Pink Floyd – Wish You Were Here
Tracklist
Shine On You Crazy Diamond | |||
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Part I | ||
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Part II | ||
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Part III | ||
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Part IV | ||
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Part V | ||
A2 | Welcome To The Machine | ||
B1 | Have A Cigar | ||
B2 | Wish You Were Here | ||
Shine On You Crazy Diamond | |||
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Part VI | ||
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Part VII | ||
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Part VIII | ||
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Part IX |
Companies, etc.
- Phonographic Copyright ℗ – Pink Floyd Music Ltd.
- Copyright © – Pink Floyd Music Ltd.
- Recorded At – Abbey Road Studios
- Lacquer Cut At – ARC, Artarmon – MX174743
- Lacquer Cut At – ARC, Artarmon – MX174744
- Pressed By – ARC, Artarmon
- Published By – Penjane
- Published By – Penjane Music (Australia) Pty. Limited
Credits
- Artwork [Dye Transfers By] – Simon Bell (3)
- Artwork [Graphics By] – George Hardie
- Design [Sleeve Design Assisted By], Photography By [Photography Assisted By] – Richard Manning (3)
- Design [Sleeve Design], Photography By, Photography By [Fotographie Von] – Hipgnosis (2)
- Engineer – Brian Humphries
- Engineer [Assisted By] – Peter James
- Lyrics By [All Lyrics By] – Roger Waters
- Producer, Composed By – Pink Floyd
- Saxophone – Dick Parry (tracks: A1a to A1e, B3a to B3d)
Notes
This version is similar but different to other Australian releases as noted below.
Side A groove matrix looks like it used to be MX174753 stamped but the 5 has been over written and replaced with a hand scratched 4.
Catalog # are displayed as follows:
SBP 234651 on front cover and spine.
SBP 234651 and PC 33453 on inside of gatefold and on labels (see images)
Unable to determine for sure if this is a 1975 1st issue or not but seems to correct according to http://www.pinkfloydarchives.com/DAuLPPF.htm#WYWH1
Postcard included with this release
Side A groove matrix looks like it used to be MX174753 stamped but the 5 has been over written and replaced with a hand scratched 4.
Catalog # are displayed as follows:
SBP 234651 on front cover and spine.
SBP 234651 and PC 33453 on inside of gatefold and on labels (see images)
Unable to determine for sure if this is a 1975 1st issue or not but seems to correct according to http://www.pinkfloydarchives.com/DAuLPPF.htm#WYWH1
Postcard included with this release
Barcode and Other Identifiers
- Matrix / Runout (Side A Label): MX 174743
- Matrix / Runout (Side B Label): MX 174744
- Matrix / Runout (Side A Runout Groove Stamped Variant 1 - see notes): * MX174743. SBP234651-1
- Matrix / Runout (Side B Runout Groove Stamped Variant 1): * MX174744 SBP234651-2
- Matrix / Runout (Side A Runout Groove Stamped Variant 2 - see notes): * MX174743. SBP234651-1
- Matrix / Runout (Side B Runout Groove Stamped Variant 2): * MX174744-B SBP234651-2
Other Versions (5 of 1026)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Wish You Were Here (LP, Album, Stereo) | Harvest | 2C 068-96 918, 2C 068 - 96918 | 1975 | |||
Recently Edited
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Wish You Were Here (LP, Album) | Columbia | PC 33453 | US | 1975 | ||
Recently Edited
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Wish You Were Here (LP, Album, Stereo) | Harvest | SHVL 814 | UK | 1975 | ||
Wish You Were Here (LP, Album) | CBS | CBS 80955, 80955 | Israel | 1975 | |||
Recently Edited
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Wish You Were Here (LP, Album, Stereo) | Harvest | 1C 062-96 918, 5C 062-96918 | Netherlands | 1975 |
Recommendations
Reviews
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Im a electronic music lover . trance , techno and house so im used to instrumental and spacey sounds . I can say 'Wish You Were Here ' album suits my taste with its unique ambient sound , synths , guitar and arrangement . i will give this first then the 'dark side of the moon ' second . This Australian press indeed is a good buy . great dynamics on my mk2 / ortofon concorde setup . This is my first Australia pressing record as most of my collection are uk / and usa . enjoy
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The follow up studio album to the incredibly successful Dark Side of the Moon, this is darker and more instrumental and most of the album is consumed by an extended piece (Shine on you Crazy Diamond - a homage to Syd Barrett) split over two sides. Some of the music acts as a bridge between the compositional style of DSOTM and The Wall and is a glimpse of how the future direction of the band. The recording quality is excellent, and this is the original pressing with the postcard.
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Serving as a sort of bridge album between Dark Side of the Moon and The Wall, this album shows a progression in musical style from the still somewhat independent though connected songs of DSOTM and the wholly integrated conceptual mastery of The Wall, and also the progression of synergy of musical ideas from each member of the band to the brilliant but sometimes troubling vision of Roger Waters. I quite like this album on its own, and really liked the included postcard. The recording quality, though not as brilliant as DSOTM is still superb and this well worn LP still sounds good.
Release
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Data Correct
Data Correct
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