Tracklist
| A1 | Don't Go (Kicks Like A Mule Mix) | 5:30 | |
| A2 | Don't Go (Second Movement) | 4:59 | |
| AA1 | Don't Go (Original Mix) | 5:07 | |
| AA2 | Headstrong | 5:07 |
Companies, etc.
- Produced At – Spirit Studios
- Published By – Copyright Control
- Phonographic Copyright ℗ – Citybeat Records
- Phonographic Copyright ℗ – Beggars Banquet
- Copyright © – Citybeat Records
- Copyright © – Beggars Banquet
- Distributed By – Warner Music Ltd.
- Pressed By – Damont
Credits
- Engineer – Simon Noble
- Producer, Mixed By – Awesome 3
- Vocals – Julie McDermott (tracks: A1 to AA1)
- Written-By – Peter Orme*
Notes
Produced at Spirit Studios, Manchester.
℗ & © Citybeat Records / Beggars Banquet 1992
Copyright Control
92 Remixes - Original.
"Don't Go (Kicks Like A Mule Mix)" contains vocal samples from "Nairobi - Soul Makossa (Rap)".
℗ & © Citybeat Records / Beggars Banquet 1992
Copyright Control
92 Remixes - Original.
"Don't Go (Kicks Like A Mule Mix)" contains vocal samples from "Nairobi - Soul Makossa (Rap)".
Barcode and Other Identifiers
- Barcode (Text): 5 012093 427164
- Barcode (Scanned): 5012093427164
- Matrix / Runout (Side A runout etched): CBE 1271 A1
- Matrix / Runout (Side AA runout etched): CBE 1271 AA1
- Other (Additional etchings both sides): DAMONT
Other Versions (5 of 48)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Don't Go / Headstrong (12", 45 RPM) | Entity Records | NTT 12-07 | UK | 1992 | ||
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Recently Edited
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Don't Go (CD, Single) | City Beat | CBE 771 CD | UK | 1992 | ||
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Recently Edited
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Don't Go / Headstrong (12", 45 RPM) | Entity Records | NTT1207 | UK | 1992 | ||
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Recently Edited
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Don't Go / Headstrong (12", Promo, White Label, 45 RPM, Stamped) | Entity Records | NTT 1207 | UK | 1992 | ||
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Recently Edited
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Don't Go (12", 33 ⅓ RPM, City Beat Die Cut Jacket) | City Beat | CBE 1271 | UK | 1992 |
Recommendations
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1992 UKVinyl —12", 45 RPM -
Reviews
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Although it's suppose to be played at 33 1/3 RPM, the Kicks Like a Mule mix works very well in a faster paced set when played @ 45 RPM.
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Edited 17 years agoWell well well, now the only problem with this tune is deciding which mix to play as all three mixes are very playable. I still think the original is best however.
The piano line is instantly recognisable - why arent pianos used in dance tunes anymore!?!, the break is stolen from the Stone Roses "Fools Gold" which may have been sampled from something else - its a familiar break - these old breaks work so well in a house template. The bass and breaks really drive the track along. The vocals are actually quite good although lyrically it is simple. Another timeless classic from probably the most pivotal era of dance music and when breaks really did sound phat and roll, unlike todays disted breaks tunes.
The Kicks Like A Mule Remix is the one that got all the attention back in the day. Great to mix into with the cuts, scratches and shouts of "DONT"..."GO". The K.L.A.M mix has some heavy hitting sub kicks too that do sound great on a club system. Again, their mix also uses a very nice break. Other than that they havent messed with the track too much, apart from swapping the break.
Release
See all versions
Recently Edited
Recently Edited
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