A Certain Ratio – Early
Label: |
Soul Jazz Records – SJR CD60 |
---|---|
Format: |
CD
, Enhanced
All Media
, Compilation
|
Country: |
UK |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Post-Punk |
Tracklist
Early | |||
1-1 | A Certain Ratio– | Do The Du | 2:49 |
1-2 | A Certain Ratio– | Flight | 6:04 |
1-3 | A Certain Ratio– | Waterline | 4:07 |
1-4 | A Certain Ratio– | Shack Up | 3:13 |
1-5 | A Certain Ratio– | The Fox | 3:03 |
1-6 | A Certain Ratio– | Blown Away | 3:11 |
1-7 | A Certain Ratio– | Gum | 3:01 |
1-8 | A Certain Ratio– | Life's A Scream | 6:32 |
1-9 | A Certain Ratio– | Skipscada | 2:06 |
1-10 | A Certain Ratio– | Knife Slits Water | 7:32 |
1-11 | A Certain Ratio– | Sounds Like Something Dirty | 6:54 |
1-12 | A Certain Ratio– | Touch | 5:03 |
1-13 | A Certain Ratio– | Saturn | 3:48 |
B-Sides, Rarities & Sessions | |||
2-1 | A Certain Ratio– | All Night Party | 3:13 |
2-2 | A Certain Ratio– | Faceless | 2:18 |
2-3 | A Certain Ratio– | Do The Du | 2:41 |
2-4 | A Certain Ratio– | All Night Party | 3:47 |
2-5 | A Certain Ratio– | Flight | 3:15 |
2-6 | A Certain Ratio– | Choir | 3:05 |
2-7 | A Certain Ratio– | Skipscada | 2:04 |
2-8 | A Certain Ratio– | Felch (Original NYC Mix) | 3:43 |
2-9 | Sir Horatio– | Abracadubra | 3:31 |
2-10 | A Certain Ratio– | Tumba Rhumba | 2:34 |
2-11 | A Certain Ratio– | Si Fermir O Grido | 3:22 |
2-Video | A Certain Ratio– | Tribeca | 11:52 |
Companies, etc.
- Phonographic Copyright ℗ – Soul Jazz Records
- Copyright © – Soul Jazz Records
- Made By – Universal M & L, UK
Credits
- Compiled By – Stuart Baker
- Design – Stinky (9)
- Design [Design Based On An Original Design By] – Saville*
- Mastered By – Pete Reilly
- Other [Repro Man] – Pierce Smith
- Photography By – Steve Mitchell (12)
- Photography By [Cover] – Daniel Meadows
Notes
A 2CD retrospective of A Certain Ratio's career from '79-'85. Twin tray clear plastic jewel case held in a card slipcase.
Cover design based on original design by Saville & Aitkins for ACR "Flight", 1980.
Track 2-1 is from the original 7" single.
Track 2-2 from Graveyard & Ballroom.
Tracks 2-3, 2-4, 2-5, 2-6 taken from John Peel Session recorded 1/10/1979, first transmission 17/10/1979.
Track 2-7 taken from the John Peel Session recorded 29/6/1981, first transmission 2/7/1981.
Track 2-9 from a Sir Horatio 12".
Track 2-10 is a 7" single b-side.
Track 2-11 from the Touch cassette.
Track 2-Video is a film by Michael Shamberg of ACR in New York City, 1980 intercut with ACR playing percussion in a Tribeca loft.
℗&© Soul Jazz Records 2002
Made in the UK (on discs)
Cover design based on original design by Saville & Aitkins for ACR "Flight", 1980.
Track 2-1 is from the original 7" single.
Track 2-2 from Graveyard & Ballroom.
Tracks 2-3, 2-4, 2-5, 2-6 taken from John Peel Session recorded 1/10/1979, first transmission 17/10/1979.
Track 2-7 taken from the John Peel Session recorded 29/6/1981, first transmission 2/7/1981.
Track 2-9 from a Sir Horatio 12".
Track 2-10 is a 7" single b-side.
Track 2-11 from the Touch cassette.
Track 2-Video is a film by Michael Shamberg of ACR in New York City, 1980 intercut with ACR playing percussion in a Tribeca loft.
℗&© Soul Jazz Records 2002
Made in the UK (on discs)
Barcode and Other Identifiers
- Barcode (Text): 5 026328 100609
- Barcode (Scanned): 5026328100609
- Label Code: LC 2678
- Other (Cat# disc 1): SJR CD60-1
- Other (Cat# disc 2): SJR CD60-2
- Matrix / Runout (Disc 1, Variants 1 & 2): SJRCD60/1 01 6
- Matrix / Runout (Disc 2, Variants 1 & 2): SJRCD60/2 01 6
- Matrix / Runout (Both discs, Inner ring): MADE IN THE UK BY UNIVERSAL M&L
- Mastering SID Code (Both discs, Variants 1 & 2): IFPI L136
- Mould SID Code (Disc 1, Variant 1): IFPI 04G6
- Mould SID Code (Disc 2, Variant 1): IFPI 04B6
- Mould SID Code (Disc 1, Variant 2): IFPI 04H2
- Mould SID Code (Disc 2, Variant 2): IFPI 04C2
Other Versions (5 of 7)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Early (2×LP, Compilation) | Soul Jazz Records | SJR LP60 | UK | 2002 | ||
Early (CD, Compilation, Promo) | Soul Jazz Records | SJR CD60 | UK | 2002 | |||
New Submission
|
Early (CD, , CD, Enhanced, All Media, Compilation) | Soul Jazz Records | SJR CD60 | UK | 2002 | ||
Early (2×LP, Compilation) | Soul Jazz Records | SJR LP 060 | UK | 2008 | |||
Recently Edited
|
Early (CD, , CD, Enhanced, All Media, Compilation, Repress) | Soul Jazz Records | SJR CD60 | UK | Unknown |
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Reviews
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I really wish the second cd from the double cd with all the Peel Sessions would have been pressed to vinyl
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Factory Records hit me hard as a young man in his super early 20's. Joy Division spoke to me at that age, and also the visuals were incredibly important as well. Ian Curtis was so haunted, it made my heart ache. But now, I can barely listen to their music. Not that I hate it, but more to the fact that the music doesn't speak for me anymore. I used it, it used me, and I was satisfied. Next!
For that label, and what a more lasting effect, is A Certain Ratio. The visuals of the band were even more striking to me than Joy Division. They had this sort of Lawrence of the Arabia without the robes look. Military baggy shorts, 1930's haircuts, thick boy scout or military socks that go up to the knee, and basically sort of look like British prisoners of war circa the early days of World War 2. And the music is …. dub jazz funk. It was like if Miles Davis started a British band in the late 70's. To me I think this was Factory Records head Tony Wilson's great discovery.
Early is the ultimate collection of all the early and hard to find singles by A Certain Ratio. The spacey dub effects and the self-obsessed funk makes this band the bad and slightly darker version of Joy Division's rock stance. If Ian and company looked up to Iggy, The Doors, and Velvets, then A Certain Ratio looked up to obscure funk singles and Miles electric music era. In many ways they perfectly complimented each other. But the lasting effect for me is A Certain Ratio. -
Edited 18 years agoToward the late 70s, two Manchester-based tribes of young people lived together in a weird harmony. On the one hand, the bewitched devotees to the heretic smack of the Velvet Underground and to the ambiguous appeal of David Bowie (Joy Division, Section 25, Crispy Ambulance). On the other, the children of the Northern Soul, fans of black soul music. A Certain Ratio is the perfect link between these two cultures sharing a similar sense of repartee. No need to know how to play an instrument to create a rich musical environment, even when you opt for the difficulty of funky rhythms. "Early", launched at the initiative of the London-based Souljazz label, relates the history of a combo who, alike Cabaret Voltaire, cultivated an absolute taste for singularity (A Certain Ratio started their experimentation with magnetic tapes after attending a Cabaret Voltaire gig). Complete with 2 CDs and a Quicktime video, this anthology will sound like a total musical UFO to whomever never danced on icy-cold dancefloor hits such as Shack Up or Blown Away. The sophisticated booklet is an additional treat to those who still long for this very special period in time that only existed on a microcosmic point of the world's music map.
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