Can – Soundtracks
Label: |
Spoon Records – XSPOON5 |
|---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Stage & Screen |
Style: |
Prog Rock |
Tracklist
| A1 | Deadlock | 3:25 | |
| A2 | Tango Whiskyman | 4:02 | |
| A3 | Deadlock | 1:40 | |
| A4 | Don't Turn The Light On, Leave Me Alone | 3:42 | |
| A5 | Soul Desert | 3:46 | |
| B1 | Mother Sky | 14:30 | |
| B2 | She Brings The Rain | 4:04 |
Companies, etc.
- Recorded At – Inner Space Studio
- Phonographic Copyright ℗ – Spoon Records Ltd.
- Copyright © – Spoon Records Ltd.
- Lacquer Cut At – SST GmbH
- Pressed By – Schallplattenfabrik Pallas GmbH – 30230
- Pressed By – Schallplattenfabrik Pallas GmbH – 30321
Credits
- Bass, Engineer, Edited By – Holger Czukay
- Design – Albert Leuthenmayr
- Drums, Percussion, Flute – Jaki Liebezeit
- Guitar – Michael Karoli
- Keyboards – Irmin Schmidt
- Lacquer Cut By – Kr*
- Liner Notes – David Stubbs
- Mastered By [Vinyl Cut] – Kevin Metcalfe
- Music By, Lyrics By – Karoli*
- Producer, Composed By, Arranged By – Can
- Remastered By – Andreas Torkler
- Supervised By [Remastering Attended By] – Jono Podmore
- Supervised By [Vinyl Mastering Supervisor] – Jono Podmore
- Vocals – Malcolm Mooney (tracks: A5, B2)
Notes
Back of sleeve, top right:
℗ & © 2013 Spoon Records Limited. Printed in the EU XSPOON5 mute.com spoonrecords.com. Spoon [logo]
A1 and A2 from the movie "Deadlock" by Roland Klick (recorded August 1970)
A3 instrumental title melody from the movie "Deadlock" by Roland Klick
A4 from the movie "Cream" by Leonidas Capitanos (recorded June 1970)
A5 from the movie "Mädchen mit Gewalt" by Roger Fritz (recorded December 1969)
B1 from the movie "Deep End" by Jercy Skolimovsky (recorded July 1970)
B2 from the movie "Bottom" by Thomas Schamoni (recorded November 1969)
UK edition, released 1 April 2022.
Hype sticker (sleeve front):
CAN
LIMITED EDITION
Clear purple Vinyl
includes
code
XLSPOON5
Sticker with text & barcode (sleeve back):
Can Soundtracks - UK edition
XLSPOON5 coloured vinyl
sticker on inner sleeve.
Stickers: XLSPOON5
Sleeve: XSPOON5
Spine: Remastered edition
Runouts are etched, except 30230/1 stamped.
℗ & © 2013 Spoon Records Limited. Printed in the EU XSPOON5 mute.com spoonrecords.com. Spoon [logo]
A1 and A2 from the movie "Deadlock" by Roland Klick (recorded August 1970)
A3 instrumental title melody from the movie "Deadlock" by Roland Klick
A4 from the movie "Cream" by Leonidas Capitanos (recorded June 1970)
A5 from the movie "Mädchen mit Gewalt" by Roger Fritz (recorded December 1969)
B1 from the movie "Deep End" by Jercy Skolimovsky (recorded July 1970)
B2 from the movie "Bottom" by Thomas Schamoni (recorded November 1969)
UK edition, released 1 April 2022.
Hype sticker (sleeve front):
CAN
LIMITED EDITION
Clear purple Vinyl
includes
code
XLSPOON5
Sticker with text & barcode (sleeve back):
Can Soundtracks - UK edition
XLSPOON5 coloured vinyl
sticker on inner sleeve.
Stickers: XLSPOON5
Sleeve: XSPOON5
Spine: Remastered edition
Runouts are etched, except 30230/1 stamped.
Barcode and Other Identifiers
- Barcode (Sticker on sleeve, text): 5 400863 044237
- Barcode (EAN-Code, Scanned): 5400863044237
- Label Code: LC07395
- Matrix / Runout (Runout side A): XSPOON 5 A Kr SST –30230–
- Matrix / Runout (Runout side B): XSPOON 5 B Kr SST –30231–
Other Versions (5 of 64)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Soundtracks (LP, Album, Stereo) | Liberty | LBS 83 437 I | 1970 | |||
|
New Submission
|
Soundtracks (Cassette, Album) | Liberty Stereo-Tape | C-1132 | 1970 | |||
|
Recently Edited
|
Soundtracks (LP, Album, Reissue) | United Artists Records | UAS 29.283 | 1973 | |||
|
New Submission
|
Soundtracks (LP, Album, Reissue) | United Artists Records | UAS 29283 | UK | 1973 | ||
|
New Submission
|
Soundtracks (LP, Album, Reissue) | United Artists Records | UAS 29283 | UK | 1973 |
Recommendations
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2021 EuropeVinyl —LP, Album, Limited Edition, Reissue, Remastered, Repress, Stereo -
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Reviews
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Edited one year agoExtraordinary album. Side One has some achingly lovely chord changes on certain tracks (first 3). All grooves, as is typical of Can, are right in the pocket. Side Two begins with a long track that mesmerises with its insistence of one chord. It never gets dull with changes of texture and instrumentation throughout. They never settle for filler.
Don't let the idea of 'Soundtracks' put you off. This is quintessential Can, imo.
Also this is an excellent pressing. The translucent purple feels and looks like it won't deliver but it does. Great depth to the bottom end. Crisp without bring brittle at any point despite the searing, coarseness of Schmidt's guitar work. I say coarse, but of course it's a lovable rogue!
So....coloured vinyl CAN be clean and without clicks. To me, that means there's no excuse. If it CAN be done, then it should always be done. Companies need to pull their finger out and ensure their products are this good. We shouldn't be 'making do' with the hit and miss element, quality-wise. -
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This particular vinyl color is more of a smoky transparent pinkish-purple, but either way it looks extremely cool. In of the music itself, virtually no surface noise and sounds very good! -
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Something feels off aout the mastering at times. I might not be used to it yet. My copy has a deep scratch on She Brings the Rain. Shame.
Release
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