Thelonious Monk – Thelonious Himself
Label: |
Riverside Records – VIJ-105 |
---|---|
Series: |
Riverside Jazz Golden 50 – 5 |
Format: |
Vinyl
, LP, Album, Reissue, Mono
|
Country: |
Japan |
Released: |
|
Genre: |
Jazz |
Style: |
Post Bop |
Tracklist
A1 | April In Paris | |
A2 | Ghost Of A Chance | |
A3 | Functional | |
A4 | I'm Getting Sentimental Over You | |
B1 | I Should Care | |
B2 | 'Round Midnight | |
B3 | All Alone | |
B4 | Monk's Mood |
Companies, etc.
- Manufactured By – Victor Musical Industries, Inc.
Credits
- Design – Paul Bacon (2)
- Engineer – Jack Higgins
- Photography By – Paul Weller (3)
- Piano – Thelonious Monk
- Producer, Liner Notes – Orrin Keepnews
Notes
Recorded in New York, April 12 and 16, 1957. Originally released as RLP 12-235.
SJ (Swing Journal) Seal Of Approval rosette on obi.
SJ (Swing Journal) Seal Of Approval rosette on obi.
Other Versions (5 of 65)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
Thelonious Himself (LP, Album, Repress, Mono) | Riverside Records | RLP 12-235 | US | 1957 | ||
Thelonious Himself (LP, Album, Mono, White Labels) | Riverside Records | RLP 12-235 | US | 1957 | |||
New Submission
|
Thelonious Himself (LP, Album, Mono) | London American Recordings | LTZ-U.15120 | UK | 1958 | ||
Thelonious Himself (LP, Album, Repress, Mono) | Riverside Records | RLP 12-235 | US | 1958 | |||
Recently Edited
|
Thelonious Himself (LP, Album, Repress, Mono, Deep Groove) | Riverside Records | RLP 12-235 | US | 1960 |
Recommendations
Reviews
-
I've got this with no obi... Frankly I hate the obi... However you seem to get these LPs for a little less $ if it's missing the obi. Dead quiet wax, slightly "softer" mastering than any of the ojc issues. Seems to be how the Japanese liked to master these jazz LPs, at least in the '80s. I have some of the Bud Powell issues from Japan in the 80s, and it's the same thing: back to back with Blue Notes, the recording volume is slightly lower, however the Japanese seem to make a real effort to press (and press well) on quiet vinyl. And a lot of these seem to still be out there at really reasonable prices compared to a lot of jazz reissues. Especially if they don't have the obi lol... To me it's a good trade-off versus noisier American 80s vinyl. That's why God created the volume control... Would love to hear from anybody out there that has these Japanese issues and their opinion on the way they are mastered. It's definitely noticeable... Plus most of the Japanese issues seem to make a real effort to accurately reproduce the historical sleeve... No extra OJC logos, etc.
Release
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New Submission
New Submission
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46 copies from €20.00