Spiritualized®* – Ladies And Gentlemen We Are Floating In Space
Label: |
Fat Possum Records – FP1753-1 |
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Series: |
The Spaceman Reissue Program |
Format: |
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Country: |
UK, Europe & US |
Released: |
|
Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
A1 | Ladies And Gentlemen We Are Floating In Space | |
A2 | Come Together | |
A3 | I Think I'm In Love | |
B1 | All Of My Thoughts | |
B2 | Stay With Me | |
B3 | Electricity | |
B4 | Home Of The Brave | |
C1 | The Individual | |
C2 | Broken Heart | |
C3 | No God Only Religion | |
C4 | Cool Waves | |
D1 | Cop Shoot Cop… |
Companies, etc.
- Manufactured By – Fat Possum Records
- Distributed By – Fat Possum Records
- Licensed To – Fat Possum Records
- Phonographic Copyright ℗ – Sony Music Entertainment UK
- Copyright © – Sony Music Entertainment UK
- Published By – BMG Rights Management (UK) Limited
- Recorded At – Moles Studio
- Recorded At – The Church, London
- Recorded At – Rooster Studios
- Recorded At – Strongroom
- Recorded At – House Of Blues, Memphis
- Recorded At – The Hit Factory
- Recorded At – A&M Studios
- Mixed At – Moles Studio
- Mixed At – The Church, London
- Mixed At – Rooster Studios
- Mixed At – Strongroom
- Mixed At – House Of Blues, Memphis
- Mixed At – The Hit Factory
- Mixed At – A&M Studios
- Mastered At – Whitfield Street Recording Studios
- Lacquer Cut At – Alchemy Mastering
- Pressed By – GZ Media – 209800E
Credits
- Accordion – Angel Corpus Christi
- Arranged By [Choir Arranged By] – Irreverend J. Spaceman*
- Arranged By [Horns Arranged By] – Tim Sanders
- Arranged By [Strings Arranged By] – J. Spaceman
- Artwork [Original Artwork - Print] – Spaceman*
- Bass [Fender Jazzbass], Harmonica – Sean Cook
- Cello – Sophie Harris
- Choir – The London Community Gospel Choir*
- Co-producer – John Coxon (tracks: B2)
- Design – Spaceman*
- Design Concept – Farrow Design
- Drums [Gretsch Round Badge], Percussion, Bells, Timpani – Damon Reece
- Electric Organ [Hammond] – Andy Davis
- Engineer [Assistant Engineers] – Patrick McGovern
- Engineer [Mix Engineers] – Trevor Curwen
- Engineer [Recording Engineers] – Trevor Curwen
- Flute, Baritone Saxophone – Simon Clarke (2)
- French Horn – Tim Jones*
- Guitar [Gibson Firebird, Fender Jaguar], Melodica, Synthesizer [JD 800] – John Coxon
- Keyboards [Vox Continental, Farfisa Compact, Roland D20], Piano, Vocals – Kate Radley
- Lacquer Cut By – Barry Grint
- Management – Rough Trade*
- Mastered By – Ray Staff
- Pedal Steel Guitar – B.J. Cole*
- Photography By – Pete Millson (2)
- Piano, Vocals – Dr. John
- Post Production, Edited By – Mads Bjerke
- Producer, Arranged By, Mixed By – J. Spaceman
- Remastered By [Uncredited] – Barry Grint
- Tenor Saxophone – Tim Sanders
- Trombone – Neil Sidwell
- Trumpet, Flugelhorn – Roddie Lorimer*
- Viola – Kathy Burgess
- Violin – Ed Coxon*
- Vocals, Guitar [Fender Telecaster, Fender Jaguar, Vox Starstreamer, Gibson Firebird], Piano, Dulcimer [Hammer Dulcimer], Autoharp – Spaceman*
- Written-By – J. Spaceman
Notes
Packaged in a gatefold, tip-on sleeve.
℗ & © 1997 Sony Music Entertainment UK.
Under exclusive license to Fat Possum Records, LLC.
P.O. Box 1923, Oxford, MS 38655. USA.
The tablets are made by MFD Limited for the licence/authorisation holder Fat Possum Records.
Recorded and mixed at Moles Studio - Bath, The Church, Rooster and The Strongroom Studios - London, House of Blues - Memphis, The Hit Factory - New York and A&M - Los Angeles.
℗ & © 1997 Sony Music Entertainment UK.
Under exclusive license to Fat Possum Records, LLC.
P.O. Box 1923, Oxford, MS 38655. USA.
The tablets are made by MFD Limited for the licence/authorisation holder Fat Possum Records.
Recorded and mixed at Moles Studio - Bath, The Church, Rooster and The Strongroom Studios - London, House of Blues - Memphis, The Hit Factory - New York and A&M - Los Angeles.
Barcode and Other Identifiers
- Barcode (Scanned/Text): 767981175317
- Matrix / Runout (A runout - 209800E1/A1 stamped): VMP-E093-A1/FP1753-3-A1 BAZZA ALCHEMY 209800E1/A1 #2
- Matrix / Runout (B runout - 209800E2/A3 stamped - A/B in AB1 are superimposed): VMP-E093-AB1/FP1753-3-B1 209800E2/A3 #17
- Matrix / Runout (C runout - 209800E3/A A1 stamped): VMP-E093-C1/FP1753-3-C1 209800E3/A A1 #1
- Matrix / Runout (D runout - 209800E4/A1 stamped): VMP-E093-D1/FP1753-3-D1 209800E4/A1 #15
- Matrix / Runout (Side A Variant 2): VMP-E093-A1/FP1753-3-A1 BAZZA ALCHEMY 209800E1/A1 #17
- Matrix / Runout (Side B Variant 2 A/B in AB1 are superimposed): VMP-E093-AB1/FP1753-3-B1 209800E2/A3 #2
- Matrix / Runout (Side C Variant 2): VMP-E093-C1/FP1753-3-C1 209800E3/A A1 #8
- Matrix / Runout (Side D Variant 2): VMP-E093-D1/FP1753-3-D1 209800E4/A1 #8
Other Versions (5 of 47)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Ladies And Gentlemen We Are Floating In Space (CD, Album) | Dedicated | DEDCD 034A | UK & Europe | 1997 | |||
Recently Edited
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Ladies And Gentlemen We Are Floating In Space (CD, Album) | Dedicated | 07822-18974-2 | US | 1997 | ||
Recently Edited
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Ladies And Gentlemen We Are Floating In Space (CD, Album) | Dedicated | 74321 54165 2, DEDCD 034 | Europe | 1997 | ||
Recently Edited
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Ladies And Gentlemen We Are Floating In Space (CD, Album, Promo) | Dedicated | DEDCD 034P | UK | 1997 | ||
Recently Edited
|
Ladies And Gentlemen We Are Floating In Space (12×CD, Mini, Album, Box Set, Limited Edition) | Dedicated | DEDCD 034S | UK | 1997 |
Recommendations
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2021 UK, Europe & USVinyl —12", 45 RPM, Album, Limited Edition, Reissue, Special Edition
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2021 UK, Europe & USVinyl —LP, Album, Limited Edition, Reissue, Special Edition
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Reviews
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Edited 4 months agoNot bad. This was my first experience listening to the whole album, I actually bought this just because the opener is one of my favorite songs of all time, really beautiful. 9/10 album, 8/10 pressing. I'm not a fan of this new album cover, original was alot better but I'll take what I can get. It's not a groundbreaking pressing or anything. It's rather quiet, so I have to turn my speaker up to hear it which makes the surface noise alot more prominent... Sounds fine for the most part tho, didn't really notice it often. (exepct for the start of no god only religion)
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Perfect pressing.
Looked perfect out of the sleeve, but I ran it through my sonic cleaner anyway.
It sounds phenomenal.
Couldn’t be happier with it. -
Garbage pressing in my experience. I have never seen worse QC before. I went through 5 copies—the first record was usually ok. The second record was plagued by warps and bubbling underneath the grooves. It’s a shame because the mastering is nice. There may be better batches out there somewhere, but I’m probably not going to go looking anymore at this point.
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I avoided this pressing for a long time based on the negative reviews. I maybe got lucky but my copy is perfect in every way. I also recently switched to a microline stylus where I simply don't hear any unwanted distortion on any of my records anymore, so that might have something to do with it. My only complaint is that the volume is on the softer side.
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Some static initially but fairly clean looking vinyl. A few pops over the course of the record but nothing too egregious really. The music does sound really great, overall yeah very happy
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Edited 2 years agoGreat sound. Dynamics are insane and vinyl is dead quiet. Don’t have surface noise or Click problems that some s have presented on their copies. In my opinion i recommend buying directly from the official page of the band.
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Echoing all the positive comments here: silent vinyl, flat, and excellent dynamics. The bass is killer on this release. Not in love with the new cover art, but eh—great sounding vinyl is more important. Highly recommended!
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It’s not the most quiet vinyl that’s for sure, but overall every track sounded great on my copy! I am a long time collector and have a very decent system and an ear for what’s good and what’s crap. Anyway just wanted to throw a positive review in here. Not fantastic but worth buying if you like this album and don’t want an original copy.
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Same remaster as the VMP issue, sounds phenomenal. A tiny amount of BG noise at times, if that bothers you there’s a chance you are listening to this album wrong.
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