Christensen* – Sleeper (Tokyo, April 16, 1979)
Label: |
ECM Records – 370 5570 |
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Format: |
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Country: |
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Released: |
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Genre: |
Jazz |
Style: |
Contemporary Jazz |
Tracklist
1-1 | Personal Mountains | 21:12 | |
1-2 | Innocence | 10:47 | |
1-3 | So Tender | 13:27 | |
2-1 | Oasis | 28:13 | |
2-2 | Chant Of The Soil | 14:52 | |
2-3 | Prism | 11:15 | |
2-4 | New Dance | 7:07 |
Companies, etc.
- Phonographic Copyright ℗ – ECM Records GmbH
- Copyright © – ECM Records GmbH
- Published By – Cavelight Music
- Made By – EDC, – 52945877
- Made By – EDC, – 52945879
- Recorded At – Nakano Sun Plaza
- Mixed At – Rainbow Studio
Credits
- Composed By – Keith Jarrett
- Design – Sascha Kleis
- Double Bass – Palle Danielsson
- Drums, Percussion – Jon Christensen
- Engineer – Jan Erik Kongshaug
- Mixed By – Manfred Eicher
- Photography By [Photos] – Terje Mosnes
- Piano, Percussion – Keith Jarrett
- Producer – Manfred Eicher
- Producer [Concert Produced By] – AI Music-Toshinari Koinuma*
- Producer [Concert Produced In Collaboration With] – Trio Records
- Tenor Saxophone, Soprano Saxophone, Flute, Percussion – Jan Garbarek
Notes
Recorded live April 16, 1979 at Nakano Sun Plaza, Tokyo
Mixed 2012 at Rainbow Studio
Packaged in a 2CD, brilliant box style (standard-thickness, hinged on the right) jewel case housed in an O-card. Only the O-card carries the barcode. The booklet counts 20 pages, covers included.
An ECM Production
℗ 2012 ECM Records GmbH
© 2012 ECM Records GmbH
Printed in
Mixed 2012 at Rainbow Studio
Packaged in a 2CD, brilliant box style (standard-thickness, hinged on the right) jewel case housed in an O-card. Only the O-card carries the barcode. The booklet counts 20 pages, covers included.
An ECM Production
℗ 2012 ECM Records GmbH
© 2012 ECM Records GmbH
Printed in
Barcode and Other Identifiers
- Barcode (Text): 6 02537 05570 8
- Barcode (String): 602537055708
- Label Code: LC 02516
- Rights Society: GEMA
- Rights Society: BMI
- SPARS Code: AAD
- Other (Disc 1, Catalog Number): ECM 2290
- Other (Disc 1, Catalog Number): 370 5571
- Other (Disc 2, Catalog Number): ECM 2291
- Other (Disc 2, Catalog Number): 370 5572
- Matrix / Runout (Disc 1): 06025 370 557-1 01 * 52945877
- Matrix / Runout (Disc 2): 06025 370 557-2 01 * 52945879
- Matrix / Runout (Disc 1, Mirror band): Universal logo (4x)
- Matrix / Runout (Disc 2, Mirror band): Universal logo (4x)
- Matrix / Runout (Disc 1, Clamp Area, Variant 1): MADE IN BY EDC C
- Mastering SID Code (Disc 1, Variant 1): IFPI LV26
- Mould SID Code (Disc 1, Variant 1): IFPI 0158
- Matrix / Runout (Disc 2, Clamp Area, Variant 1): MADE IN BY EDC A
- Mastering SID Code (Disc 2, Variant 1): IFPI LV26
- Mould SID Code (Disc 2, Variant 1): IFPI 0127
- Matrix / Runout (Disc 1, Clamp Area, Variant 2): MADE IN BY EDC B
- Mastering SID Code (Disc 1, Variant 2): ?
- Mould SID Code (Disc 1, Variant 2): IFPI 0126
- Matrix / Runout (Disc 2, Clamp Area, Variant 2): MADE IN BY EDC A
- Mastering SID Code (Disc 2, Variant 2): ?
- Mould SID Code (Disc 2, Variant 2): IFPI 0126
- Matrix / Runout (Disc 1, Clamp Area, Variant 3): MADE IN BY EDC A
- Mastering SID Code (Disc 1, Variant 3): IFPI LV26
- Mould SID Code (Disc 1, Variant 3): IFPI 0120
- Matrix / Runout (Disc 2, Clamp Area, Variant 3): MADE IN BY EDC A
- Mastering SID Code (Disc 2, Variant 3): IFPI LV26
- Mould SID Code (Disc 2, Variant 3): IFPI 0116
- Matrix / Runout (Disc 1, clamp area, variant 4): MADE IN BY EDC B
- Mastering SID Code (Disc 1, Variant 4): IFPI LV26
- Mould SID Code (Disc 1, Variant 4): IFPI 0127
- Matrix / Runout (Disc 2, clamp area, variant 4): MADE IN BY EDC A
- Mastering SID Code (Disc 2, Variant 4): IFPI LV26
- Mould SID Code (Disc 2, Variant 4): IFPI 0158
Other Versions (5 of 7)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Sleeper (Tokyo, April 16, 1979) (2×CD, Album) | ECM Records | ECM 2290/91, B0017162-02 | US | 2012 | ||
New Submission
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Sleeper (Tokyo, April 16, 1979) (2×CD, Album, Stereo) | ECM Records | UCCE-1132/3 | Japan | 2012 | ||
New Submission
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Sleeper (Tokyo, April 16, 1979) (7×File, FLAC, Album, 24bit 96kHz) | ECM Records | none | 2012 | |||
New Submission
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Sleeper (Tokyo, April 16, 1979) (2×CD, Album, Promo) | ECM Records | ECM 2290/91, 370 5570 | 2012 | |||
New Submission
|
Sleeper (Tokyo, April 16, 1979) (2×CD, Album, Promo, Stereo) | ECM Records | UCCE-1132/3 | Japan | 2012 |
Recommendations
Reviews
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Recorded in 1979 in Japan and the last tour with the European Quartet. This was 'Sleeping' in a vault all those years but 'Personal Mountains' was issued in 1989 from the same tour and the 2 track recording from New York 'Nude Ants' was released in 1980. This is meat and drink for fans of this Jarrett band.
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Somehow, this release slipped under my radar. Honestly, @Globe199's review sums it up very nicely. A 30+ year old performance that sounds like it could be from today. Excellent recording, great performances all around, and that sort of 'urgency' that a live performance of this energetic music demands.
Truly outstanding. -
Edited 12 years agoThis album is a monumental achievement of jazz performance. Jarrett and Garbarek are at the very top of their respective games. The sound quality is stunning for being 30+ years old; one wonders why ECM waited so long to release this music. Though his piano playing is incredible, I am not always huge fan of Keith Jarrett, mostly because many of his recordings are marred by the "singing" that he does. But for whatever reason, that component of his playing is mixed very low on this album, and the music benefits like you wouldn't believe.
Jan Garbarek, who is also a phenomenal player, but can occasionally sound a bit too much like wounded waterfowl, is just a force of nature here. He plays with such power and ion when he's alongside Jarrett. Having him on tenor most of the time gives his sound the meat it deserves.
The quartet's rhythm section is simply deadlocked, firing on a perfect groove the entire time.
There is an energy and emotion in this music that contrasts strikingly with many ECM recordings. But like so many albums in the label's vast and tremendous catalog, this music is/was so well-made that it is essentially ageless. This is easily the best of the three live albums this group made.
Any fan of contemporary jazz will love this.
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