Martin Rev – Martin Rev
Label: |
ROIR – RUSCD 8279 |
---|---|
Format: |
CD
, Album, Reissue, Remastered
|
Country: |
US |
Released: |
|
Genre: |
Electronic |
Style: |
Synth-pop |
Tracklist
1 | Mari | 4:25 | |
2 | Baby Oh Baby | 4:47 | |
3 | Nineteen 86 | 4:35 | |
4 | Temptation | 7:18 | |
5 | Jomo | 4:40 | |
6 | Asia | 4:00 | |
7 | Coal Train | 5:28 | |
8 | Marvel | 12:50 | |
9 | 5 To 5 | 2:00 | |
10 | Wes | 4:16 | |
11 | Daydreams | 5:22 |
Companies, etc.
- Phonographic Copyright ℗ – ROIR
- Copyright © – ROIR
- Published By – Revega Music Co.
- Recorded At – Minot Sound
- Recorded At – Sorcerer Sound
- Remastered At – I Am Productions
- Remastered At – Prodam
- Glass Mastered At – ESP Laser Matrix
Credits
- Artwork [All Front Cover And Original Booklet Art], Photography By – Marev
- Engineer – Greg Curry (tracks: 1 to 6)
- Layout [Production And Layout] – Cynthia Fetty
- Liner Notes – Steve Barker
- Producer [All Compositions Produced By] – Martin Rev
- Remastered By [Digital Re-Mastering] – John Dodge (tracks: 1 to 8)
- Written-By [All Songs Written By], Performer – Martin Rev
Notes
Hype sticker:
"Martin Rev (Suicide)
First solo album from 1980 with 5 bonus tracks (3 previously unreleased)
From new wave to electroclash, no artist has escaped Martin Rev's influence"
Released in a jewel case with a 6 page fold-out booklet.
Tracks 1 to 6 originally appeared on Lust/Unlust Records, 1980 (Martin Rev JMB 228). Recorded at Sorcerer Sound Studios, New York City.
Tracks 7 to 11 were recorded at Minot Studios, White Plains, New York, 1991.
Tracks 7 and 8 are bonus tracks.
Tracks 9 to 11 are bonus tracks and never before released.
Digital remastering at I Am Productions NYC and Prodam, Belgium.
All compositions published by Revega Music Co. ASCAP/HF.
© & ℗ ROIR 2002
"Martin Rev (Suicide)
First solo album from 1980 with 5 bonus tracks (3 previously unreleased)
From new wave to electroclash, no artist has escaped Martin Rev's influence"
Released in a jewel case with a 6 page fold-out booklet.
Tracks 1 to 6 originally appeared on Lust/Unlust Records, 1980 (Martin Rev JMB 228). Recorded at Sorcerer Sound Studios, New York City.
Tracks 7 to 11 were recorded at Minot Studios, White Plains, New York, 1991.
Tracks 7 and 8 are bonus tracks.
Tracks 9 to 11 are bonus tracks and never before released.
Digital remastering at I Am Productions NYC and Prodam, Belgium.
All compositions published by Revega Music Co. ASCAP/HF.
© & ℗ ROIR 2002
Barcode and Other Identifiers
- Barcode (Text): 0 53436 82792 5
- Barcode (Scanned): 053436827925
- Matrix / Runout: 25084-CD 01D ESP LaserMatrix
- Mastering SID Code: IFPI LJ36
- Mould SID Code: none
- Rights Society: ASCAP
Other Versions (5 of 7)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Martin Rev (LP, Album) | Infidelity (2) | JMB-228 | US | 1980 | |||
Recently Edited
|
Marvel (CD, Album, Reissue) | Daft Records | D1012 CD | Belgium | 1997 | ||
Recently Edited
|
Martin Rev (LP, Album, Reissue) | Superior Viaduct | SV012 | US | 2013 | ||
New Submission
|
Martin Rev (CD, Album, Reissue) | Bureau B | BB440 | Europe | 2024 | ||
New Submission
|
Martin Rev (LP, Album, Reissue) | Bureau B | BB440 | 2024 |
Recommendations
Reviews
-
Edited 5 years agoFans of the first two Suicide albums will love Martin Rev's solo debut. The lone vocal track, 'Baby Oh Baby' (essentially Suicide with Rev's smokier, more gravelly voice substituting for Alan Vega's), is of course a classic in its own right, but the instrumental pieces are just as compelling. 'Mari,' a love song without words, recycles the piano bass line from Suicide's 'Dream Baby Dream' yet manages to create an identity all its own, while 'Temptation' draws out the eerie, hypnotic celeste that lurked in the background of Suicide's 'Frankie Teardrop' and makes it the central feature of the composition.
The original six-song album was released in 1980. The five bonus tracks that appear on the CD were recorded in 1991 and have a Harold Faltermeyer-esque, dance-pop feel. The highlights of this batch are 'Coal Train' (which itself appropriates the bass line from Rev's earlier 'Temptation' and gradually builds to a mid-paced, almost sinister momentum) and 'Wes' (whose sassy, synthetic horn riff turns gorgeously spectral with a wash of dissonant noise, like the audio on an old VHS tape becoming fainter with the age of years).
Release
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