Ben Webster – Coleman Hawkins Encounters Ben Webster
Label: |
Verve Records – MG VS-6066 |
|---|---|
Series: |
Acoustic Sounds Series |
Format: |
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Country: |
Worldwide |
Released: |
|
Genre: |
Jazz |
Style: |
Post Bop |
Tracklist
| A1 | Blues For Yolande | |
| A2 | It Never Entered My Mind | |
| A3 | Rosita | |
| B1 | You'd Be So Nice To Come Home To | |
| B2 | Prisoner Of Love | |
| B3 | Tangerine | |
| B4 | Shine On Harvest Moon |
Companies, etc.
- Record Company – Universal Music
- Record Company – UMG Recordings, Inc.
- Record Company – Verve Records, Inc.
- Manufactured By – Quality Record Pressings
- Distributed By – Universal Music Enterprises
- Copyright © – UMG Recordings, Inc.
- Copyright © – Burt Goldblatt
- Copyright © – CTS Images
- Mastered At – Bernie Grundman Mastering
- Mastered At – Sterling Sound
- Lacquer Cut At – Bernie Grundman Mastering
- Pressed By – Quality Record Pressings
- Printed By – Stoughton Printing Co.
Credits
- Art Direction – Sheldon Marks
- Bass – Ray Brown
- Drums – Alvin Stoller
- Guitar – Herb Ellis
- Lacquer Cut By – BG*
- Liner Notes – Nat Hentoff
- Mastered By [Reissue Mastering, Sterling Sound] – Ryan Smith (2)
- Photography By [Cover Photo], Cover [Cover Photo] – Burt Goldblatt
- Piano – Oscar Peterson
- Supervised By [Reissue Supervisor] – Chad Kassem
- Supervised By [Supervision] – Norman Granz
- Tenor Saxophone [Tenor Saxophones] – Coleman Hawkins
Notes
Repress using metal parts from Coleman Hawkins Encounters Ben Webster.
This Session was recorded in Hollywood, October 16th 1957.
[On rear]
A Verve Records release; Originally released in 1959 on Verve Records © 2023 UMG Recordings, Inc.
Distributed by Universal Music Enterprises, A Division of UMG Recordings, Inc.
[On labels, rim text]
Verve Records, Inc. — Made in U.S.A.
Runouts are etched.
This Session was recorded in Hollywood, October 16th 1957.
[On rear]
A Verve Records release; Originally released in 1959 on Verve Records © 2023 UMG Recordings, Inc.
Distributed by Universal Music Enterprises, A Division of UMG Recordings, Inc.
[On labels, rim text]
Verve Records, Inc. — Made in U.S.A.
Runouts are etched.
Barcode and Other Identifiers
- Barcode (Text): 6 02455 09860 3
- Barcode (Scanned, UPC-A): 602455098603
- Other (On hype sticker): STDACOUSTT2
- Matrix / Runout (A-side label): MG VS-6066 A
- Matrix / Runout (B-side label): MG VS-6066 B
- Matrix / Runout (A-side label): 30,140 RE
- Matrix / Runout (B-side label): 30,141 RE
- Matrix / Runout (A-side label): B0037377-01 A
- Matrix / Runout (B-side label): B0037377-01 B
- Matrix / Runout (A-side runout): MGVS-6066-A BG
- Matrix / Runout (B-side runout): MGVS-6066-B BG
Other Versions (5 of 52)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Coleman Hawkins Encounters Ben Webster (LP, Album) | Verve Records | MG V-8327 | US | 1959 | ||
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New Submission
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Coleman Hawkins Encounters Ben Webster (LP, Album, Stereo) | Verve Records | MG VS-6066 | US | 1959 | ||
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New Submission
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Blue Saxophones (LP, Album) | Columbia | 33CX 10143 | UK | 1959 | ||
|
New Submission
|
Duel (LP, Album, Mono) | Verve Records | 3618 | 1962 | |||
|
Recently Edited
|
Duel (LP, Reissue, Mono) | Verve Records | 3618 | 1963 |
Recommendations
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2022 WorldwideVinyl —LP, Album, Reissue, Stereo -
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Reviews
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Have no idea why I waited to grab this one. Wonderful sound, swingin' arrangements, and Hawk and Ben are in great tone. There dual lines are wonderful! -
Prensado super silencioso, calidad de sonido magnifica y una interpretación buenísima. Indispensable en una colección de jazz.
Technics SL1200-MK5 - Philips GP412-II - Jico SAS-Rubi - Pro Ject Phono Box DS2 -
A BIG upgrade on the 2019 Verve reissue in of pressing and sonics but loses a little smidge of life and dynamics vs the 2x45rpm cut. However this is the best value of the three and if i didnt have the AP45 and only had this id be more than happy not to pursue the AP45 at all. An excellent reissue in every regard and one of my top 10 jazz records of all time.... makes the recording decisions of Van Gelder sound flat and weak!
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Stunning. I never had the Classic Records pressing, but since they used the same parts, I can’t imagine it being any better. I love this album and this is the best it’s sounded. The bottom end and clarity and the wide stereo is just perfect. Man, this is a great pressing. -
The Classic legacy lives on. I would like to hear what BG now or one from the younger generation/s could do with the tapes, though!
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Absolutely killer sounding! The dynamics are incredibly balanced and this is one of the best sounding records I've heard in a while. Ryan Smith does it again! -
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Edited one year agoI’ve owned a digital of this for ages but my goodness this record is like night and day in comparison.
Wonderful sound and the pressing was flawless. -
Have been waiting all year for this release and am not disappointed at all. Get this now.
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Absolutely beautiful job all around. The sound is to die for. Immaculate pressing. This is going to get a lot of play.
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