Tracklist
| 1 | Can't Keep | 3:39 | |
| 2 | Save You | 3:50 | |
| 3 | Love Boat Captain | 4:36 | |
| 4 | Cropduster | 3:51 | |
| 5 | Ghost | 3:15 | |
| 6 | I Am Mine | 3:35 | |
| 7 | Thumbing My Way | 4:10 | |
| 8 | You Are | 4:30 | |
| 9 | Get Right | 2:38 | |
| 10 | Green Disease | 2:41 | |
| 11 | Help Help | 3:35 | |
| 12 | Bu$hleaguer | 3:57 | |
| 13 | 1/2 Full | 4:10 | |
| 14 | Arc | 1:05 | |
| 15 | All Or None | 4:37 |
Companies, etc.
- Phonographic Copyright ℗ – Sony Music Entertainment Inc.
- Copyright © – Sony Music Entertainment Inc.
- Distributed By – Sony Music
- Copyright © – Scribing C-ment Songs
- Copyright © – Theory Of Colour
- Copyright © – Write Treatage Music
- Copyright © – Jumpin' Cat Music
- Copyright © – Innocent Bystander
- Manufactured By – Pozzoli
- Recorded At – Studio X
- Recorded At – Space (8)
- Mixed At – Studio X
- Glass Mastered At – Sony DADC
- Made By – Sony Music
Credits
- Artwork [Forged Metal Figures] – Kelly Gilliam
- Bass – Jeff Ament
- Concept By [Album Concept By] – Al Nostreet
- Cover, Photography By [Inside Photos] – Jeff Ament
- Crew [Studio Crew], Drums – Greg Keplinger*
- Crew [Studio Crew], Guitar – George Webb (2)
- Drums, Percussion – Matt Cameron
- Electric Organ [Hammond B3], Electric Piano [Fender Rhodes] – Boom Gaspar
- Engineer – Sam Hofstedt
- Engineer [Additional] – John Burton
- Guitar – Stone Gossard
- Guitar, Vocals – Eddie Vedder
- Illustration [LBC Illustration], Layout, Design – Brad Klausen
- Mixed By – Brendan O'Brien
- Photography By [Additional Inside Photography By] – Danny Clinch
- Piano – Adam Kasper
- Producer – Pearl Jam
- Recorded By – Adam Kasper
- Typography [Typist] – eV*
Notes
Album dedicated to John Entwistle, Dee Dee Ramone, and Ray Brown.
Recorded and mixed at Studio X, Seattle, WA.
Track 8 - recorded at Space Studio, on Aurora.
Track 9 - dubbed "Wanted To Get Right" in the booklet.
Track 14 - the booklet does not specify artists credits.
See inner circle image for more information
Housed in 6- Digipak (trifold) with 36 page illustrated booklet.
Made in Austria.
Similar release Riot Act but different digipak manufacturer.
Recorded and mixed at Studio X, Seattle, WA.
Track 8 - recorded at Space Studio, on Aurora.
Track 9 - dubbed "Wanted To Get Right" in the booklet.
Track 14 - the booklet does not specify artists credits.
See inner circle image for more information
Housed in 6- Digipak (trifold) with 36 page illustrated booklet.
Made in Austria.
Similar release Riot Act but different digipak manufacturer.
Barcode and Other Identifiers
- Barcode (Scanned): 5099751000020
- Barcode (Text): 5 099751 000020
- Label Code: LC-00199
- Rights Society (Boxed): SACEM SACD SDRM SGDL
- Rights Society: BIEM
- Rights Society: ASCAP
- Matrix / Runout (Variant 1): Sony Music S5100002000-0101 24 A1
- Matrix / Runout (Variant 2): Sony Music S5100002000-0101 24 A1
- Matrix / Runout (Variant 3): Sony Music S5100002000-0101 24 A10
- Matrix / Runout (Variant 4): Sony Music S5100002000-0101 24 A11
- Matrix / Runout (Variant 5): Sony Music S5100002000-0101 24 A9
- Matrix / Runout (Variant 6): Sony Music S5100002000-0101 24 A11
- Matrix / Runout (Variant 7): Sony Music S5100002000-0101 24 A2
- Matrix / Runout (Variant 8): Sony Music S5100002000-0101 24 A1
- Matrix / Runout (Variant 9): Sony Music S5100002000-0101 24 A8
- Matrix / Runout (Variant 10): Sony Music S5100002000-0101 24 A12
- Matrix / Runout (Variant 11): Sony Music S5100002000-0101 24 A5
- Matrix / Runout (Variant 12): Sony Music S5100002000-0101 24 A16
- Matrix / Runout (Variant 13): Sony Music S5100002000-0101 24 A1
- Matrix / Runout (Variant 14): Sony Music S5100002000-0101 24 A13
- Matrix / Runout (Variant 15): Sony Music S5100002000-0101 24 A6
- Matrix / Runout (Variant 16): Sony Music S5100002000-0101 24 A7
- Matrix / Runout (Variant 17): Sony Music S5100002000-0101 24 A12
- Mastering SID Code (Variants 1 to 17): IFPI L554
- Mould SID Code (Variant 1): IFPI 94X8
- Mould SID Code (Variant 2): IFPI 94W2
- Mould SID Code (Variant 3): IFPI 94V6
- Mould SID Code (Variant 4): IFPI 948N
- Mould SID Code (Variant 5): IFPI 94X8
- Mould SID Code (Variant 6): IFPI 94W3
- Mould SID Code (Variant 7): IFPI 94U1
- Mould SID Code (Variant 8): IFPI 94U2
- Mould SID Code (Variant 9): IFPI 94Y4
- Mould SID Code (Variant 10): IFPI 942N
- Mould SID Code (Variant 11): IFPI 94Y4
- Mould SID Code (Variant 12): IFPI 94K6
- Mould SID Code (Variant 13): IFPI 94W7
- Mould SID Code (Variant 14): IFPI 94W8
- Mould SID Code (Variant 15): IFPI 94Y7
- Mould SID Code (Variant 16): IFPI 94Y4
- Mould SID Code (Variant 17): IFPI 943N
Other Versions (5 of 85)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Riot Act (CD, Album, Digipak) | Epic | EK86825, 86825 | US | 2002 | ||
|
Recently Edited
|
Riot Act (2×LP, Album) | Epic | 5100001000, EPC 510000 1, 510000 1 | Europe | 2002 | ||
|
New Submission
|
Riot Act (2×LP, Album) | Epic | E2 86825 | US | 2002 | ||
|
New Submission
|
Riot Act (CD, Album) | Epic | 510000 2 | Asia | 2002 | ||
|
New Submission
|
Riot Act (CD, Album) | Epic | 5100002000 | Australia | 2002 |
Recommendations
Reviews
-
The American rock band Pearl Jam was formed in 1990 in Seattle from the remains of Mother Love Bone. In 1991, the debut album on which the hit singles appeared Alive, Evenflow back Jeremy and were to be found. More than ten years later, Alive the ' anthem ' by a generation and will be together with Nevermind (Nirvana) and Dirt (Alice In Chains) to the three best grunge albums of all time. The following albums were certainly not bad, but never reached the level and the success of at. In 2000, Pearl Jam's survival hung by a thread when the band from the stage had to watch powerless nine visitors to the (Danish) Roskilde festival on some metres away were trampled. Fortunately it is proven on the seventh studio album, Riot Act (2002) that this traumatic experience is properly processed. Apart from the political, sometimes pessimistic lyrics by Vedder is a fresh sounding and old-fashioned hearty rock album. Some outliers are I Am Mine, Love Boat Captain and the short Are, that sounds like a tribute to the prematurely deceased Nusrat Fateh Ali Khan. My favorite track is the understated All Or None that a beautiful valve is of this excellent plate.
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