar, Twelve-String Guitar, Vocals – Mahavishnu John McLaughlin*
- Keyboards, Vocals – Gayle Moran
- Management – Nathan Weiss
- Photography By – Chris Poisson
- Producer – Ken Scott
- Recorded By – Ken Scott
- Tape Op [Tape Operator] – Dennis MacKay*
- Technician – Ron Costa (2)
- Technician [Equipment] – Greg DiGiovine*
- Tour Manager [Tour Management] – Joseph D'Anna
- Trumpet, Flugelhorn, Flute, Vocals – Bob Knapp
- Violin [1st] – Steven Kindler
- Violin [2nd], Vocals – Carol Shive
- Written-By – Michael Walden* (tracks: B1)
Notes
Faint "P" stamped in runouts denotes a Columbia Records Pressing Plant, Pitman pressing.
Recorded at Electric Lady Studios, New York City, Dec. 4th - 14th, 1974.
Mixed at Trident Studios, London, Dec. 16th-24th, 1974.
Center labels:
℗ 1975 CBS Inc.
Printed in U.S.A.
Published by Chinmoy Music, Inc. / Warner-Tamerland Publ. Corp (BMI) 1975 except "Cosmic Strut", copyright control
Backcover:
© 1975 CBS Inc.
℗ 1975 CBS Inc.
Manufactured by Columbia Records/CBS Inc.
Inside cover:
Recorded at Electric Lady Studios, New York City, Dec. 4th - 14th, 1974
Mixed at Trident Studios, London, Dec. 16th - 24th, 1974
Gatefold.
Similar releases:
This release has no gatefold cover
This one is a Canadian release
The duration of A4 is listed as 5:10 on the label. It is actually 2:09.
Recorded at Electric Lady Studios, New York City, Dec. 4th - 14th, 1974.
Mixed at Trident Studios, London, Dec. 16th-24th, 1974.
Center labels:
℗ 1975 CBS Inc.
Printed in U.S.A.
Published by Chinmoy Music, Inc. / Warner-Tamerland Publ. Corp (BMI) 1975 except "Cosmic Strut", copyright control
Backcover:
© 1975 CBS Inc.
℗ 1975 CBS Inc.
Manufactured by Columbia Records/CBS Inc.
Inside cover:
Recorded at Electric Lady Studios, New York City, Dec. 4th - 14th, 1974
Mixed at Trident Studios, London, Dec. 16th - 24th, 1974
Gatefold.
Similar releases:
This release has no gatefold cover
This one is a Canadian release
The duration of A4 is listed as 5:10 on the label. It is actually 2:09.
Barcode and Other Identifiers
- Rights Society: BMI
- Price Code (Spine): X698
- Pressing Plant ID (Stamped in runouts): P
- Matrix / Runout (A-side label): AL 33411
- Matrix / Runout (B-side label): BL 33411
- Matrix / Runout (Variant 1 runout A-side, stamped): P-AL 33411-2A
- Matrix / Runout (Variant 1 runout B-side, stamped): P-BL 33411-2A
- Matrix / Runout (Variant 2 runout A-side, stamped): P AL 33411-2AA COLUMBIA NY
- Matrix / Runout (Variant 2 runout B-side, stamped): BL-33411-2K
- Matrix / Runout (Variant 3 runout A-side, stamped): P AL-33411-2G
- Matrix / Runout (Variant 3 runout B-side, stamped): P BL-33411-2D
- Matrix / Runout (Variant 3 runout A-side, etched): PAL-33411-2D
- Matrix / Runout (Variant 3 runout B-side, stamped): P BL-33411-2A
- Matrix / Runout (Variant 4 runout A-side, stamped): P AL-33411-2E
- Matrix / Runout (Variant 4 runout B-side, stamped): P BL-33411-2C
- Matrix / Runout (Variant 5 runout A-side, etched ): PAL-33411-2D P
- Matrix / Runout (Variant 5 runout B-side, stamped): P BL-33411-2C 7B P
- Matrix / Runout (Variant 6 runout A-side, stamped): PAL- 33411- 2D p
- Matrix / Runout (Variant 6 runout B-side, stamped): p P BL-33411-2A
Other Versions (5 of 61)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Visions Of The Emerald Beyond (LP, Album) | CBS | CBS 69108 | 1975 | |||
Recently Edited
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Visions Of The Emerald Beyond (LP, Album) | CBS | 69108 | UK | 1975 | ||
Visions Of The Emerald Beyond (LP, Album) | Columbia | PC 33411 | Canada | 1975 | |||
New Submission
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Visions Of The Emerald Beyond (LP, Album, Gatefold) | CBS/Sony | SOPO 23 | Japan | 1975 | ||
New Submission
|
Visions Of The Emerald Beyond (8-Track Cartridge, Album) | Columbia | PCA 33411 | US | 1975 |
Recommendations
Reviews
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Does not disappoint: supreme playing and well produced. 70s gold a journey an experience: more than an ‘album’
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Edited 2 years agoPowerful. Dynamic. Cosmic. Groovy. A Treasure from a special era.
The definition of a true Masterpiece.
So glad it exists. -
WOW! after finally running into a almost NM copy. Now i see what was people talking about all this years. This is an incredible album this is a constellation were all this geniuses lined up to record a master piece incredible. I am speechless.
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Get this copy of it you will not regret it ...https://discogs.cinepelis.org/Mahavishnu-Orchestra-Visions-Of-The-Emerald-Beyond/release/5383701
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Edited 7 years agoGood god, just listening to the first minutes of song one on side one and I'm already in love...
Just what I need at this very moment...
Hits me right in the heart, the first Mahavishnu album was already amazing, but this is like 10000x times better...
Highly recommended, you won't regret it... -
Edited 9 years agoTis a beautiful thing to hear a young Narada Michael Walden doing some of the most ecstatic fusion drumming on virtually any release of the era. Sure, there are perhaps better technicians, and Cobham is usually favored as the Mahavishnu go-to drummer, but Walden absolutely unloads with fury that is hard to resist. The recording of the kit highlights a wonderful woody thwack from the toms as he joyfully rolls through polyrhythm fill after poly fill and marks every subdivision with silvery cymbal hits. During this recording Walden favored a compounded style of fill that relied upon switching from a four feel to an implied triplet and back again in a rapidly compressing subdivisions; when heard over the course of a bar or two the effect is a fantastic acceleration that gooses the whole band forward. Definitely playing on the very edge: that's where the fire is.
Some people find this record to have crossed that divide in fusion where pomp and emotive elements perhaps threaten to topple the delicate balances that this kind of music so often walks. For me, every once in a while, this title has a wonderful cleansing power that a lot of more serious or buttoned-down fusion just doesn't manage. The laughter at the end of side one is a delight, as are the birds that others have mentioned. It's a session that for all its density doesn't really quite touch the ground in a way that would be hard to recreate now. -
Edited 12 years agoSome records take time. They sit and wait until a rainy summer day like this one. When those records finally play they play very strong. On this one I love the way how the vinyl birds blend in with the ones that I can hear through my open window. Just great.
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This is for me the perfect mix of rock, jazz and funk.
Not only John shines on this record but what about Jean-Luc Ponty, Ralph Armstrong (at a very very young age) and off course Michael Walden.
I never get tired of listening to this record as the production is also really good.
It is also a natural progress from the first incarnation of the band.
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