Thelonious MonkThelonious Himself

Label:

Riverside Records – VIJ-105

Series:

Riverside Jazz Golden 50 – 5

Format:

Vinyl , LP, Album, Reissue, Mono

Country:

Japan

Released:

Genre:

Jazz

Style:

Post Bop

Tracklist

A1 April In Paris
Written-ByDuke*
A2 Ghost Of A Chance
Written-ByYoung*
A3 Functional
Written-ByThelonious Monk
A4 I'm Getting Sentimental Over You
Written-ByWashington*
B1 I Should Care
Written-ByCahn*
B2 'Round Midnight
Written-ByMonk*
B3 All Alone
Written-ByIrving Berlin
B4 Monk's Mood
BassWilbur Ware
Tenor SaxophoneJohn Coltrane
Written-ByThelonious Monk

Companies, etc.

  • Manufactured ByVictor Musical Industries, Inc.

Credits

  • DesignPaul Bacon (2)
  • EngineerJack Higgins
  • Photography ByPaul Weller (3)
  • PianoThelonious Monk
  • Producer, Liner NotesOrrin Keepnews

Notes

Recorded in New York, April 12 and 16, 1957. Originally released as RLP 12-235.

SJ (Swing Journal) Seal Of Approval rosette on obi.

Other Versions (5 of 65)

View All
Title (Format) Label Cat# Country Year
New Submission
Thelonious Himself (LP, Album, Repress, Mono) Riverside Records RLP 12-235 US 1957
Thelonious Himself (LP, Album, Mono, White Labels) Riverside Records RLP 12-235 US 1957
New Submission
Thelonious Himself (LP, Album, Mono) London American Recordings LTZ-U.15120 UK 1958
Thelonious Himself (LP, Album, Repress, Mono) Riverside Records RLP 12-235 US 1958
Recently Edited
Thelonious Himself (LP, Album, Repress, Mono, Deep Groove) Riverside Records RLP 12-235 US 1960

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Reviews

  • heroinsaves69's avatar
    heroinsaves69
    I've got this with no obi... Frankly I hate the obi... However you seem to get these LPs for a little less $ if it's missing the obi. Dead quiet wax, slightly "softer" mastering than any of the ojc issues. Seems to be how the Japanese liked to master these jazz LPs, at least in the '80s. I have some of the Bud Powell issues from Japan in the 80s, and it's the same thing: back to back with Blue Notes, the recording volume is slightly lower, however the Japanese seem to make a real effort to press (and press well) on quiet vinyl. And a lot of these seem to still be out there at really reasonable prices compared to a lot of jazz reissues. Especially if they don't have the obi lol... To me it's a good trade-off versus noisier American 80s vinyl. That's why God created the volume control... Would love to hear from anybody out there that has these Japanese issues and their opinion on the way they are mastered. It's definitely noticeable... Plus most of the Japanese issues seem to make a real effort to accurately reproduce the historical sleeve... No extra OJC logos, etc.

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    • Avg Rating:4.5 / 5
    • Ratings:14
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