KMFDM – Xtort
Label: |
TVT Records – TVT7242-2 |
|---|---|
Format: |
CD
, Album
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Industrial |
Tracklist
| 1 | Power | 5:26 | |
| 2 | Apathy | 3:10 | |
| 3 | Rules | 4:07 | |
| 4 | Craze | 3:33 | |
| 5 | Dogma | 4:06 | |
| 6 | Inane | 5:29 | |
| 7 | Blame | 4:05 | |
| 8 | Son Of A Gun | 4:23 | |
| 9 | Ikons | 4:11 | |
| 10.1 | Wrath | 5:42 | |
| 10.2 | Untitled | 4:26 |
Companies, etc.
- Phonographic Copyright ℗ – Wax Trax! Records, Inc.
- Copyright © – Wax Trax! Records, Inc.
- Mastered At – Classic Digital, Evanston, IL
- Recorded At – Chicago Recording Company
- Mixed At – Chicago Recording Company
- Recorded At – Hole In The Wall Studio, Seattle
- Mixed At – Hole In The Wall Studio, Seattle
- Published By – KMFDM Ent. US
- Published By – Spurburn
- Manufactured By – TVT Records
- Glass Mastered At – Specialty Records Corporation
- Pressed By – Specialty Records Corporation
- Distributed By – TVT Records
Credits
- Artwork – Brute*
- Bass – Sascha Konietzko (tracks: 1 to 6, 8, 9)
- Drums – William Rieflin (tracks: 5 to 10)
- Engineer – Chris Shepard
- Engineer [Add. Engineering] – Ron Lowe
- Engineer [Asst. Engineer] – Claudine Pontier
- Guitar – Günter Schulz
- Guitar [Slide] – Mark Durante (tracks: 3, 6)
- Loops – Sascha Konietzko (tracks: 1, 3 to 9)
- Management – Charlie Hewitt
- Mastered By – Konrad Strauss
- Photography – Günter Schulz
- Producer [Production Assistant] – John H. Van Eaton*
- Producer, Mixed By – Sascha Konietzko
- Sampler [Samples] – Sascha Konietzko (tracks: 3 to 9)
- Synthesizer [Nord Lead] – Sascha Konietzko (tracks: 1, 2, 4)
- Synthesizer [Sh-101] – Sascha Konietzko (tracks: 7, 8)
- Typography [Type] – Jim Marcus
- Vocals – Sascha Konietzko (tracks: 1 to 9)
- Written-By – Konietzko*
Notes
℗ & © 1996 Wax Trax! Records, Inc.
Printed in Canada
Insert incorrectly lists track 10's duration as 6:66.66.
Back cover lists track 10 as track 0.
Track 10.1 includes 13 seconds of silence at the end of the song.
Printed in Canada
Insert incorrectly lists track 10's duration as 6:66.66.
Back cover lists track 10 as track 0.
Track 10.1 includes 13 seconds of silence at the end of the song.
Barcode and Other Identifiers
- Barcode (Text): 0 1658172422 8
- Matrix / Runout (Variant 1): [Specialty Records Corporation logo] 4R TVT 7242-2 SRC##01 M1S1
- Mould SID Code (Variant 1): IFPI 2U4L
- Matrix / Runout (Variant 2): [Specialty Records Corporation logo] 4R TVT 7242-2 SRC##01 M1S2
- Mould SID Code (Variant 2): IFPI 2U2I
- Matrix / Runout (Variant 3): [Specialty Records Corporation logo] 4R TVT 7242-2 SRC##01 M1S3
- Mould SID Code (Variant 3): IFPI 2U2R
- Matrix / Runout (Variant 4): [Specialty Records Corporation logo] 4R TVT 7242-2 SRC##01 M1S3
- Mould SID Code (Variant 4): IFPI 2U4A
- Matrix / Runout (Variant 5): [Specialty Records Corporation logo] 4R TVT 7242-2 SRC##01 M1S1
- Mould SID Code (Variant 5): IFPI 2U2L
- Matrix / Runout (Variant 6): [Specialty Records Corporation logo] 4R TVT 7242-2 SRC##01 M1S4
- Mould SID Code (Variant 6): IFPI 2U2O
Other Versions (5 of 19)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
Xtort (LP, Album) | TVT Records | TVT 7242-1 | US | 1996 | ||
|
Recently Edited
|
Xtort (CD, Album) | Bullet Proof Records | 7243 4 84363 2 0 | 1996 | |||
|
Recently Edited
|
Xtort (CD, Album) | Polystar | PSCW-5372 | Japan | 1996 | ||
| Xtort (Cassette, Album) | TVT Records | TVT 7242-4 | US | 1996 | |||
|
Recently Edited
|
Xtort (Cassette, Album) | Wax Trax! Records | TVT 7242-4 | Thailand | 1996 |
Recommendations
Reviews
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Edited 6 years agoKMFDM's eighth studio album, and just barely their second best, the only thing that makes this album slightly of less quality than "Nihl" is the fact that old bandmate and collaborator Raymond Watts had once again departed from the fold. This doesn't say much bad about the album though, still easily their second best effort, and of equal production quality as Nihil (they easily both could've been a double album), there is even a few standout tracks that really stand out in general even in their entire catalog, tracks like "Dogma" showing that even after eight albums, KMFDM could still come up with an original approach to writing a track that would catch fans off guard. Same goes for this album as Nihil, each song is worth listening to and counts, so almost no point in dissecting them. At this point they had their sound down to a science. It's also worth mentioning that Sasha has said before that this was in his opinion the best KMFDM album, or at least his favorite. Listen and enjoy!
Release
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Recently Edited
Recently Edited
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