Wayne Shorter – The All Seeing Eye
Tracklist
| A1 | The All Seeing Eye | |
| A2 | Genesis | |
| B1 | Chaos | |
| B2 | Face Of The Deep | |
| B3 | Mephistopheles |
Companies, etc.
- Record Company – UMG Recordings, Inc.
- Record Company – Capitol Records, LLC
- Record Company – Blue Note Records Inc.
- Distributed By – Universal Music Enterprises
- Copyright © – UMG Recordings, Inc.
- Copyright © – Mosaic Images LLC
- Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
- Pressed By – Record Technology Incorporated – 36518
- Printed By – Stoughton Printing Co.
Credits
- Alto Saxophone – James Spaulding
- Bass – Ron Carter
- Design [Cover Design] – Reid Miles
- Drums – Joe Chambers
- Engineer [Recording Engineer] – Rudy Van Gelder
- Flugelhorn – Alan Shorter (tracks: B3)
- Lacquer Cut By – KPG*
- Mastered By [LP Mastering By] – Kevin Gray
- Photography By – Francis Wolff
- Piano – Herbie Hancock
- Producer [Original Sessions Produced By] – Alfred Lion
- Sleeve Notes – Nat Hentoff
- Supervised By [LP Supervision By] – Joe Harley
- Tenor Saxophone – Wayne Shorter
- Trombone – Grachan Moncur III
- Trumpet, Flugelhorn – Freddie Hubbard
Notes
Recorded October 15, 1965, at Van Gelder Studios, Englewood Cliffs, NJ
A Blue Note release; originally released in 1966 by Blue Note Records © 2021 UMG Recordings, Inc.
Distributed by Universal Music Enterprises, a Division of UMG Recordings, Inc.
Blue Note® is a ed trademark of Capitol Records, LLC.
A Blue Note release; originally released in 1966 by Blue Note Records © 2021 UMG Recordings, Inc.
Distributed by Universal Music Enterprises, a Division of UMG Recordings, Inc.
Blue Note® is a ed trademark of Capitol Records, LLC.
Barcode and Other Identifiers
- Barcode (Text): 6 02435 14963 9
- Barcode (Scanned (EAN)): 0602435149639
- Barcode (Scanned (UPC-A)): 602435149639
- Matrix / Runout (A side label): B0032880-01 A
- Matrix / Runout (B side label): B0032880-01 B
- Matrix / Runout (A side runout, etched): B0032880-01-A KPG@CA 36518.1(3)...
- Matrix / Runout (B side runout, etched): B0032880-01-B KPG&JH@CA 36518.2(3)...
Other Versions (5 of 36)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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The All Seeing Eye (LP, Album, Stereo) | Blue Note | BST 84219 | US | 1966 | ||
| The All Seeing Eye (LP, Album, Mono) | Blue Note | BLP 4219 | US | 1966 | |||
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New Submission
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The All Seeing Eye (LP, Album, Reissue, Stereo, Bert-Co Labels) | Blue Note | BST 84219 | US | 1967 | ||
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New Submission
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The All Seeing Eye (LP, Album, Repress, Stereo, Keystone Labels) | Blue Note | BLP 84219 | US | 1967 | ||
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New Submission
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The All Seeing Eye (LP, Album, Reissue, Stereo, Bert-Co Labels) | Blue Note | BST 84219 | Japan | 1967 |
Recommendations
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2021 WorldwideVinyl —LP, Album, Reissue, Stereo -
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Reviews
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I've had 3 copies of this and all of them contain numerous pops and clicks throughout. In all honestly, whilst the covers for the Tone Poets are much nicer, I don't find the vinyl itself to be any better than that of the Classic series pressed at Optimal. In fact, whilst I have numerous Classics that are perfect, I think just about all of my Tone Poet titles have more noise than I'd like even after a couple of vacuum cleans. So much for RTI being one of the '' plants in America... -
Great album marred by noisy surfaces, particularly on Side 2. Despite my disappointment, I must comment on the crisp and clear photos, not just the striking cover photo, but also the ones inside the gatefold. In particular, very nice portrait of Freddie Hubbard...so young! This artwork puts other reissues to shame, especially those done by VMP.
I will spin this fairly frequently, but I will probably end up replacing it at some future date when someone else does a reissue. -
Displays the moody, voodoo-energy which he and Miles Davis would explore more robustly in years to come. Mr. Chambers's electric accompaniment sustains and organizes the varying textures throughout. Pressing is flawless. -
I have no problem with this pressing. Mine is clean, silent and flat. The music is very dynamic and detailed. This is one of Wayne Shorter's more interesting albums and it's definitely for listing and not to be played in the background. It leans more towards avant-garde and free jazz then post-bop and It really demands your attention. All the players are really dialed in. Joe Chambers and Herbie Hancock especially shine here! -
Great album but my copy has lots of crackle during silent parts even after ultrasonic cleaning -
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Ok I’m fairly new to jazz and yes My collection is adding up. Stunning pressing dead silent nicely done. -
Light 4. Solid master, dead silent. By far a standout of the Tone Poet series in those . However, it sounds like Ed, Edd, & Eddy jazz; B1 being the only (welcomed) exception. -
Light 4. Solid master, dead silent. By far a standout of the Tone Poet series in those . However, it sounds like Ed, Edd, & Eddy jazz; B1 being the only (welcomed) exception.
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Edited 2 years agoOk this is a weird album. Yes it is intelligently arranged and the musicianship masterful, but it is weird. It's Wayne Shorter, however, so I am happy to have it in my collection. Not one I spin on a regular basis, though. Like the previous reviewer mine has some surface noise, which is outside of my experiences by and large with the tone poet series. Maybe another case of dud??? My tone poet copy of Expansions, however, is flawless.
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