Depeche Mode – Just Can't Get Enough (Schizo Mix)
Label: |
Mute – 12 MUTE 016 |
|---|---|
Format: |
Vinyl
, 12", 45 RPM, Single, Stereo
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Synth-pop |
Tracklist
| A | Just Can't Get Enough (Schizo Mix) | 6:48 | |
| B | Any Second Now (Altered) | 5:43 |
Companies, etc.
- Distributed By – Rough Trade
- Distributed By – Spartan
- Copyright © – Mute Music (3)
- Phonographic Copyright ℗ – Mute Records
- Recorded At – Blackwing Studios
- Produced At – Blackwing Studios
Credits
- Engineer [Engineers] – John Fryer
- Lacquer Cut By – Porky (5)
- Plated By – EG*
- Producer – Depeche Mode
- Sleeve – Neville Brody
- Written-By – V. Clarke*
Notes
© Mute music 1981
℗ Mute records
The release was originally issued in a thin semi-glossy cover, including a generic inner sleeve without two corners.
Variants of this UK 12" release with the same cat #:
1) Original release, thin sleeve without spine, unidentified pressing plant (this one)
5) Repress, spined sleeve, pressed by P.R. Records (32mm beveled ring on labels)
Track time for A is given as 6:41 on label, a more accurate time is given above.
℗ Mute records
The release was originally issued in a thin semi-glossy cover, including a generic inner sleeve without two corners.
Variants of this UK 12" release with the same cat #:
1) Original release, thin sleeve without spine, unidentified pressing plant (this one)
5) Repress, spined sleeve, pressed by P.R. Records (32mm beveled ring on labels)
Track time for A is given as 6:41 on label, a more accurate time is given above.
Barcode and Other Identifiers
- Barcode: none
- Matrix / Runout (Runout side A, variant 1): 12 mUTE 016 A2 EG A PORKY PRIME CUT BETTER THAN A SLAP İN THE FACE WITH A WET FİSH
- Matrix / Runout (Runout side B, variant 1): 12 mUTE 016 B1 POSH CLOBBER COULD CLINCHE İT . EG PORKY .
- Matrix / Runout (Runout side A, variant 2): 12 MUTE 016 A1 EG A PORKY PRIME CUT. BETTER THAN A SLAP IN THE FACE WITH A WET FISH
- Matrix / Runout (Runout side B, variant 2): 12 MUTE 016 B1 EG POSH CLOBBER COULD CLINCHE IT. PORKY.
- Matrix / Runout (Runout side A, variant 3): 12 MUTE 016 A1 A PORKY PRIME CUT. EG BETTER THAN A SLAP IN THE FACE WITH A WET FISH
- Matrix / Runout (Runout side B, variant 3): S-2 12 MUTE 016 B1 POSH CLOBBER COULD CLINCH IT. EG PORKY.
Other Versions (5 of 71)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Just Can't Get Enough (7", 45 RPM, Single, Promo) | Sire | PRO 50029 | Canada | 1981 | ||
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Recently Edited
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Just Can't Get Enough / New Life (12", 45 RPM, Promo) | Sire | PRO-A-999 | US | 1981 | ||
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Recently Edited
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Just Can't Get Enough = No Tengo Bastante (12", 45 RPM, Maxi-Single, Stereo) | RCA | SPCO-7293 | Spain | 1981 | ||
| Just Can't Get Enough (7", 45 RPM, Single, Paper Labels) | Vogue | 101558 | 1981 | ||||
|
Recently Edited
|
Just Can't Get Enough (7", 45 RPM, Single) | Sire | SRE50029 | US | 1981 |
Recommendations
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1985 UKVinyl —12", 45 RPM, Single, Stereo
Reviews
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Strongly disagree with the previous reviewer. I think the Schizo Mix of "Just Can't Get Enough" takes the original to a way higher and more epic level. It's both more serious and melodic, and I love the long instrumental ride-out. Great track, but hey, listen for yourself and make up your own mind. -
The 'schizo mix' is a fairly standard, pointless extended mix. It teases in nicely with stripped down percussion before building into the full track, then goes into an extended instrumental section...you can hear the band playing along, trying to sound like sequencers, but just slightly out-of-sync with the main rhythm track. then a fairly tedious extended coda.
the b-side 'altered' version of Any Second Now is another matter entirely. Dispensing with Martin Gore's vocals, this average album track is revealed as a beautifully programmed, highly detailed and evolving slice of intrumental electronica that would put most modern-day 'cold wave' artists to shame. when the drums finally come in near the end the effect is quite startling as the carefully evolving synth sequences are given a sudden dynamic lift. A great track, and I suspect a great example of one of Vince Clarke's earliest adventures in deep anaologue exploration.
Release
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Recently Edited
Recently Edited
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