Tracklist
| A1 | Hot Blooded | 4:20 | |
| A2 | Blue Morning, Blue Day | 3:06 | |
| A3 | You're All I Am | 3:19 | |
| A4 | Back Where You Belong | 3:20 | |
| A5 | Love Has Taken Its Toll | 3:25 | |
| B1 | Double Vision | 3:40 | |
| B2 | Tramontane | 3:52 | |
| B3 | I Have Waited So Long | 4:04 | |
| B4 | Lonely Children | 3:31 | |
| B5 | Spellbinder | 4:43 |
Companies, etc.
- Made By – Warner-Pioneer Corporation
- Licensed From – Atlantic Recording Corporation
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Copyright © – Atlantic Recording Corporation
Credits
- Arranged By [String Arrangements] – David Paich
- Backing Vocals – Ian Lloyd
- Bass, Vocals – Ed Gagliardi
- Design, Photography – Norman Seeff
- Drums – Dennis Elliott
- Engineer – Keith Olsen
- Guitar [Guitars], Keyboards, Reeds, Vocals – Ian McDonald
- Keyboards, Synthesizer – Al Greenwood (2)
- Lead Guitar, Piano, Vocals, Leader [Musical Direction] – Mick Jones (2)
- Lead Vocals – Lou Gramm
- Management [E.s.p. Inc.] – Bud Prager
- Mastered By – George Marino
- Mixed By – Mick Jones (2)
- Producer – Mick Jones (2)
- Technician [Studio Assistance] – Troby Laidlaw
Notes
1978 Japanese special limited edition initial first pressing release that comes in glossy laminated cover with Japan Tour 1978 commemorative color photo booklet as indicated on the top of the obi strip "includes '78 Japan Tour Photo Booklet Present!!" limited to 20,000 until 8/30.
It comes with the limited edition obi, an insert sheet featuring Japanese liner notes + English lyrics with 2 monochrome photos, and the 8 page 1978 Japan Tour special color photo book.
Subsequent (standard/normal) edition's obi strip has the limited edition text removed and of course no color photo book.
1978 Warner-Pioneer Corporation
Runout Info: This record was pressed in Japan using first-issue US stampers which bear the matrix info for Presswell Record Plant, NJ.
Side A Runout has STA-784097-A ♡ POGO (PR)X Etched and STERLING Machine Stamped.
Side B Runout has STA-784098-A ♡ POGO (PR)X Etched and STERLING Machine stamped.
All other info is from Japan pressing plant.
It comes with the limited edition obi, an insert sheet featuring Japanese liner notes + English lyrics with 2 monochrome photos, and the 8 page 1978 Japan Tour special color photo book.
Subsequent (standard/normal) edition's obi strip has the limited edition text removed and of course no color photo book.
1978 Warner-Pioneer Corporation
Runout Info: This record was pressed in Japan using first-issue US stampers which bear the matrix info for Presswell Record Plant, NJ.
Side A Runout has STA-784097-A ♡ POGO (PR)X Etched and STERLING Machine Stamped.
Side B Runout has STA-784098-A ♡ POGO (PR)X Etched and STERLING Machine stamped.
All other info is from Japan pressing plant.
Barcode and Other Identifiers
- Other (Price indication on the obi): ¥ 2,500
- Matrix / Runout (A label): P-10523A1
- Matrix / Runout (B label): P-10523A2
- Matrix / Runout (Side A Runout ): ♡ POGO 2M-A- 3 X(PR) STERLING 〄 P-10523A1 STA-784097-A 9-0
- Matrix / Runout (Side B Runout): ♡ POGO 3 〄 X(PR) STERLING P-10523A2 STA-784098-A 2 MA-A-3
Other Versions (5 of 190)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Double Vision (LP, Album, Stereo, RI - Richmond Pressing) | Atlantic | SD 19999 | US | 1978 | ||
|
Recently Edited
|
Double Vision (LP, Album, Stereo) | Atlantic | KSD 19999 | Canada | 1978 | ||
|
New Submission
|
Double Vision (LP, Album, Stereo) | Atlantic | K 50476 | UK | 1978 | ||
|
Recently Edited
|
Double Vision (LP, Album) | Atlantic | ATL 50476, SD 19999 | Netherlands | 1978 | ||
|
Recently Edited
|
Double Vision (LP, Album, Club Edition, PR) | Atlantic | SD 19999 | US | 1978 |
Recommendations
Reviews
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This one is interesting as it has "POGO" in the dead wax. It is presumably using the same stampers as the US Presswell. However, it is cleaner than the US version. I don't find it any different in of the bass or other aspects of the sound signature.
Also compared to the subsequent Japanese pressing, there's no real difference. Possibly a very very small one, but it's difficult to detect.
Some Japanese pressings will have the lower end cut a bit. I don't see that as being the case for any of the Foreigner albums I own (Double Vision or otherwise). I think they kept Foreigner pretty accurate and true to their counterparts from other countries.
Both Japanese pressings are of excellent quality and I prefer them over US versions. They are just a lot cleaner. It's possible that an early US pressing may be better (before the stampers wore down a bit), but the recycled vinyl is definitely noticeable and likely the bigger reason for the quality difference. The Japanese pressings are the way to go on this album and most Foreigner from what I have experienced so far.
Release
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New Submission
New Submission
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45 copies from €8.99