Pink FloydWish You Were Here

Label:

CBS – PC 33453

Format:

Vinyl , LP, Album , Gatefold

Country:

Australia

Released:

Genre:

Blues

Style:

Prog Rock

Tracklist

Shine On You Crazy Diamond
A1a Part I
A1b Part II
A1c Part III
A1d Part IV
A1e Part V
A2 Welcome To The Machine
B1 Have A Cigar
VocalsRoy Harper
B2 Wish You Were Here
Shine On You Crazy Diamond
B3a Part VI
B3b Part VII
B3c Part VIII
B3d Part IX

Companies, etc.

  • Phonographic Copyright ℗Pink Floyd Music Ltd.
  • Copyright ©Pink Floyd Music Ltd.
  • Recorded AtAbbey Road Studios
  • Lacquer Cut AtARC, Artarmon – MX174743
  • Lacquer Cut AtARC, Artarmon – MX174744
  • Pressed ByARC, Artarmon
  • Published ByPenjane
  • Published ByPenjane Music (Australia) Pty. Limited

Credits

  • Artwork [Dye Transfers By]Simon Bell (3)
  • Artwork [Graphics By]George Hardie
  • Design [Sleeve Design Assisted By], Photography By [Photography Assisted By]Richard Manning (3)
  • Design [Sleeve Design], Photography By, Photography By [Fotographie Von]Hipgnosis (2)
  • EngineerBrian Humphries
  • Engineer [Assisted By]Peter James
  • Lyrics By [All Lyrics By]Roger Waters
  • Producer, Composed ByPink Floyd
  • SaxophoneDick Parry (tracks: A1a to A1e, B3a to B3d)

Notes

This version is similar but different to other Australian releases as noted below.
Side A groove matrix looks like it used to be MX174753 stamped but the 5 has been over written and replaced with a hand scratched 4.
Catalog # are displayed as follows:
SBP 234651 on front cover and spine.
SBP 234651 and PC 33453 on inside of gatefold and on labels (see images)

Unable to determine for sure if this is a 1975 1st issue or not but seems to correct according to http://www.pinkfloydarchives.com/DAuLPPF.htm#WYWH1

Postcard included with this release

Barcode and Other Identifiers

  • Matrix / Runout (Side A Label): MX 174743
  • Matrix / Runout (Side B Label): MX 174744
  • Matrix / Runout (Side A Runout Groove Stamped Variant 1 - see notes): * MX174743. SBP234651-1
  • Matrix / Runout (Side B Runout Groove Stamped Variant 1): * MX174744 SBP234651-2
  • Matrix / Runout (Side A Runout Groove Stamped Variant 2 - see notes): * MX174743. SBP234651-1
  • Matrix / Runout (Side B Runout Groove Stamped Variant 2): * MX174744-B SBP234651-2

Other Versions (5 of 1026)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Wish You Were Here (LP, Album, Stereo) Harvest 2C 068-96 918, 2C 068 - 96918 1975
Recently Edited
Wish You Were Here (LP, Album) Columbia PC 33453 US 1975
Recently Edited
Wish You Were Here (LP, Album, Stereo) Harvest SHVL 814 UK 1975
Wish You Were Here (LP, Album) CBS CBS 80955, 80955 Israel 1975
Recently Edited
Wish You Were Here (LP, Album, Stereo) Harvest 1C 062-96 918, 5C 062-96918 Netherlands 1975

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Reviews

  • maxkraus08's avatar
    maxkraus08
    50 years old this thing and still sounds beautiful !
    • pgross's avatar
      pgross
      Im a electronic music lover . trance , techno and house so im used to instrumental and spacey sounds . I can say 'Wish You Were Here ' album suits my taste with its unique ambient sound , synths , guitar and arrangement . i will give this first then the 'dark side of the moon ' second . This Australian press indeed is a good buy . great dynamics on my mk2 / ortofon concorde setup . This is my first Australia pressing record as most of my collection are uk / and usa . enjoy
      • christham's avatar
        christham
        The follow up studio album to the incredibly successful Dark Side of the Moon, this is darker and more instrumental and most of the album is consumed by an extended piece (Shine on you Crazy Diamond - a homage to Syd Barrett) split over two sides. Some of the music acts as a bridge between the compositional style of DSOTM and The Wall and is a glimpse of how the future direction of the band. The recording quality is excellent, and this is the original pressing with the postcard.
        • christham's avatar
          christham
          Serving as a sort of bridge album between Dark Side of the Moon and The Wall, this album shows a progression in musical style from the still somewhat independent though connected songs of DSOTM and the wholly integrated conceptual mastery of The Wall, and also the progression of synergy of musical ideas from each member of the band to the brilliant but sometimes troubling vision of Roger Waters. I quite like this album on its own, and really liked the included postcard. The recording quality, though not as brilliant as DSOTM is still superb and this well worn LP still sounds good.

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