Ian O'BrienA History Of Things To Come

Genre:

Electronic

Style:

Fusion

Year:

Tracklist

Lucia Pt. One 4:13
Veksel 8:32
Spirits 4:32
A Midwestern Night's Dream 4:25
Lucia Pt. Two 8:34
Air 0:49
Zed 2:05
Vista Beleza 5:07
Teentown 4:48
Theme From Apollo 2:55
Yemura 8:12
A Little Of The Bandit's Soul 1:48
Teentown Beats 4:22
Vegalume 2:30

Versions

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    2 versions
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    Version Details Data Quality
    Cover of A History Of Things To Come, 2001, CD A History Of Things To Come
    CD, Album
    Peacefrog Records – PFG 009 CD UK 2001 UK2001
    Recently Edited
    Cover of A History Of Things To Come, 2001, Vinyl A History Of Things To Come
    2×LP, Album
    Peacefrog Records – PFG 009 LP UK 2001 UK2001
    Recently Edited

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    Reviews

    • Numanoid's avatar
      Numanoid
      Edited 11 months ago
      "Veksel" meaning change in Scandinavian languages, sounds like it is inspired by Yellow Magic Orchestra.

      And covering "Teentown" by Weather Report, there can be no doubt where O'Brien's roots lay.
      • gutterguitar's avatar
        gutterguitar
        amazing variety of styles, a nice discovery for me, definitely a keeper
        • franz__waxman's avatar
          franz__waxman
          Edited 7 years ago
          Beautiful. Sounds like an early George Duke album with post modern colour and vibration. It reminds me of the amazing Planetary Folklore album by As One on Mo'Wax.
          https://discogs.cinepelis.org/As-One-Planetary-Folklore/release/75548
          • scoundrel's avatar
            scoundrel
            Edited 19 years ago
            Ian O’Brien’s third album, A HISTORY OF THINGS TO COME, marks somewhat of a change in direction for him. Whereas his first two albums were lush in their instrumentation and sound, A HISTORY… is much more spare, and ambient at times (like on the delicate “Vista Beleza”). The tracks here are also more freeform: where “Lucia (Pt. 1)” is almost all sound, “Spirits” is almost all African rhythms, which reappear on “Yemura.” But the Pat Methany cover, “A Midwestern Night’s Dream,” recaptures the emotional power while still remaining stripped-down, and “Zed” has a subdued funk that shows that he hasn’t lost his touch. “Teentown” and its propulsive brother, “Teentown Beats,” stick out as a more in-your-face track, almost at odds with the rest of the album, especially given how “Theme from Apollo,” which follows directly, is beatless. As is “Vagalume,” the rich, sweeping final track, which reminds us the gorgeous heights to which O’Brien can take us. So while this album is undoubtedly full of beauty, it’s a little more uneven than what O’Brien can normally deliver.
            • ongo's avatar
              ongo
              I often feel this record never got the recognition it deserved it's a record that would sit in record stores for months
              This album is a musicians album and not a DJ's album
              Its basically a Jazz Fusion album but done with lots of taste by mr O'Brian
              If you like jazz fusion and Electronica this is a great cross between the two

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              Statistics

              • Avg Rating:4.3 / 5
              • Ratings:125

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