Nine Inch Nails – And All That Could Have Been (Live)
Label: |
Interscope Records – 493 186-2 |
|---|---|
Series: |
NIN – HALO SEVENTEEN |
Format: |
Box Set
, Deluxe Edition, Limited Edition
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| Live | |||
| 1-1 | Terrible Lie | 4:59 | |
| 1-2 | Sin | 4:15 | |
| 1-3 | March Of The Pigs | 4:13 | |
| 1-4 | Piggy | 4:51 | |
| 1-5 | The Frail | 1:41 | |
| 1-6 | The Wretched | 5:24 | |
| 1-7 | Gave Up | 4:14 | |
| 1-8 | The Great Below | 5:08 | |
| 1-9 | The Mark Has Been Made | 3:45 | |
| 1-10 | Wish | 3:40 | |
| 1-11 | Suck | 4:13 | |
| 1-12 | Closer | 5:38 | |
| 1-13 | Head Like A Hole | 4:54 | |
| 1-14 | The Day The World Went Away | 6:29 | |
| 1-15 | Starfuckers, Inc. | 5:30 | |
| 1-16 | Hurt | 4:59 | |
| Still | |||
| 2-1 | Something I Can Never Have | 6:39 | |
| 2-2 | Adrift And At Peace | 2:52 | |
| 2-3 | The Fragile | 5:12 | |
| 2-4 | The Becoming | 4:30 | |
| 2-5 | Gone, Still | 2:36 | |
| 2-6 | The Day The World Went Away | 5:17 | |
| 2-7 | And All That Could Have Been | 6:14 | |
| 2-8 | The Persistence Of Loss | 4:04 | |
| 2-9 | Leaving Hope | 5:57 |
Companies, etc.
- Record Company – UMG Recordings, Inc.
- Phonographic Copyright ℗ – Nothing
- Phonographic Copyright ℗ – Interscope Records
- Copyright © – Nothing
- Copyright © – Interscope Records
- Record Company – UMG Recordings, Inc.
- Copyright © – TVT Music, Inc.
- Copyright © – Leaving Hope Music
- Copyright © – Leaving Hope Music, Inc.
- Mastered At – Precision Mastering
- Recorded At – Nothing Studios
- Recorded At – The Warehouse Studio
- Recorded At – Effanel Music Remote
- Pressed By – Universal M & L, – 51239133
- Pressed By – Universal M & L, – 51239136
- Published By – TVT Music, Inc.
- Published By – Leaving Hope Music
- Published By – Leaving Hope Music, Inc.
- Published By – Thumbless Music
- Published By – Spurburn Music
- Published By – Happy Beaver Music
- Published By – Hypercube Music
- Published By – Warner-Tamerlane Music
- Published By – Quackenbush Music Limited
- Published By – PolyGram International Music Publishing, Inc.
- Published By – Wish It Away
Credits
- Art Direction, Design – David Carson
- Artwork [Fragility V2.0, Artist Party, Web Integration] – Rob Sheridan (2)
- Booking [Agency - Europe, Helter Skelter] – Emma Banks
- Booking [Agency - Europe] – Helter Skelter (8)
- Booking [Agency - USA, Japan, Australia, Artists And Audience] – Debbie Morrison (3)
- Booking [Agency - USA, Japan, Australia] – Artists And Audience*
- Concept By, Producer – Trent Reznor
- Consultant [Tour, Concerts West] – Spencer Churchill (2)
- Consultant [Tour] – Concerts West
- Coordinator [Fragility V2.0, Artist Party, Artist Coordinator] – Leo Herrera
- Coordinator [Fragility V2.0, Artist Party, Security Coordinator] – Jerry Meltzer (2)
- Coordinator [Project Coordination] – Chris Risner
- Costume Designer [Wardrobe] – Victoria Bartlett
- Crew [Fragililty V2.0, Crew Party, Merchandiser] – Mikee Cusack
- Crew [Fragility V2.0, Crew Party, Band Driver] – Wayne Walden (2)
- Crew [Fragility V2.0, Crew Party, Driver] – Sage Houston
- Crew [Fragility V2.0, Crew Party, Lead Truck Driver] – Dave Heath (4)
- Crew [Fragility V2.0, Crew Party, Rigger] – Tom Cusimano*
- Crew [Fragility V2.0, Crew Party, Security] – Scott Nichols (5)
- Crew [Fragility V2.0, Crew Party, Truck Driver] – Randy Ennis
- Engineer – Paul Forgues (tracks: 1-1 to 1-16)
- Engineer [Fragility V2.0, Crew Party, FOH Engineer] – Jon Lemon
- Engineer [Fragility V2.0, Crew Party, Monitor Engineer] – Chris Wade Evans*
- Engineer [Mix Engineering] – Dave "Rave" Ogilvie* (tracks: 1-1 to 1-16, 2-7)
- Engineer [Second Engineering] – Ron Lowe (tracks: 2-6)
- Legal – Toorock And Rosen
- Lighting Director [Fragility V2.0, Crew Party, Lighting Crew Chief] – Ron Schilling
- Lighting [Company] – Morpheus Lights
- Lighting [Fragility V2.0, Crew Party, Lighting Crew] – Caleb Wickman
- Lighting [Fragility V2.0, Crew Party, Lighting Operator] – Jason Bullock (2)
- Management [Artist Party, US Travel Agent] – Tzell Travel West*
- Management [Business] – Timm Woolley*
- Management [Crew Party, US Travel Agent] – Starflight Travel
- Management [European Travel Agent] – Platinum Travel
- Management [For Nothing Records, Inc.], Executive-Producer [For Nothing Records, Inc.] – John A. Malm, Jr.
- Management [Fragility V2.0, Artist Party, Tour ant] – Keith Keller (3)
- Management [General Manager, Object] – David "Khan" Johnson
- Management [International Relations] – Simon Baeyertz
- Management [John A. Malm, Jr. For], Executive-Producer [John A. Malm, Jr. For] – Nothing Records, Inc.
- Management [Label Relations] – Jeff Anderson (15)
- Management [Merchandising] – Object (9)
- Management [Nothing Records] – Tiffany Luning
- Management [Tour ing, Equinox Financial Management] – Mike Epstein (3)
- Management [Tour ing] – Equinox Financial Management
- Management [U.S. Publicity, For Nothing Records] – Susan Celia Swan
- Management [U.S. Publicity, Susan Celia Swan For] – Nothing Records
- Management [Visas] – Traffic Control Group
- Mastered By [Precision Mastering] – Tom Baker (3)
- Mixed By [Mix Consultation] – Jerome Dillon (tracks: 1-1 to 1-16)
- Other [Freight Company] – Sound Moves (3)
- Other [Itineraries] – Smart Art (2)
- Other [es] – Perri Entertainment
- Other [Radios] – AAA Communications
- Other [Trucking Company] – Upstaging Lighting & Transport
- Performer [Performance] – William Shultz* (tracks: 2-8)
- Photography By – Rob Sheridan (2)
- Producer [Fragility V2.0, Crew Party, Production Assistant] – Dana Jaeger
- Product Manager [Customer Service, Object] – Jennifer Canzon
- Product Manager [Production, Object] – Kristina Haberek
- Product Manager [Retail Sales, Object] – Mike Bradbury
- Production Manager [Fragility V2.0, Crew Party] – Chris Kansy
- Programmed By [Fragility V2.0, Artist Party, Programming] – Keith Hillebrandt
- Programmed By [Programming] – Keith Hillebrandt
- Promotion [U.S. Tour Promoter, Promoter Rep. Asst.] – Krista Evans
- Promotion [U.S. Tour Promoter, Promoter Rep.] – Ron Doroba
- Promotion [U.S. Tour Promoter] – W.A.C. Entertainment / Pate
- Recorded By [Location Music Recording] – Adam Blackburn (tracks: 1-1 to 1-16)
- Stage Manager [Fragility V2.0, Crew Party] – Rocko Reedy
- Stylist [Styling] – Michael Johnson (52)
- Technician [Fragility V2.0, Crew Party, BCC Video Tech] – Michael Lane (3)
- Technician [Fragility V2.0, Crew Party, Backline Tech] – John Van Eaton
- Technician [Fragility V2.0, Crew Party, Brittania Row] – Tim Woodworth
- Technician [Fragility V2.0, Crew Party, Drum Tech] – Paul Carrizzo (2)
- Technician [Fragility V2.0, Crew Party, Electrician] – Mimi English
- Technician [Fragility V2.0, Crew Party, G&G Control Technician] – Peter Turchyn
- Technician [Fragility V2.0, Crew Party, Guitar Tech] – Steve McDonald (7)
- Technician [Fragility V2.0, Crew Party, Keyboard Tech] – Bruce Hendrix
- Technician [Fragility V2.0, Crew Party, Motion Control] – C.C. Cooperstock
- Written-By – Bill Reiflin* (tracks: 1-11)
Notes
Issued in a 6- clear tray Digipak with a 24-page booklet, in a printed fabric-covered thick card slipcase.
Halo 17.
* Copies distributed in Poland had additional stickers added to the out wrap. See images.
Disc 1: "AND ALL THAT COULD HAVE BEEN LIVE NINE INCH NAILS" printed on the top of the disc hub.
Disc 2: "AND ALL THAT COULD HAVE BEEN STILL NINE INCH NAILS" printed on the top of the disc hub.
Disc 1:
Studios:
Nothing Studios, New Orleans
The Warehouse, Vancouver
Location Music Recording:
Effanel
All audio was edited, assembled and manipulated on Apple Macintosh computers using Digdesign's Pro Tools software
Terrible Lie, Sin, Head Like A Hole, Something I Can Never Have
(C) 1989 TVT Music, Inc./Leaving Hope Music (ASCAP) istered by TVT Music, Inc.
Suck
(C) 1991 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc./Thumbless Music/Spurburn Music/Happy Beaver Music
Gave Up, Wish
(C) 1992 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc.
March Of The Pigs, Closer, Hurt, Piggy, The Becoming
(C) 1994 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc.
The Frail, The Wretched, The Great Below, The Mark Has Been Made, The Day The Whole World Went away, The Fragile
(C) 1999 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc.
Starfuckers, Inc.
(C) 1999 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc./Hypercube Music/Warner-Tamerlane Music (BMI)/Quackenbush Music Limited (ASCAP) istered by Polygram International Music Publishing, Inc.
Leaving Hope, Adrift And At Peace, Gone, Still, The Persistence of Loss
(C) 2001 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc.
And All That Could Have Been
(C) 2001 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc./Wish It Away (ASCAP)
℗ © 2002 Nothing/Interscope Records. Interscope Records, a division of UMG Recordings, Inc.
Made in the EU
First disc is a live CD, and second disc consists of quieter versions of some already released tracks and some previously unreleased material.
Insert card comes with the factory sealed box (visible on scan in images section).
Halo 17.
* Copies distributed in Poland had additional stickers added to the out wrap. See images.
Disc 1: "AND ALL THAT COULD HAVE BEEN LIVE NINE INCH NAILS" printed on the top of the disc hub.
Disc 2: "AND ALL THAT COULD HAVE BEEN STILL NINE INCH NAILS" printed on the top of the disc hub.
Disc 1:
Studios:
Nothing Studios, New Orleans
The Warehouse, Vancouver
Location Music Recording:
Effanel
All audio was edited, assembled and manipulated on Apple Macintosh computers using Digdesign's Pro Tools software
Terrible Lie, Sin, Head Like A Hole, Something I Can Never Have
(C) 1989 TVT Music, Inc./Leaving Hope Music (ASCAP) istered by TVT Music, Inc.
Suck
(C) 1991 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc./Thumbless Music/Spurburn Music/Happy Beaver Music
Gave Up, Wish
(C) 1992 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc.
March Of The Pigs, Closer, Hurt, Piggy, The Becoming
(C) 1994 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc.
The Frail, The Wretched, The Great Below, The Mark Has Been Made, The Day The Whole World Went away, The Fragile
(C) 1999 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc.
Starfuckers, Inc.
(C) 1999 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc./Hypercube Music/Warner-Tamerlane Music (BMI)/Quackenbush Music Limited (ASCAP) istered by Polygram International Music Publishing, Inc.
Leaving Hope, Adrift And At Peace, Gone, Still, The Persistence of Loss
(C) 2001 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc.
And All That Could Have Been
(C) 2001 Leaving Hope Music/TVT Music, Inc. (ASCAP) istered by Leaving Hope Music, Inc./Wish It Away (ASCAP)
℗ © 2002 Nothing/Interscope Records. Interscope Records, a division of UMG Recordings, Inc.
Made in the EU
First disc is a live CD, and second disc consists of quieter versions of some already released tracks and some previously unreleased material.
Insert card comes with the factory sealed box (visible on scan in images section).
Barcode and Other Identifiers
- Barcode (Outer Box Insert, Text): 6 06949 31862 8
- Barcode (Outer Box Insert, Scanned): 606949318628
- Label Code: LC 06406
- Rights Society: BIEM / MS
- Rights Society: ASCAP
- Rights Society: BMI
- Other (Cat.-no. CD1): 493 185-2
- Other (Cat.-no. CD2): 493 184-2
- Matrix / Runout (CD1 - Variants 1 to 6): 06069 493 185-2 01 / 51239133
- Matrix / Runout (CD2 - Variants 1 to 6): 06069 493 184-2 01 # 51239136
- Matrix / Runout (CD1 Mould - Variants 1, 3): MADE IN BY UNIVERSAL M & L E
- Matrix / Runout (CD1 Mould - Variant 2 & 6): MADE IN BY UNIVERSAL M & L D
- Matrix / Runout (CD1 Mould - Variant 4): MADE IN BY UNIVERSAL M & L B
- Matrix / Runout (CD1 Mould - Variant 5): MADE IN BY UNIVERSAL M & L A
- Matrix / Runout (CD2 Mould - Variants 1, 3 & 6): MADE IN BY UNIVERSAL M & L D
- Matrix / Runout (CD2 Mould - Variant 2, 5): MADE IN BY UNIVERSAL M & L A
- Matrix / Runout (CD2 Mould - Variant 4): MADE IN BY UNIVERSAL M & L C
- Mastering SID Code (CD1 - Variants 1 to 6): IFPI L001
- Mastering SID Code (CD2 - Variants 1 to 6): IFPI L008
- Mould SID Code (Variant 3): IFPI 0126
- Mould SID Code (Variant 3): IFPI 0119
- Mould SID Code (CD1, Variant 5): IFPI 0124
Other Versions (5 of 63)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
And All That Could Have Been (CD, HDCD, Album, Unofficial Release) | Universal (3) | DTCD-070 | China | 2001 | ||
|
New Submission
|
And All That Could Have Been (Live) (CDr, Album, Promo) | Nothing Records | none | US | 2001 | ||
|
New Submission
|
And All That Could Have Been (2×CDr, Album, Promo) | Island Records | none | UK | 2001 | ||
|
Recently Edited
|
And All That Could Have Been (Live) (CD, Album) | Interscope Records | 0694931852 | US | 2002 | ||
| And All That Could Have Been (Live) (2×CD, Album, Box Set, Deluxe Edition, Limited Edition) | Nothing Records | 0694931862 | US | 2002 |
Recommendations
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2005 EuropeSACD —Hybrid, Multichannel, Stereo, Album, Reissue, Remastered -
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Reviews
-
Interesting fact, the tracks from the 'Still' EP that aren't quiet versions of NIN songs were originally written for the movie 'One Hour Photo' before the production went with another artist. Kind of a shame cause all of them slap. -
Uno de mis discos favoritos de NIN. El orden de las canciones y la grabación es impecable. Un 10.
-
Ganz ohne Intro schickt uns Nine Inch Nails hier direkt ins Geschehen der "And all that could have been"-Tour, und das mit gleich drei Krachern hintereinander: "Terrible lie", "Sin" und "March of the pigs". Da stellt "Piggy" schon eine kleine Erholung dar, dessen erste Zeilen vom Publikum lauthals mitgesungen werden. Es folgt die düstere instrumentale Überleitung "The frail" zu den nächsten schnellen Nummern "The wretched", "Gave up", und "The great below". Dann folgt mit "The mark has been made" nochmals ein Instrumental, das fast tsunamihaft auf einen zurast, end zum nachfolgend explodierenden "Wish". Nach "Suck" und "Closer" meint man, dass die Show mit "Head like a hole" ihren Höhepunkt erreicht hat. Dem ist nicht so, da das tieftraurige und mit einem monotonen Drumsound unterlegte "The day the world went away" folgt, dann der kommerziellste Hit der Band, nämlich "Starfuckers, Inc." und zum Abschluss die Ballade "Hurt". Ohne Outro ist dann auch Schluss.
Echte Fans der Band legen dann aber die zweite CD dieser Deluxe Edition auf, denn hier überrascht uns Trent Reznor mal wieder komplett. Die Platte ist mit "Still" betitelt worden und es sind folgerichtig ruhige Versionen von den Hits der Band Nine Inch Nails vertreten. Der erste Song "Something I can never have" startet mit Pianoklängen und Trent schreit hier seinen Schmerz regelrecht heraus. Das folgende Instrumental "Adrift and at peace" t zum bekannten "La mer", ist aber nicht so verzaubernd, sondern eher verstörend. Es folgt eine Unplugged-Version von "The fragile" und eine nur etwas abgeschwächte Version von "The becoming". Bisher unveröffentlicht ist das folgende Instrumental "Gone, still". Ebenfalls nur leicht abgeschwächt wirken "The day the world went away" und "And all that could have been". Das nur mit Piano und Hörnern vorgetragene Instrumental "The persistence of loss" wirkt sehr schwer und daher traurig, genau wie das abschließende "Leaving hope". Diese Platte sollte als Bewerbung für die MTV-Unplugged-Reihe vollkommen ausreichen. -
-
The 'Still' cd in this set is one of the best things that NIN has ever released. Beautiful music, it demands a high quality vinyl release.
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