Tracklist
| A1 | The Life I Live | 3:20 | |
| A2 | I Got Nightmares | 2:28 | |
| A3 | Just Who's In Sight | 3:08 | |
| A4 | Mr. Pitiful | 2:19 | |
| A5 | I'm A Man | 4:36 | |
| A6 | Middle-Age Talk | 2:28 | |
| A7 | Summer Thoughts In A Field Of Weed | 2:24 | |
| A8 | Down At The Bottom | 2:21 | |
| B1 | Get Out Of My Life, Woman | 2:26 | |
| B2 | Spoonful | 3:28 | |
| B3 | Sour Wine | 2:55 | |
| B4 | Bring It On Home | 13:45 |
Companies, etc.
- Printed By – Nederlandse Normaal Drukkerij
- Pressed By – Phonodisc B.V.
- Lacquer Cut At – Phonodisc B.V.
Credits
- Bass Guitar [Basgitaar], Percussion [Voetstamp], Voice [Uitroepen], Harmonium [Blaasbalg Van Het] – Peter Vink
- Drums, Cymbal [Bekkens], Percussion [Tikgeluid], Washboard [Wasbord], Voice [Praatstukje], Harmonium – Jay Baar
- Layout [Lay-Out] – Benno Petersson
- Lead Guitar [Sologitaar], Acoustic Guitar [Akoestische Gitaar], Rhythm Guitar [Ritmegitaar] – Joop Roelofs
- Liner Notes – Willem de Ridder
- Photography By [Coverpicture] – Herman Baaren
- Producer – Hans van Hemert
- Rhythm Guitar [Ritmegitaar], Lead Guitar [Sologitaar], Flute [Fluit], Saxophone [Saxofoon], Harmonica [Harmonika], Slide Guitar [Bottleneck-gitaar], Mandolin [Bulgarin] – Frank Nuyens
- Technician [Sound] – Jan Audier
- Vocals [Zang], Harmonica [Harmonika], Maracas, Tambourine [Tamboerijn], Handclaps [Handklap], Percussion [Schuurpapier] – Willem Bieler*
Notes
Released in a flipback cover with unboxed grey/silver Decca labels.
Printed by: Nederlandse Normaal Drukkerij N.V., Baarn.
The runouts are stamped. The last "9" variant 2 side A is stamped over a "3"
Printed by: Nederlandse Normaal Drukkerij N.V., Baarn.
The runouts are stamped. The last "9" variant 2 side A is stamped over a "3"
Barcode and Other Identifiers
- Rights Society (Boxed): B.I.E.M.
- Matrix / Runout (Side A, label): 625 363.1 L
- Matrix / Runout (Side B, label): 625 363.2 L
- Matrix / Runout (Runout side A, variant 1): AA 625 363 1L 1 670 11
- Matrix / Runout (Runout side B, variant 1): AA 625 363 2L 1 670 116
- Matrix / Runout (Runout side A, variant 2): AA 625 363 1L 1 670 119
- Matrix / Runout (Runout side B, variant 2): AA 625 363 2L 1 670 113
Other Versions (5 of 23)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Revolution (LP, Album, Mono) | Decca | QL 625 363 | Belgium | 1966 | ||
|
Recently Edited
|
Revolution (LP, Album, Reissue, Stereo) | Decca | 6454 412 | Netherlands | 1972 | ||
|
Recently Edited
|
Revolution (LP, Album, Reissue, Stereo) | Decca | 6440 675 | Netherlands | 1977 | ||
|
Recently Edited
|
Revolution (CD, Album, Reissue) | Decca | 834 483-2 | Netherlands | 1988 | ||
|
New Submission
|
Revolution (CD, Album, Reissue, FULL SILVER DISC) | Decca | 834 483-2 | Netherlands | 1988 |
Recommendations
Reviews
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The Dutch Q65 picked up and developed rhythm and blues so successfully that in some places they sounded no worse than the Rolling Stones and certainly more interesting than Pretty Things. The band was born in the mid-60s and professed a "dirty" garage sound. All four of the first singles hit the local charts. It was natural to release the album after a resounding success, which was done. The revolution cd consolidated the fame of the Dutch rockers, and the musicians went on tour with their heads. According to the band's bassist Peter Wink, they approached the recording of the next album terribly tired and quarreled. But it was necessary to fulfill contractual obligations to the Decca record label. Ten new tracks were recorded, some of the material was written as a side project called Circus (a typical hippie formation led by guitarist Frank Nuens). In addition to the rhythm and blues square, the musicians added several successful compositions in a psychedelic way: "I was young", "Sundance", "Traveling on a slow train" and a completely flying ballad of the Fairy Tale of Truth.
Release
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Recently Edited
Recently Edited
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