Dave Matthews Band – Under The Table And Dreaming
Label: |
Legacy – 88875009631 |
|---|---|
Format: |
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Country: |
US |
Released: |
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Genre: |
Folk, World, & Country |
Style: |
Jazz-Rock |
Tracklist
| A1 | The Best Of What's Around | |
| A2 | What Would You Say | |
| A3 | Satellite | |
| B1 | Rhyme & Reason | |
| B2 | Typical Situation | |
| B3 | Dancing Nancies | |
| C1 | Ants Marching | |
| C2 | Lover Lay Down | |
| C3 | Jimi Thing | |
| D1 | Warehouse | |
| D2 | Pay For What You Get | |
| D3 | #34 |
Companies, etc.
- Phonographic Copyright ℗ – Bama Rags Recordings, LLC
- Copyright © – Bama Rags Recordings, LLC
- Manufactured By – RCA Records
- Distributed By – RCA Records
- Recorded At – Bearsville Studios
- Mixed At – Bearsville Studios
- Mixed At – Power Station
- Mixed At – Encore Studios
- Mastered At – Sterling Sound
- Pressed By – MPO
- Lacquer Cut At – Bernie Grundman Mastering
Credits
- A&R – Darren Salmieri
- A&R [Original Album] – Peter Robinson (5)
- Acoustic Guitar – Tim Reynolds
- Alto Saxophone, Soprano Saxophone, Tenor Saxophone, Vocals, Flute – Leroi Moore
- Bass – Stefan Lessard
- Design [Package] – Kassondra Monroe
- Drums, Percussion, Vocals – Carter Beauford
- Engineer – Chris Dickie
- Engineer [Assisted By] – Andrew Page (2)
- Lacquer Cut By – CB*
- Mastered By – Ted Jensen
- Mixed By – Tom Lord-Alge
- Mixed By [Assisted By] – Rory Romano
- Photography By [Cover] – Stuart Dee
- Producer – Steve Lillywhite
- Research [Archivist] – Tucker Rogers
- Violin [Acoustic], Vocals – Boyd Tinsley
- Vocals, Acoustic Guitar [Left] – Dave Matthews
- Written-By – David J. Matthews*
Notes
℗ & © 1994, 2014 Bama Rags Recordings, LLC.
In Memory of Anne
This submission is for the vinyl repress that was remastered from proper master tapes.
Newly remastered from the original flat analog tapes on 2 180 gram LPs.
Includes an eight-page book packed with previously unpublished photographs in a limited, numbered gatefold jacket.
Includes a card featuring the album and three unreleased bonus tracks, including the original studio version of live favorite “Granny” and intimate acoustic versions of “Dancing Nancies” and “The Song That Jane Likes.”
The mastering credit in the vinyl sleeve is to David Glasser, this was in error. Chris Bellman cut the vinyl from 24/96 files mastered at Sterling by Ted Jensen.
In Memory of Anne
This submission is for the vinyl repress that was remastered from proper master tapes.
Newly remastered from the original flat analog tapes on 2 180 gram LPs.
Includes an eight-page book packed with previously unpublished photographs in a limited, numbered gatefold jacket.
Includes a card featuring the album and three unreleased bonus tracks, including the original studio version of live favorite “Granny” and intimate acoustic versions of “Dancing Nancies” and “The Song That Jane Likes.”
The mastering credit in the vinyl sleeve is to David Glasser, this was in error. Chris Bellman cut the vinyl from 24/96 files mastered at Sterling by Ted Jensen.
Barcode and Other Identifiers
- Barcode (Printed on back cover): 8 88750 09631 9
- Matrix / Runout (Etched, Runout Side A): MPO 14-0487 A 88875009631-A cB
- Matrix / Runout (Etched, Runout Side B): MPO 14-0487 B 88875009631-B cB
- Matrix / Runout (Etched, Runout Side C): MPO 14-0487 C³ 88875009631-C-RE2 cB
- Matrix / Runout (Etched, Runout Side D): MPO 14-0487 D 88875009631-D cB
Other Versions (5 of 52)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Under The Table And Dreaming (CD, Album) | RCA | 07863 66449-2 | US | 1994 | ||
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Recently Edited
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Under The Table And Dreaming (Cassette, Album, Dolby B) | RCA | 07863 66449-4 | US | 1994 | ||
|
Recently Edited
|
Under The Table And Dreaming (CD, Album) | RCA | 07863 66449 2 | Europe | 1994 | ||
| Under The Table And Dreaming (CD, Album, Club Edition) | BMG Music Canada | BG2 66449 | Canada | 1994 | |||
|
New Submission
|
Under The Table And Dreaming (CD, Album) | BMG Africa | CDRCA (WF) 4084 | South Africa | 1994 |
Recommendations
Reviews
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Mine sounds great. I wonder if an analog master was even made? It was 1994. Who cares? People are too hung up on that. -
I have not listened to this in years. Upon listening, I was reminded of my disappointment, as others have mentioned below. The vinyl is cut well, nice separation and sound stage. However, the digital master that was used causes the sound to suffer. It's hot and sibilant at times, mainly with the vocals. Crash, RTT, and the previous EP are all superior in sound. Maybe they can redo this, although it's kind of a joke to do it, then redo and charge the same fans again. -
Like others mentioned, check out the bottom of the notes section. CUT from a digital file. If you’re ok with that just buy the CD or stream the album online. Sounds ok but it’s not all analogue. Music companies are purposely misleading people on their hype stickers who don’t understand that “mastering” and “cutting” are different things. -
This is one of the best sounding albums that I own. Not sure what the negative reviews are about. -
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I disagree with many of the comments here. From the moment I put this on my turntable I was impressed by the quality and clarity. It is DMB like I'd never heard before. Because this is a higher-end pressing it's possible that it requires a better cartridge to playback without sibilance -- a complaint others have made here. With a decent playback system this album sounds outstanding. -
The most important part to any record is how it sounds and this DMB release sounds just awful. Too much high end sizzle and distorted sibilance on the vocals. This was originally an excellent recording when it was first released in the 90's but this abysmal remaster ssssslipped through quality control. What a shame too because the packaging is beautifully done.
Saddly I suggest you this one up and wait for a better release. -
Do not buy this Issue. You will lost money just to have a fetish. If you have the CD, enjoy it, even sounds better, -
Record was flat and quiet so that's nice. As far as the sound quality, it isn't a material improvement over the cd. It's disappointing considering that RTT and Crash were very well done. Unless you are just into holding 12" of vinyl in your hand, there really is no reason to get this as a record. I can say that I never listen to it. Just play the CD and it's the same experience.
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