Tracklist
Piggy (Nothing Can Stop Me Now) | 4:03 | ||
The Art Of Self Destruction, Part One | 5:41 | ||
Self Destruction, Part Two | 5:37 | ||
The Downward Spiral (The Bottom) | 7:29 | ||
Hurt (Quiet) | 5:08 | ||
Eraser (Denial; Realization) | 6:33 | ||
At The Heart Of It All | 7:14 | ||
Eraser (Polite) | 1:15 | ||
Self Destruction, Final | 9:52 | ||
The Beauty Of Being Numb | (5:06) | ||
Section A | 1:41 | ||
Section B | 3:25 | ||
Erased, Over, Out | 5:19 |
Credits (5)
- Russell MillsArtwork
-
John A. Malm Jr.*Management
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David BucklandPhotography By
- Gary TalpasSleeve
- Trent ReznorWritten-By
Notes
There are differences between the version released for the North American market and for the Australian, Japanese and European market:
The version for the European market omits 5 tracks:
1. Self Destruction, Part Two,
2. Hurt (Quiet),
3. Eraser (Polite),
4. The Beauty Of Being Numb (Section A and Section B) and
5. Erased, Over, Out.
but adds 4 tracks:
1. Self Destruction, Part Three,
2. Heresy (Version),
3. Hurt (Live) and
4. Ruiner (Version)
The version for the European market omits 5 tracks:
1. Self Destruction, Part Two,
2. Hurt (Quiet),
3. Eraser (Polite),
4. The Beauty Of Being Numb (Section A and Section B) and
5. Erased, Over, Out.
but adds 4 tracks:
1. Self Destruction, Part Three,
2. Heresy (Version),
3. Hurt (Live) and
4. Ruiner (Version)
Versions
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Atlantic – 6544958112 | Australia | 1995 | Australia — 1995 |
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Nothing Records – 524 125-2 | Europe | 1995 | Europe — 1995 |
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ООО "ДОРА" – JPCD9707418 | Russia | 1997 | Russia — 1997 |
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Recommendations
Reviews
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Edited 13 days agoLooking for a copy of this. If anyone is interested in selling a copy, please message me.
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Picked this up recently, and I have to say my pressing sounds great. There's a little bit of static during Eraser (Polite), but nothing too crazy.
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I don't typically collect unofficial/bootleg presses, but this is one that I've been wanting on vinyl for a long time. Nice to have it, especially with the bonus tracks from the original UK release. And the colored wax is always a nice touch IMO.
Initial playthrough - no issues here. Granted, it was what I call a "ive" listen (playing in the background while I work on other things), but I heard no pops, clicks, static, etc. Everything sounded clear and as I it on CD from 30 years ago. I will give it a more intentional listen soon, but I doubt that I'll find much, if anything that will sway my opinion.
Love/hate with the packaging. The gatefold jacket is well constructed with a high gloss finish. The inner sleeves are poly-lined (probably the single greatest achievement for ANY vinyl release). But with so much effort and cost placed in the materials, I wish they could have done something better with the imagery - so blurry/pixelated, and you can tell where they tried to "airbrush out" the old credit/track information. Some might find that a minor issue, but there is something to be said for the appearance of a product when it comes to collecting physical media (especially vinyl records because the imagery is SO large compared to a CD or cassette). -
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Unbelievable quality for a bootleg unofficial pressing. It practically looks and sounds like a genuine pressing. Terrific presentation all around.
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Looks like a bootleg, sounds like you would expect from a bootleg (well to be honest the few other bootlegs I have do sound better) but it's damn cool to have this on colored wax, especially with the bonus tracks.
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