Bob Dylan – The Best Of The Cutting Edge 1965-1966
Label: |
Legacy – 88875124431 |
---|---|
Series: |
Audio-Sonic Sound Reproduction |
Format: |
Box Set
, Compilation
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Psychedelic Rock |
Tracklist
A1 | Love Minus Zero / No Limit | |
A2 | I'll Keep It With Mine | |
A3 | Bob Dylan's 115th Dream | |
A4 | She Belongs To Me | |
A5 | Subterranean Homesick Blues | |
A6 | Outlaw Blues | |
A7 | On The Road Again | |
B1 | Farewell, Angelina | |
B2 | If You Gotta Go, Go Now | |
B3 | You Don't Have To Do That | |
B4 | California | |
B5 | Mr. Tambourine Man | |
B6 | It Takes A Lot To Laugh, It Takes A Train To Cry | |
B7 | Sitting On A Barbed Wire Fence | |
B8 | Medicine Sunday | |
C1 | Like A Rolling Stone | |
C2 | Like A Rolling Stone | |
C3 | Desolation Row | |
C4 | Desolation Row | |
D1 | Tombstone Blues | |
D2 | Positively 4th Street | |
D3 | Can You Please Crawl Out Your Window? | |
D4 | Just Like Tom Thumb's Blues | |
D5 | Highway 61 Revisited | |
E1 | Queen Jane Approximately | |
E2 | Visions Of Johanna | |
E3 | She's Your Lover Now | |
E4 | Lunatic Princess | |
E5 | Leopard-Skin Pill-Box Hat | |
F1 | One Of Us Must Know (Sooner Or Later) | |
F2 | Stuck Inside Of Mobile With The Memphis Blues Again | |
F3 | Absolutely Sweet Marie | |
F4 | Just Like A Woman | |
F5 | Pledging My Time | |
F6 | I Want You | |
F7 | Highway 61 Revisited | |
CD1-1 | Love Minus Zero/No Limit - Take 2 | |
CD1-2 | I'll Keep It With Mine - Take 1 | |
CD1-3 | Bob Dylan's 115th Dream - Take 2 | |
CD1-4 | She Belongs To Me - Take 1 | |
CD1-5 | Subterranean Homesick Blues - Take 1 | |
CD1-6 | Outlaw Blues - Take 2 | |
CD1-7 | On The Road Again - Take 4 | |
CD1-8 | Farewell, Angelina - Take 1 | |
CD1-9 | If You Gotta Go, Go Now - Take 2 | |
CD1-10 | You Don't Have To Do That - Take 1 | |
CD1-11 | California - Take 1 | |
CD1-12 | Mr. Tambourine Man - Take 3 | |
CD1-13 | It Takes A Lot To Laugh, It Takes A Train To Cry - Take 8 | |
CD1-14 | Like A Rolling Stone - Take 5 | |
CD1-15 | Like A Rolling Stone - Take 11 | |
CD1-16 | Sitting On A Barbed-Wire Fence - Take 2 | |
CD1-17 | Medicine Sunday - Take 1 | |
CD1-18 | Desolation Row - Take 2 | |
CD1-19 | Desolation Row - Take 1 | |
CD2-1 | Tombstone Blues - Take 1 | |
CD2-2 | Positively 4th Street - Take 5 | |
CD2-3 | Can You Please Crawl Out Your Window? - Take 1 | |
CD2-4 | Just Like Tom Thumb's Blues - Take 3 | |
CD2-5 | Highway 61 Revisited - Take 3 | |
CD2-6 | Queen Jane Approximately - Take 5 | |
CD2-7 | Visions Of Johanna - Take 5 | |
CD2-8 | She's Your Lover Now - Take 6 | |
CD2-9 | Lunatic Princess - Take 1 | |
CD2-10 | Leopard-Skin Pill-Box Hat - Take 8 | |
CD2-11 | One Of Us Must Know (Sooner Or Later) - Take 19 | |
CD2-12 | Stuck Inside Of Mobile With The Memphis Blues Again - Take 13 | |
CD2-13 | Absolutely Sweet Marie - Take 1 | |
CD2-14 | Just Like A Woman - Take 4 | |
CD2-15 | Pledging My Time - Take 1 | |
CD2-16 | I Want You - Take 4 | |
CD2-17 | Highway 61 Revisited - Take 7 |
Companies, etc.
- Record Company – Sony Music Entertainment
- Phonographic Copyright ℗ – Columbia Records
- Copyright © – Columbia Records
- Distributed By – Sony Music Entertainment
- Lacquer Cut At – Sterling Sound
- Mastered At – Record Technology Incorporated – 24359
- Glass Mastered At – Sony DADC – DIDX-1075637
- Glass Mastered At – Sony DADC – DIDX-1075727
Credits
- Art Direction – Geoff Gans
- Design, Layout – Bryan Lasley
- Editor [Editorial Supervision] – Jeremy Holiday
- Lacquer Cut By – RKS*
- Liner Notes – Sean Wilentz
- Liner Notes [Additional] – Ben Rollins
- Mastered By [Vinyl Masters Cut By] – Ryan Smith (2)
- Mixed By – Steve Addabbo
- Mixed By [Rough Mixes] – Damian Rodriguez (2)
- Other [Warp Drive] – Diane Lapson
- Photography By – Eugene Smith*
- Producer [Bootleg Series] – Steve Berkowitz
- Producer [Bootleg Series], Compiled By – Jeff Rosen
- Producer [Original Recordings] – Tom Wilson (2) (tracks: A1 to A7, B1 to B5, C1 to C2)
- Product Manager [Production Team] – Will Schwartz (3)
- Project Manager – Jeroen van der Meer
- Research – Parker Fishel
- Research [Sony Music Archives] – Tom Tierney (4)
- Songwriter – Bob Dylan
Notes
180-gram 3-LP set featuring unreleased studio recordings from 1965 and 1966, packaged in heavy-stock slipcase. Contains 60-page 12" x 12" booklet with photographs, notes and credits.
Each LP housed in separate jacket (88875124431JK1, 88875124431JK2, 88875124431JK3) and printed inner sleeve (88875124431SV1, 88875124431SV2, 88875124431SV3).
Includes two CDs (cat. #s 88875124431D1, 88875124431D2) in separate sleeves (88875124431JK4, 88875124431JK5) inserted in box, with slightly different track listing than LPs.
Track times not listed on LPs or CDs.
© & ℗ 2015 Columbia Records, a division of Sony Music Entertainment/Distributed by Sony Music Entertainment
All tracks previously unreleased except:
A2, The Bootleg Series Volumes 1 - 3 [Rare & Unreleased] 1961-1991.
Hype sticker (cat. # 88875124431S1) affixed to shrink:
"3-LP set on 180-gram vinyl featuring the best of Bob Dylan’s unreleased studio recordings from 1965 and 1966,
Includes songs from the sessions for 'Blonde On Blonde'"
B7 title: "Sitting On A Barbed Wire Fence"
CD1-16 title: "Sitting On A Barbed-Wire Fence"
Full track titles on release:
A1: Love Minus Zero / No Limit - Take 2 (1/13/1965) acoustic
A2: I'll Keep It with Mine - Take 1 (1/13/1965) piano demo
A3: Bob Dylan's 115th Dream - Take 2 (1/13/1965) solo acoustic
A4: She Belongs to Me - Take 1 (1/13/1965) solo acoustic
A5: Subterranean Homesick Blues - Take 1 (1/14/1965) alternate take
A6: Outlaw Blues - Take 2 (1/13/1965) alternate take
A7: On the Road Again - Take 4 (1/14/1965) alternate take
B1: Farewell, Angelina - Take 1 (1/13/1965) solo acoustic
B2: If You Gotta Go, Go Now - Take 2 (1/15/1965) alternate take
B3: You Don't Have to Do That - Take 1 (1/13/1965) solo acoustic
B4: California - Take 1 (1/13/1965) solo acoustic
B5: Mr. Tambourine Man - Take 3 (1/15/1965) with band, incomplete
B6: It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 (6/15/1965) alternate take
B7: Sitting on a Barbed Wire Fence - Take 2 (6/15/1965) unreleased take
B8: Medicine Sunday - Take 1 (10/5/1965) early version of Temporary Like Achilles
C1: Like a Rolling Stone - Take 5 (6/15/1965) rehearsal
C2: Like a Rolling Stone - Take 11 (6/16/1965) alternate take
C3: Desolation Row - Take 2 (8/4/1965) piano demo
C4: Desolation Row - Take 1 (8/4/1965) alternate take
D1: Tombstone Blues - Take 1 (7/29/1965) alternate take
D2: Positively 4th Street - Take 5 (7/29/1965) alternate take
D3: Can You Please Crawl Out Your Window? - Take 1 (7/30/1965) alternate take
D4: Just Like Tom Thumb's Blues - Take 2 (8/2/1965) rehearsal
D5: Highway 61 Revisited - Take 3 (8/2/1965) alternate take
E1: Queen Jane Approximately - Take 5 (8/2/1965) alternate take
E2: Visions of Johanna - Take 5 (11/30/1965) rehearsal
E3: She's Your Lover Now - Take 6 (1/21/1966) rehearsal
E4: Lunatic Princess - Take 1 (1/27/1966)
E5: Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966) alternate take
F1: One of Us Must Know (Sooner or Later) - Take 19 (1/25/1966 alternate take)
F2: Stuck Inside of Mobile with the Memphis Blues Again - Take 13 (2/17/1966) alternate take
F3: Absolutely Sweet Marie - Take 1 (3/7/1966) alternate take
F4: Just Like a Woman - Take 4 (3/8/1966) alternate take
F5: Pledging My Time - Take 1 (3/8/1966) alternate take
F6: I Want You - Take 4 (3/10/1966) alternate take
F7: Highway 61 Revisited - Take 7 (8/2/1965) false start
CD1-1: Love Minus Zero/No Limit - Take 2 acoustic
CD1-2: I'll Keep It with Mine - Take 1 piano demo
CD1-3: Bob Dylan's 115th Dream - Take 2 solo acoustic
CD1-4: She Belongs to Me - Take 1 solo acoustic
CD1-5: Subterranean Homesick Blues - Take 1 alternate take
CD1-6: Outlaw Blues - Take 2 alternate take
CD1-7: On the Road Again - Take 4 alternate take
CD1-8: Farewell, Angelina - Take 1 solo acoustic
CD1-9: If You Gotta Go, Go Now - Take 2 alternate take
CD1-10: You Don't Have To Do That - Take 1 solo acoustic
CD1-11: California - Take 1 solo acoustic
CD1-12: Mr. Tambourine Man - Take 3 with band, incomplete
CD1-13: It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 alternate take
CD1-14: Like a Rolling Stone - Take 5 rehearsal
CD1-15: Like a Rolling Stone - Take 11 alternate take
CD1-16: Sitting on a Barbed-Wire Fence - Take 2 unreleased take
CD1-17: Medicine Sunday - Take 1
CD1-18: Desolation Row - Take 2 piano demo
CD1-19: Desolation Row - Take 1 alternate take
CD2-1: Tombstone Blues - Take 1 alternate take
CD2-2: Positively 4th Street - Take 5 alternate take
CD2-3: Can You Please Crawl Out Your Window? - Take 1 alternate take
CD2-4: Just Like Tom Thumb's Blues - Take 3 rehearsal
CD2-5: Highway 61 Revisited - Take 3 alternate take
CD2-6: Queen Jane Approximately - Take 5 alternate take
CD2-7: Visions of Johanna - Take 5 rehearsal
CD2-8: She's Your Lover Now - Take 6 rehearsal
CD2-9: Lunatic Princess - Take 1
CD2-10: Leopard-Skin Pill-Box Hat - Take 8 alternate take
CD2-11: One Of Us Must Know (Sooner Or Later) - Take 19 alternate take
CD2-12: Stuck Inside of Mobile with the Memphis Blues Again - Take 13 alternate take
CD2-13: Absolutely Sweet Marie - Take 1 alternate take
CD2-14: Just Like a Woman - Take 4 alternate take
CD2-15: Pledging My Time - Take 1 alternate take
CD2-16: I Want You - Take 4 alternate take
CD2-17: Highway 61 Revisited - Take 7 false start
Photography: pages 2, 30, 42 and book cover: Jerry Schatzberg; inside front cover, pages 4-5, 6 (upper left), 10,23, 32-33: Daniel Kramer; page 6 (right column): Björn Larsson; pages 6 (bottom row), 8-9, 38-39: Jean-Marie Périer; pages 7, 34-35: Rex Features; pages 12, 36: Getty Images; Pages 14-15, 18-19, 20, 28-29, 41: Eugene Smith; pages 16, 37: Jan Persson; page 17: Dale Smith; page 25: John Rudoff; pages 26-27 Nat Finkelstein; pages 40-41, 49, 52-53 (background): Don Hunstein; pages 44-45: Mark Makin; page 46: courtesy of Arie de Reus; page 47: Jean-Pierre Leloir; page 51: Rowland Scherman; pages 54-55 Tony Frank.
Each LP housed in separate jacket (88875124431JK1, 88875124431JK2, 88875124431JK3) and printed inner sleeve (88875124431SV1, 88875124431SV2, 88875124431SV3).
Includes two CDs (cat. #s 88875124431D1, 88875124431D2) in separate sleeves (88875124431JK4, 88875124431JK5) inserted in box, with slightly different track listing than LPs.
Track times not listed on LPs or CDs.
© & ℗ 2015 Columbia Records, a division of Sony Music Entertainment/Distributed by Sony Music Entertainment
All tracks previously unreleased except:
A2, The Bootleg Series Volumes 1 - 3 [Rare & Unreleased] 1961-1991.
Hype sticker (cat. # 88875124431S1) affixed to shrink:
"3-LP set on 180-gram vinyl featuring the best of Bob Dylan’s unreleased studio recordings from 1965 and 1966,
Includes songs from the sessions for 'Blonde On Blonde'"
B7 title: "Sitting On A Barbed Wire Fence"
CD1-16 title: "Sitting On A Barbed-Wire Fence"
Full track titles on release:
A1: Love Minus Zero / No Limit - Take 2 (1/13/1965) acoustic
A2: I'll Keep It with Mine - Take 1 (1/13/1965) piano demo
A3: Bob Dylan's 115th Dream - Take 2 (1/13/1965) solo acoustic
A4: She Belongs to Me - Take 1 (1/13/1965) solo acoustic
A5: Subterranean Homesick Blues - Take 1 (1/14/1965) alternate take
A6: Outlaw Blues - Take 2 (1/13/1965) alternate take
A7: On the Road Again - Take 4 (1/14/1965) alternate take
B1: Farewell, Angelina - Take 1 (1/13/1965) solo acoustic
B2: If You Gotta Go, Go Now - Take 2 (1/15/1965) alternate take
B3: You Don't Have to Do That - Take 1 (1/13/1965) solo acoustic
B4: California - Take 1 (1/13/1965) solo acoustic
B5: Mr. Tambourine Man - Take 3 (1/15/1965) with band, incomplete
B6: It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 (6/15/1965) alternate take
B7: Sitting on a Barbed Wire Fence - Take 2 (6/15/1965) unreleased take
B8: Medicine Sunday - Take 1 (10/5/1965) early version of Temporary Like Achilles
C1: Like a Rolling Stone - Take 5 (6/15/1965) rehearsal
C2: Like a Rolling Stone - Take 11 (6/16/1965) alternate take
C3: Desolation Row - Take 2 (8/4/1965) piano demo
C4: Desolation Row - Take 1 (8/4/1965) alternate take
D1: Tombstone Blues - Take 1 (7/29/1965) alternate take
D2: Positively 4th Street - Take 5 (7/29/1965) alternate take
D3: Can You Please Crawl Out Your Window? - Take 1 (7/30/1965) alternate take
D4: Just Like Tom Thumb's Blues - Take 2 (8/2/1965) rehearsal
D5: Highway 61 Revisited - Take 3 (8/2/1965) alternate take
E1: Queen Jane Approximately - Take 5 (8/2/1965) alternate take
E2: Visions of Johanna - Take 5 (11/30/1965) rehearsal
E3: She's Your Lover Now - Take 6 (1/21/1966) rehearsal
E4: Lunatic Princess - Take 1 (1/27/1966)
E5: Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966) alternate take
F1: One of Us Must Know (Sooner or Later) - Take 19 (1/25/1966 alternate take)
F2: Stuck Inside of Mobile with the Memphis Blues Again - Take 13 (2/17/1966) alternate take
F3: Absolutely Sweet Marie - Take 1 (3/7/1966) alternate take
F4: Just Like a Woman - Take 4 (3/8/1966) alternate take
F5: Pledging My Time - Take 1 (3/8/1966) alternate take
F6: I Want You - Take 4 (3/10/1966) alternate take
F7: Highway 61 Revisited - Take 7 (8/2/1965) false start
CD1-1: Love Minus Zero/No Limit - Take 2 acoustic
CD1-2: I'll Keep It with Mine - Take 1 piano demo
CD1-3: Bob Dylan's 115th Dream - Take 2 solo acoustic
CD1-4: She Belongs to Me - Take 1 solo acoustic
CD1-5: Subterranean Homesick Blues - Take 1 alternate take
CD1-6: Outlaw Blues - Take 2 alternate take
CD1-7: On the Road Again - Take 4 alternate take
CD1-8: Farewell, Angelina - Take 1 solo acoustic
CD1-9: If You Gotta Go, Go Now - Take 2 alternate take
CD1-10: You Don't Have To Do That - Take 1 solo acoustic
CD1-11: California - Take 1 solo acoustic
CD1-12: Mr. Tambourine Man - Take 3 with band, incomplete
CD1-13: It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 alternate take
CD1-14: Like a Rolling Stone - Take 5 rehearsal
CD1-15: Like a Rolling Stone - Take 11 alternate take
CD1-16: Sitting on a Barbed-Wire Fence - Take 2 unreleased take
CD1-17: Medicine Sunday - Take 1
CD1-18: Desolation Row - Take 2 piano demo
CD1-19: Desolation Row - Take 1 alternate take
CD2-1: Tombstone Blues - Take 1 alternate take
CD2-2: Positively 4th Street - Take 5 alternate take
CD2-3: Can You Please Crawl Out Your Window? - Take 1 alternate take
CD2-4: Just Like Tom Thumb's Blues - Take 3 rehearsal
CD2-5: Highway 61 Revisited - Take 3 alternate take
CD2-6: Queen Jane Approximately - Take 5 alternate take
CD2-7: Visions of Johanna - Take 5 rehearsal
CD2-8: She's Your Lover Now - Take 6 rehearsal
CD2-9: Lunatic Princess - Take 1
CD2-10: Leopard-Skin Pill-Box Hat - Take 8 alternate take
CD2-11: One Of Us Must Know (Sooner Or Later) - Take 19 alternate take
CD2-12: Stuck Inside of Mobile with the Memphis Blues Again - Take 13 alternate take
CD2-13: Absolutely Sweet Marie - Take 1 alternate take
CD2-14: Just Like a Woman - Take 4 alternate take
CD2-15: Pledging My Time - Take 1 alternate take
CD2-16: I Want You - Take 4 alternate take
CD2-17: Highway 61 Revisited - Take 7 false start
Photography: pages 2, 30, 42 and book cover: Jerry Schatzberg; inside front cover, pages 4-5, 6 (upper left), 10,23, 32-33: Daniel Kramer; page 6 (right column): Björn Larsson; pages 6 (bottom row), 8-9, 38-39: Jean-Marie Périer; pages 7, 34-35: Rex Features; pages 12, 36: Getty Images; Pages 14-15, 18-19, 20, 28-29, 41: Eugene Smith; pages 16, 37: Jan Persson; page 17: Dale Smith; page 25: John Rudoff; pages 26-27 Nat Finkelstein; pages 40-41, 49, 52-53 (background): Don Hunstein; pages 44-45: Mark Makin; page 46: courtesy of Arie de Reus; page 47: Jean-Pierre Leloir; page 51: Rowland Scherman; pages 54-55 Tony Frank.
Barcode and Other Identifiers
- Barcode (Scanned): 0888751244313
- Barcode (Text): 8 88751 24431 3
- Matrix / Runout (Side A label): 88875124431A
- Matrix / Runout (Side B label): 88875124431B
- Matrix / Runout (Side C label): 88875124431C
- Matrix / Runout (Side D label): 88875124431D
- Matrix / Runout (Side E label): 88875124431E
- Matrix / Runout (Side F label): 88875124431F
- Matrix / Runout (Side A runout): 88875124431-A RKS STERLING 24359.1(3)...
- Matrix / Runout (Side B runout): B̷O̷O̷ 88875124431-B RKS STERLING 423 24359.2(3)...
- Matrix / Runout (Side C runout): 88875124431-C RKS STERLING 24359.3(3)...
- Matrix / Runout (Side D runout): 88875124431-D RKS STERLING 24359.4(3)...
- Matrix / Runout (Side E runout): 88875124431-E RKS STERLING 24359.5(3)...
- Matrix / Runout (Side F runout): 88875124431-F RKS STERLING 24359.6(3)...
- Other (LP1 jacket): 88875124431JK1
- Other (LP2 jacket): 88875124431JK2
- Other (LP3 jacket): 88875124431JK3
- Other (LP1 inner sleeve): 88875124431SV1
- Other (LP2 inner sleeve): 88875124431SV2
- Other (LP3 inner sleeve): 88875124431SV3
- Matrix / Runout (CD1 label): 88875124431D1
- Matrix / Runout (CD2 label): 88875124431D2
- Matrix / Runout (CD1): DIDX-1075637 1 A01
- Mastering SID Code (CD1): IFPI L327
- Mould SID Code (CD1): IFPI 50BC
- Matrix / Runout (CD2): DIDX-1075727 2 A01
- Mastering SID Code (CD2): IFPI l327
- Mould SID Code (CD2): IFPI 50BG
- Other (CD1 sleeve): 88875124431JK4
- Other (CD2 sleeve): 88875124431JK5
Other Versions (5 of 16)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
The Best Of The Cutting Edge 1965-1966 (2×CD, Album, Stereo) | Legacy | 88875124422 | US | 2015 | ||
New Submission
|
The Best Of The Cutting Edge 1965-1966 (2×CD, Album, Stereo, Mono) | Sony Music | 88875124422 | Europe | 2015 | ||
Recently Edited
|
The Cutting Edge 1965 – 1966: The Bootleg Series Vol.12: Collector's Edition (18×CD, Album, 9×7", Mono, Misprint, Box Set, Limited Edition, Numbered) | Columbia | 88875124402I8 | US | 2015 | ||
Recently Edited
|
The Best Of The Cutting Edge 1965-1966 (3×LP, Compilation, 180 Gram, 2×CD, Compilation, Box Set, ) | Sony Music | 88875124431 | Europe | 2015 | ||
New Submission
|
The Cutting Edge 1965 – 1966 (6×CD, Album, Box Set, Deluxe Edition) | Legacy | 88875124412 | US | 2015 |
Recommendations
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2018 USLP, Album, Remastered, Stereo
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2019 USA & CanadaLP, Album, Stereo, Mono
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2016 USLP, Album, Record Store Day, Stereo
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2018 WorldwideLP, Album, Reissue, Remastered, Stereo
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Reviews
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Must have been one of the lucky ones. My box had excellent quality with all three LPs playing great. No flaws and definitely not warped. The one negative thing I’ll say is that this isn’t the quietest vinyl I’ve ever heard, but it’s by no means bad. All around a great set.
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This pressing by United is rubbish. I went through 2 copies, both had major off center issues. Huge pitch variation, tone arm swinging wildly from side to side. I persevered and ended up getting the Euro version pressed by Optimal. Much better! Silent vinyl, center correct and it even sounds better.
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Edited 4 years agoSlight dish warp on one record but not too big a problem. However major off centering issues on a few sides, the tonearm just swaying and swaying. Better QC would have been appreciated...
Box is thick, very nice and all records sit neatly and can be taken out without opening the box. -
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