Fleetwood Mac – Tango In The Night
Label: |
Warner Bros. Records – 925 471-1 |
|---|---|
Format: |
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Country: |
UK & Europe |
Released: |
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Genre: |
Pop |
Style: |
Classic Rock |
Tracklist
| A1 | Big Love | 3:37 | |
| A2 | Seven Wonders | 3:38 | |
| A3 | Everywhere | 3:41 | |
| A4 | Caroline | 3:50 | |
| A5 | Tango In The Night | 3:56 | |
| A6 | Mystified | 3:06 | |
| B1 | Little Lies | 3:38 | |
| B2 | Family Man | 4:01 | |
| B3 | Welcome To The Room...Sara | 3:37 | |
| B4 | Isn't It Midnight | 4:06 | |
| B5 | When I See You Again | 3:47 | |
| B6 | You And I, Part II | 2:40 |
Companies, etc.
- Record Company – Warner Communications
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – Warner Bros. Records Inc.
- Copyright © – WEA International Inc.
- Recorded At – Rumbo Recorders
- Recorded At – The Slope
- Mixed At – The Slope
- Mastered At – Precision Lacquer
- Mastered At – Sheffield Lab Matrix – Δ15745
- Manufactured By – Record Service GmbH
- Pressed By – Record Service Alsdorf
- Published By – EMI Music Publishing Ltd.
- Published By – MMA Music
- Published By – Warner Bros. Music Ltd.
- Published By – Bright Music Ltd.
- Published By – Now Sounds Music
- Published By – Welsh Witch Music
- Published By – Fleetwood Mac Music
- Published By – Putz Tunes
Credits
- Arranged By – Lindsey Buckingham
- Art Direction – Jeri Heiden
- Coordinator [Studio Coordinator] – John Courage
- Crew [Studio Crew] – Steve Matteucci
- Design Concept [Cover Concept By] – Richard Dashut
- Engineer – Greg Droman
- Engineer [Additional Engineering By] – Lindsey Buckingham
- Mastered By – Stephen Marcussen
- Painting [Cover Painting "Homage à Henri Rousseau"] – Brett-Livingstone Strong
- Photography By [Cover Photo By] – Greg Gorman
- Producer – Richard Dashut
Notes
[Inner sleeve]
Basic tracks recorded at Rumbo Recorders
Recorded and mixed at The Slope
Mastered at Precision Lacquers
Very special thanks: Michael Brokaw & John Courage
Special Thanks: Bob Aguirre, Rebecca Alvarez, David Bloom, Cheri Caspari, Doug Casper, Tony Dimitriades, Dennis Dunstan, Michael Huber, Jay, Chirs Kable Polis, Michael Ostin, Mo Ostin, Glen "The Hair" Parrish, Eddy Quintela, Irwin Rennert, Mickey Shapiro & Lenny Waronker
This album is dedicated to Judy Wong.
A1. © 1987 Now Sounds Music (BMI)
A2. © 1987 MMA Music APRA/Welsh Witch Music (BMI)
A3. © 1986 Fleetwood Mac Music (BMI)
A4. © 1987 Now Sounds Music (BMI)
A5. © 1987 Now Sounds Music (BMI)
A6. © 1987 Now Sounds Music/Fleetwood Mac Music (BMI)
B1. © 1987 Now Sounds Music (BMI)
B2. © 1987 Now Sounds Music/Putz Tunes (BMI)
B3. © 1987 Welsh Witch Music (BMI)
B4. © 1986 Fleetwood Mac Music (BMI)
B5. © 1987 Welsh Witch Music (BMI)
B6. © 1987 Now Sounds Music/Fleetwood Mac Music (BMI)
© 1987 Warner Bros. Records Inc. for the U.S.
[Center label B-side]
A1. EMI Music Publishing Ltd.
A2. MMA Music (MS Ltd./Warner Bros. Music Ltd.
A3. Bright Music Ltd.
A4. EMI Music Publishing Ltd.
A5. EMI Music Publishing Ltd.
A6. Bright Music Ltd./EMI Music Publishing Ltd.
B1. Bright Music Ltd.
B2. EMI Music Publishing Ltd.
B3. Warner Bros. Music Ltd.
B4. Bright Music Ltd.
B5. Warner Bros. Music Ltd.
B6. Bright Music Ltd./EMI Music Publishing Ltd.
Publisher credits apply to G.B. only
℗ 1987 Warner Bros. Records Inc. for the US.
[Back cover]
Warner Bros. Records Inc., a Warner Communications Company (W logo)® 3300 Warner Blvd., Burbank, Calif. 91510. 75 Rockefeller Plaza, New York 10019. © 1987 Warner Bros. Records Inc. for the US & WEA International Inc. For the world outside of the US.
℗ 1987 Warner Bros. Records Inc. for the US & WEA International Inc. For the world outside of the US. All Rights Reserved. Unauthorized duplication is a violation of applicable laws.
Manufactured in by Record Service GmbH, Alsdorf · Pressé en Allemagne par Record Service GmbH, Alsdorf (logo) a Warner Communications Company
W logo embossed on the bottom right corner
Some copies issued with sticker advertising hit songs.
Poly lined lyrics / credits inner sleeve.
Basic tracks recorded at Rumbo Recorders
Recorded and mixed at The Slope
Mastered at Precision Lacquers
Very special thanks: Michael Brokaw & John Courage
Special Thanks: Bob Aguirre, Rebecca Alvarez, David Bloom, Cheri Caspari, Doug Casper, Tony Dimitriades, Dennis Dunstan, Michael Huber, Jay, Chirs Kable Polis, Michael Ostin, Mo Ostin, Glen "The Hair" Parrish, Eddy Quintela, Irwin Rennert, Mickey Shapiro & Lenny Waronker
This album is dedicated to Judy Wong.
A1. © 1987 Now Sounds Music (BMI)
A2. © 1987 MMA Music APRA/Welsh Witch Music (BMI)
A3. © 1986 Fleetwood Mac Music (BMI)
A4. © 1987 Now Sounds Music (BMI)
A5. © 1987 Now Sounds Music (BMI)
A6. © 1987 Now Sounds Music/Fleetwood Mac Music (BMI)
B1. © 1987 Now Sounds Music (BMI)
B2. © 1987 Now Sounds Music/Putz Tunes (BMI)
B3. © 1987 Welsh Witch Music (BMI)
B4. © 1986 Fleetwood Mac Music (BMI)
B5. © 1987 Welsh Witch Music (BMI)
B6. © 1987 Now Sounds Music/Fleetwood Mac Music (BMI)
© 1987 Warner Bros. Records Inc. for the U.S.
[Center label B-side]
A1. EMI Music Publishing Ltd.
A2. MMA Music (MS Ltd./Warner Bros. Music Ltd.
A3. Bright Music Ltd.
A4. EMI Music Publishing Ltd.
A5. EMI Music Publishing Ltd.
A6. Bright Music Ltd./EMI Music Publishing Ltd.
B1. Bright Music Ltd.
B2. EMI Music Publishing Ltd.
B3. Warner Bros. Music Ltd.
B4. Bright Music Ltd.
B5. Warner Bros. Music Ltd.
B6. Bright Music Ltd./EMI Music Publishing Ltd.
Publisher credits apply to G.B. only
℗ 1987 Warner Bros. Records Inc. for the US.
[Back cover]
Warner Bros. Records Inc., a Warner Communications Company (W logo)® 3300 Warner Blvd., Burbank, Calif. 91510. 75 Rockefeller Plaza, New York 10019. © 1987 Warner Bros. Records Inc. for the US & WEA International Inc. For the world outside of the US.
℗ 1987 Warner Bros. Records Inc. for the US & WEA International Inc. For the world outside of the US. All Rights Reserved. Unauthorized duplication is a violation of applicable laws.
Manufactured in by Record Service GmbH, Alsdorf · Pressé en Allemagne par Record Service GmbH, Alsdorf (logo) a Warner Communications Company
W logo embossed on the bottom right corner
Some copies issued with sticker advertising hit songs.
Poly lined lyrics / credits inner sleeve.
Barcode and Other Identifiers
- Barcode (Printed): 0 7599-25471-1
- Barcode (Scanned): 07599254711
- Label Code: LC 0392
- Price Code (): Ⓤ
- Price Code (:): WE 381
- Rights Society (Boxed): GEMA/BIEM
- Matrix / Runout (Side A runout stamped / etched, variant 1): R/S Alsdorf 925471-1-A5 1-25471-ARE 1-SH2 B-26727-RE1-SH2-DMM Precision Δ15745 2-3
- Matrix / Runout (Side B runout stamped / etched, variant 1): R/S Alsdorf 925471-1-B11 1-25471-B-RE1-SH1 17 B-26728-RE1-SH1-DMM Δ15745 X Precision 2-1
- Matrix / Runout (Side A runout stamped / etched, variant 2): R/S A 925471-1-A4̶ 6 1-25471-A RE-1 SH2 DMM B-26727-Re1-SH2 DMM Precision 50 △ 15745 2-2 UK GER
- Matrix / Runout (Side B runout stamped / etched, variant 2): R/S Alsdorf 925471-1-B10 1-25471-B-RE1-SH1 B-26728-Re1-SH1-DMM 33 △ 15745-X 1-2 Precision GER
- Matrix / Runout (Side A runout stamped / etched, variant 3): R/S Alsdorf 925471-1-B11X 1-25471 7 B-26728-Re1-SH1-DMM△15745X Precision 2-1
- Matrix / Runout (Side B runout etched, variant 3, [Crossed thru 6]): R/S A 925471-1-A 6⃥ X 1-25471-ARE1-SH2 GER DMM B-2627-Rel-SH2-DMM Precision 39△15745 2-2 UK
- Matrix / Runout (Side A runout stamped / etched, variant 4): R / S A 925471-1-A4̶ 6 1-25471-ARE 1- SH2 DMM B-26727-Re1-SH2-Dmm. Precision 74 △ 15745 2-2 GER
- Matrix / Runout (Side B runout stamped / etched, variant 4): R / S Alsdorf 925471-1-B10 GER D 1-25471-B-RE 1 -SH1 44 B-26728-Re1 - SH1 - DMM △ 15745-X 1-2 Precision
- Matrix / Runout (Side A runout stamped / etched, variant 5): R / S Alsdorf 925471-1-A5x GER. 1-25471-ARE 1- SH2 DMM 19 B-26727-Re1-SH2-Dmm Precision △ 15745 2-3
- Matrix / Runout (Side B runout stamped / etched, variant 5): R / S Alsdorf 925471-1-B11x GER 1-25471-B-RE1-SH1 Be B-26728-Re1-SH1-DMM73 △ 15745-X Precision 2-1
- Matrix / Runout (Side A runout stamped / etched, variant 6): R / S Alsdorf 925471-1-A5 GER. 1-25471-ARE 1- SH2 DMM UK B-26727-Re1-Sh2-Dmm Precision △ 15745 2-3
- Matrix / Runout (Side B runout stamped / etched, variant 6): R / S Alsdorf 925471-1-B11 GER. 1-25471-B-RE1-SH1 X B-26728-Re1-SH1-DMM △ 15745-X Precision 2-1
- Matrix / Runout (Side A runout stamped / [etched], variant 7): R / S A [GER] 925471-1-AX6[X 1-25471-ARE1-SH2 DMM B-26727-Re1-SH2-DMM Precision 50 △ 15745 2-1 21]
- Matrix / Runout (Side B runout stamped / [etched], variant 7): R / S Alsdorf 925471-1-B11[XX GER. 1-25471-B-RE1-SH1 53 B-26728-Re1-SH1-DMM △ 15745-X < ̶E̶m̶i̶ > Precision 2-1]
- Matrix / Runout (Side A runout stamped / etched, variant 8): R / S Alsdorf 925471-1-A5 GER. 1-25471-ARE 1- SH2 DMM B-26727-Re1-Sh2-Dmm Precision △ 15745 2-3
- Matrix / Runout (Side B runout stamped / etched, variant 8): R / S Alsdorf 925471-1-B11x GER. D̶K̶ ̶S̶ 1-25471-B-RE1-SH1 U̶K̶ 74 B-26728-Re1-SH1-DMM S̶F̶ △ 15745-X 2-1 F
- Matrix / Runout (Side A runout stamped / etched, variant 9): R / S A [GER] 925471-1-A4̶ 6 1-25471-ARE1-SH2 DMM B-26727-Re1-SH2-DMM Precision △ 15745 2-2 UK
- Matrix / Runout (Side B runout stamped / etched, variant 9): R / S Alsdorf 925471-1-B10 GER 1-25471-B-RE1-SH1 B-26728-Re1-SH1-DMM 28 △ 15745-X 1-2 Precision
- Matrix / Runout (Side A runout stamped / [etched], variant 10): R / S A [GER] 925471-1-A4⃥6 [1-25471-ARE1-SH2 DMM B-26727-Re1-SH2-DMM Precision 64 △ 15745 2-2]
- Matrix / Runout (Side B runout stamped / [etched], variant 10): R / S Alsdorf 925471-1-B10 [GER. 39 1-25471-B-RE1-SH1 B-26728-Re1-SH1-DMM △ 15745-X 1-2 Precision UK]
- Matrix / Runout (Side A runout stamped / etched, variant 11): R / S Alsdorf 925471-1-A5 GER. 1-25471-ARE1-SH2 DMM 62 B-26727-Re1-SH2-DMM Precision △15745 2-3
- Matrix / Runout (Side B runout stamped / etched, variant 11): R / S Alsdorf 925471-1-B10 GER. 39 1-25471-B-RE1-SH1 B-26728-Re1-SH1-DMM △15745-X 1-2 Precision
- Matrix / Runout (Side A runout stamped / etched, variant 12): R / S Alsdorf 925471-1-A5 GER. 1-25471-ARE1-SH2 DMM B-26727-Re1-SH2-DMM Precision △15745 2-3 61
- Matrix / Runout (Side B runout stamped / etched, variant 12): R / S Alsdorf 925471-1-B10 BE GER 1-25471-B-RE1-SH1 B-26728-Re1-SH1-DMM △15745-X 1-2 Precision
- Matrix / Runout (Side A runout stamped / etched, variant 13): R / S Alsdorf 925471-1-A2xxx GER. 48 1-25471-A-SH2 B-26-727-SH2-DMM △15745 3-1 Precision
- Matrix / Runout (Side B runout stamped / etched, variant 13): R / S Alsdorf 925471-1-B 9 1-25471-B-S̷R3-Dmm 2-2 SP-GER UK DMM 27 Precision S
- Matrix / Runout (Side A runout stamped / etched, variant 14): R / S A GER 925471-1-A 4̶ 6 X 1-25471-ARE1-SH2 DMM B-26727-Re1-SH2-DMM Precision 72 △ 15745 2-J
- Matrix / Runout (Side B runout stamped / etched, variant 14): R / S Alsdorf 925471-1-B 10 GER 1-25471-B-RE 1 -S̷H1 14 B-26728-Rei-SH1-DMM △ 15745-X 1-J Precision
- Matrix / Runout (Side A runout stamped /etched, variant 15): R / S A GER 925471-1-A4̶6X 1-25471-ARE 1- SH 2 DMM B-26727-Re1-SH2-Dmm Precision △ 15745 2-2 94
- Matrix / Runout (Side B runout stamped /etched, variant 15): R / S Alsdorf 925471-1-B10 SFⓍ GER 1-25471-B-RE 1 -SH1 15 B-26728- Re1 - SH1 - DMM △ 15745-X 1-2 Precision
- Matrix / Runout (Side A runout stamped /etched, variant 16): R / S A GER 925471-1-A4̶6X 1-25471-ARE 1- SH 2 DMM B-26727-Re1-SH2-Dmm Precision 2 △ 15745 2-2
- Matrix / Runout (Side B runout stamped /etched, variant 16): R / S Alsdorf 925471-1-B10 GER 1-25471-B-RE 1 -SH1 5 B-26728- Re1 - SH1 - DMM △ 15745-X 1-2 Precision D
- Matrix / Runout (Side A runout stamped /etched, variant 17): R / S AGER925471-1-A4̶6 1-25471-ARE 1- SH2 DMM B-26727-Re1-SH2-Dmm. Precision △ 15745 2-2
- Matrix / Runout (Side B runout stamped /etched, variant 17): R / S Alsdorf 925471-1-B11XX GER. 1-25471-B-RE1 -SH1 UK B-26728-Re1-SH1-DMM 23 △ 15745-X < ̶E̶m̶i̶ > Precision 2-1
Other Versions (5 of 201)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Tango In The Night (LP, Album, Allied Pressing) | Warner Bros. Records | 9 25471-1, 1-25471 | US | 1987 | ||
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Recently Edited
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Tango In The Night (Cassette, Album, SR, Dolby ®) | Warner Bros. Records | 9 25471-4, 4-25471 | US | 1987 | ||
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Recently Edited
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Tango In The Night (LP, Album) | Warner Bros. Records | 92 54711 | Canada | 1987 | ||
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Recently Edited
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Tango In The Night (LP, Album) | Warner Bros. Records | 925471-1 | Spain | 1987 | ||
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New Submission
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Tango In The Night (LP, Album, Stereo) | Warner Bros. Records | 9 25471-1 | Italy | 1987 |
Recommendations
Reviews
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This is my featured vinyl for this week on my blog, A.D.R.E.W. (A Different Record Every Week) link below...
https://decsloan.wixsite.com/adrew/post/tango-in-the-night
The concept is simple - to share a new record from my vinyl collection every week along with a short review including, my favourite track, a suggested listening environment, info on the pressing I own and further related recommendations. My aim is to get more people listening to albums again, the way they were intended to be played.
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Edited 2 months agoAfter reading the reviews here maybe I just got lucky but my copy is fantastic!
Really nice imaging & separation, some crackles but that could be a second wet clean needed because it’s VERY quiet & clean sounding. *Update…. Crackle & Pop gone after second clean, in fact, I had a Nqeuepn anti-static brush (the make up blusher type) yeah well ‘Don’t’ use it lol, it creates static, stick to the Audioquest Gold & Milty Zerostat, they are incredible. Don’t even need fancy equipment to test, simply a paper test/kitchen roll and the results are clear & of course with no static present, any minute paper fibres from the test blow straight off. (I use an Air blower after cleans).
It’s quite bright but in a complimentary way with nice distinguished highs. There was one track on side B I found a little ‘too much’ but that’s more my choice in music. -
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I bought 3 different copies of this great album (1 re-used and 2 new 180 gram pressings) and all 3 skip the album with the same numbers at the same place. I have a 1 year old Pro-ject T1 record player and have never experienced this with any other record. I tried various remediations, like completely cleaning the record (through a spin record washer) and adjusting the weight on the needle but none of that worked. I all cases I had to return the record to the seller.
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I have this one with a misprint. The label on other side is way off center. Anyone with the same? -
IGD after 3 songs on my copy, even with audio technica shibata needle. This LP sounds like CD '87 mastering, -
Great record, excellent sound. Got two nearly exact same copys: the letters of "UK: WX65 925471-1 FLEETWOOD MAC" on the side are red, on my other record white. Can't find the correct copy in Discogs. -
This would be my second favourite album by the band, only behind Rumours. Sadly it was the final studio album to date by this line-up, but they definitely ended it on a high.
It is the first time since Rumours that they have tried to repeat that formula and truly succeeded. Tusk is a fantastic record if it is looked on as an experimental one, while Mirage albeit not bad was somewhat disappointing. However here, the songwriting is brilliant from all involved, especially Christine McVie, whose "Little Lies" and "Everywhere" have become classic 1980's hits, and also her co-write with Buckingham "Isn't it Midnight" is a strong number.
Lindsey Buckingham's songs are also commendable, especially 'Big Love' and 'Caroline', and the title track features some of his best guitar work. Stevie Nicks is notably absent for a lot of the record (due to her recovering from rehab), but her brilliant "Seven Wonders" leaves enough of an impression to make up for it, and she can be heard clearly on 'Little Lies' in the chorus.
The only track where I feel the standard dips is Nicks' "Welcome to the Room...Sara", about her stay at the Betty Ford Rehab Clinic. It just feels a bit too repetitive and was maybe unnecessary.
Buckingham and Richard Dashut's production does sound of its time in places, with a fair amount of synths used. However, on songs like the atmospheric "Little Lies" and dreamy "Everywhere" I feel it makes them what they are. And in addition, the vocal harmonies are also fantastic.
The 2017 reissue sounds great, don't feel you need an old pressing. This sounds like an unplayed 1980s copy to me. -
The band may have been falling apart, but this is a strong and great-sounding offering from this band. Lindsey Buckingham outdid himself with the production, and the album has a solid yet silky sound all its own.
This pressing does thorough justice to the music: it is a reference-quality offering at a bargain-bin price, lending further credibility to my theory that mastering for vinyl reached its apex in the late 80s. -
Love it. Newly financially independent in 1987 and it was one of the first albums I bought!
Release
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