CameoMoney

Genre:

Funk / Soul

Style:

Funk

Year:

Tracklist

Money (Reese Revamp Mix) 5:32
Money (Reese Hardcore Instrumental) 5:20
Money (Hardsell Mix) 4:54
Front Street (Album Version) 5:19

Credits (3)

Versions

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    4 versions
    Image , In Your Collection, Wantlist, or Inventory
    Version Details Data Quality
    Cover of Money, 1992, Vinyl Money
    12", 33 ⅓ RPM, Maxi-Single
    Reprise Records – 0-40392 US 1992 US1992
    Cover of Money, 1992, Vinyl Money
    12", Promo, 45 RPM
    Reprise Records – SAM 1005 UK 1992 UK1992
    Cover of Money, 1992, Vinyl Money
    12", 45 RPM, Single Sided, Test Pressing
    Hot Tracks – 1.02 MONEY US 1992 US1992
    Cover of Money, 1992, CD Money
    CD, Maxi-Single
    Reprise Records – 9 40392-2 US 1992 US1992

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    Reviews

    • cashox's avatar
      cashox
      An instrumental version of original funk version would be amazing, but dont think there is one out there ...
      • cashox's avatar
        cashox
        So just re-discovered this one - also cause i've listened to Reese's Velocity Funk and knew id heard it all before with his remixes on this item - our local Swiss DJ used to hammer this version back in 92 - 93. But am also happy i found it cause the original Funk version by Cameo kicks butt as well !!
        • bosepanaray's avatar
          bosepanaray
          Huge Hit played at the temple "BOCCACIO LIFE" in Belgium during 90's.
          • DjChoci's avatar
            DjChoci
            BIG BIG TUNE THE REESE MIX IS MASSIVE, USED TO DESTROY MY DANCEFLOORS WITH THIS TUNE
            • djmikecastillo's avatar
              djmikecastillo
              This record was all about the 'Hardsell Mix' (Joey Beltram). Funkiest techno this side of old-school N-Joi.
              • Johnmarcus's avatar
                Johnmarcus
                Old School rave mixes on this 12" from Kevin Saunderson and Joe Beltram.
                The Reese remixes are the better known with the rave synth rifts, break-beats and use of vocals, but the Joe Beltram mix is worth checking too.
                • Stuck_In_1992's avatar
                  Stuck_In_1992
                  The Joey Beltram mix is a sick amen rinse out with Altern-8 style riffs, its completely NUTS! The Kevin Saunderson mix is not as wild but it does have the full vocal from the original tune which is the selling point of that one to me.
                  • cyberhippie's avatar
                    cyberhippie
                    Edited 19 years ago
                    And still after 13 years since this has been released the Reese Hardcore Instrumental knocks me outa my boots. It's just incredible!! The rawness and mayhem KMS gives you on this track is totally rocking!! This is a timeless classic. Big UP for mister Saunderson!
                    • Alain_Patrick's avatar
                      Alain_Patrick
                      Edited 20 years ago
                      It’s amazing how can a old school funk tune gain a revival through two amazing hardcore techno versions on a same single made by different artists – and none of them English. Well, that’s surely the case on this one: the Reese Hardcore Instrumental mix made by Kevin Saunderson was the most famous one, and it became a massive dance tune of the Rave era, but the one of Joey Beltram (Hardsell Mix) showed a very nice reconstruction work also. A propos, there is a very interesting story concerning this twelve inch that I discovered more recently. My friend owns the copy that belonged to DJ Marky on the old days. On the label of the Hardsell Mix side it is hand-written: “Real Hardcore by Joey Beltram”!
                      • easyrider's avatar
                        easyrider
                        Classic mayhem release, absolutely brilliant remixes by Kevin Saunderson. The Reese Hardcore Instrumental Version has been bootlegged forever. I also like to mention the Hardsell mix by Joey Beltram on the B-side cause it's very well done too and less people know this remix.

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                        • Avg Rating:4.44 / 5
                        • Ratings:254

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