Ian O'BrienA History Of Things To Come

Label:

Peacefrog Records – PFG 009 CD

Format:

CD , Album

Country:

UK

Released:

Genre:

Electronic

Style:

Fusion

Tracklist

1 Lucia Pt. One 4:13
2 Veksel
Drum Programming [Additional]Domu
8:32
3 Spirits
Cowbell, Drum [Gato], ShakerMarcelo Salazar
4:32
4 A Midwestern Night's Dream
Composed ByPat Metheny
NoisesMarcelo Salazar
4:25
5 Lucia Pt. Two 8:34
6 Air 0:49
7 Zed 2:05
8 Vista Beleza 5:07
9 Teentown
Bongos, Triangle, Drums [Daddy]Marcelo Salazar
Composed ByJaco Pastorius
4:48
10 Theme From Apollo 2:55
11 Yemura
FluteNathan Haines
8:12
12 A Little Of The Bandit's Soul 1:48
13 Teentown Beats
Bongos, Triangle, Drums [Daddy]Marcelo Salazar
4:22
14 Vagalume 2:30

Companies, etc.

  • Copyright ©Peacefrog Records
  • Made ByUniversal M & L, UK
  • Pressed ByImpress (2)

Credits

  • Composed ByIan O'Brien (tracks: 1 to 3, 5 to 8, 10 to 14)
  • DesignLucia P

Notes

Released in a Digipak.

(C) 2001 Peacefrog Records

Barcode and Other Identifiers

  • Barcode: 5050294110720
  • Matrix / Runout (Variants 1 & 2): IMPRESS PFG009CD 03 5
  • Matrix / Runout (Variant 3): IMPRESS PFG009CD 02 5
  • Matrix / Runout (Mould Text, Variants 1, 2 & 3): MADE IN THE UK BY UNIVERSAL M&L
  • Mastering SID Code (Variants 1, 2 & 3): IFPI L135
  • Mould SID Code (Variant 1): IFPI 04B1
  • Mould SID Code (Variant 2): IFPI 04F4
  • Mould SID Code (Variant 3): IFPI 04D9

Other Versions (1)

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Title (Format) Label Cat# Country Year
Recently Edited
A History Of Things To Come (2×LP, Album) Peacefrog Records PFG009LP, PFG 009 LP UK 2001

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Reviews

  • scoundrel's avatar
    scoundrel
    Edited 19 years ago
    Ian O’Brien’s third album, A HISTORY OF THINGS TO COME, marks somewhat of a change in direction for him. Whereas his first two albums were lush in their instrumentation and sound, A HISTORY… is much more spare, and ambient at times (like on the delicate “Vista Beleza”). The tracks here are also more freeform: where “Lucia (Pt. 1)” is almost all sound, “Spirits” is almost all African rhythms, which reappear on “Yemura.” But the Pat Methany cover, “A Midwestern Night’s Dream,” recaptures the emotional power while still remaining stripped-down, and “Zed” has a subdued funk that shows that he hasn’t lost his touch. “Teentown” and its propulsive brother, “Teentown Beats,” stick out as a more in-your-face track, almost at odds with the rest of the album, especially given how “Theme from Apollo,” which follows directly, is beatless. As is “Vagalume,” the rich, sweeping final track, which reminds us the gorgeous heights to which O’Brien can take us. So while this album is undoubtedly full of beauty, it’s a little more uneven than what O’Brien can normally deliver.

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