デヴィッド・シルビアン* – Brilliant Trees
Tracklist
A1 | Pulling Punches = プリング・パンチズ | |
A2 | The Ink In The Well = 詩人の血 | |
A3 | Nostalgia = ノスタルジア | |
A4 | Red Guitar = レッド・ギター | |
B1 | Weathered Wall = 嘆きの壁 | |
B2 | Backwaters = よどみの中に | |
B3 | Brilliant Trees = 輝ける樹木 |
Companies, etc.
- Made By – Victor Musical Industries, Inc.
- Licensed From – Virgin Records Ltd.
- Distributed By – Victor Musical Industries, Inc.
- Phonographic Copyright ℗ – Victor Musical Industries, Inc.
- Copyright © – Virgin Records Ltd.
- Published By – Opium (Arts) Ltd.
- Published By – Virgin Music (Publishers) Ltd.
- Published By – Opal Music
- Produced For – Klangfarben Productions
- Lacquer Cut At – Victor Company Of Japan, Ltd.
Credits
- Drums – Steve Jansen
- Engineer – S. Nye*
- French Horn, Voice – Holger Czukay
- Guitar – Holger Czukay
- Liner Notes [Interview On Insert] – 坂本龍一*
- Liner Notes [Lyrics Translation On Insert] – 内田久美子*
- Mixed By [Assisted By] – P. Williams*
- Photography By – Yuka Fujii
- Producer, Arranged By – Steve Nye
- Synthesizer, Percussion – Steve Jansen
- Vocals, Piano [Treated], Tape [Tapes] – David Sylvian
- Words By, Music By – D. Sylvian*
Notes
℗ 1984 Victor Musical Industries
© 1984 Virgin Records Limited, England
Made by Victor Musical Industries Inc, Tokyo, Japan
Includes lyrics sheet Japanese/English
Includes another insert sheet with photo & credits
Some items come with big poster
Published by Opium (Arts) Ltd./Virgin Music (Publishers Ltd.)
except B1, B3 published by Opium (Arts) Ltd. Opal Music /Virgin Music (Publishers Ltd.)
© 1984 Virgin Records Limited, England
Made by Victor Musical Industries Inc, Tokyo, Japan
Includes lyrics sheet Japanese/English
Includes another insert sheet with photo & credits
Some items come with big poster
Published by Opium (Arts) Ltd./Virgin Music (Publishers Ltd.)
except B1, B3 published by Opium (Arts) Ltd. Opal Music /Virgin Music (Publishers Ltd.)
Barcode and Other Identifiers
- Matrix / Runout (Side A label): V-2309-A
- Matrix / Runout (Side B label): V-2309-B
- Matrix / Runout (Side A runout, variant 1): V 〄Ⓑ V-2309A 111⊹ S
- Matrix / Runout (Side B runout, variant 1): V-2309B 111⊹
- Matrix / Runout (Side A runout, variant 2): V-2309A 1 1 3 - 7 TS
- Matrix / Runout (Side B runout, variant 2): V-2309B 1 1 3 - 2
- Rights Society: JASRAC
- Other (Sleeve date): N·7·21
- Other (Price): ¥2,500
Other Versions (5 of 99)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Brilliant Trees (LP, Album, Stereo) | Virgin | V2290 | UK | 1984 | |||
Recently Edited
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Brilliant Trees (LP, Album) | Virgin | VG 2290 | Greece | 1984 | ||
Recently Edited
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Brilliant Trees (LP, Album) | Virgin | VL 2297 | Canada | 1984 | ||
Recently Edited
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Brilliant Trees (LP, Album) | Virgin | V-2290, V2290 | Australia | 1984 | ||
Recently Edited
|
Brilliant Trees (LP, Album) | Virgin | V 2290, V2290 | New Zealand | 1984 |
Recommendations
Reviews
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just compared this to the original UK and german pressings (listened to 'the ink in the well' on all three copies). this japanese pressing is by FAR the best one to have.
UK original mastered at townhouse was cut through a digital delay line, as with everything townhouse cut starting sometime in 1982. good bass texture and articulation, but vocal sibilants are choppy and smeary and horns sound mechanical. midrange is pretty thin but there's an appeal to the transients. biggest issue is how stuffy it sounds--spatially it's boxed in with no firm sense of instrument placement. the german pressing is easily better in every way (especially with vocal emotion) but warmer and thicker than i'd prefer.
meanwhile, this japanese pressing is the most spatially coherent and dynamically expressive. it's brighter (as common with japanese pressings) but not egregiously so, everything's more natural and realistic. this is the one pressing where vocal sibilants cleanly resolve rather than becoming garbled and smeary. transients are sharp when necessary but grounded in full-bodied textures, and the JVC supervinyl provides a clean background that enhances sonic contrasts. i'm not big on old japanese pressings of western music, though in this case, the japanese pressing is like a painting whereas the UK pressing is merely a decent photographic replication. all iterations of this album are thoroughly listenable, but this stands out and thankfully isn't too expensive.
equipment: rega p6, ortofon mc cadenza bronze, stein music 'the perfect interface' turntable mat, liberty b2b-1 phono preamp, hegel h95 integrated amp, mofi sourcepoint 8 speakers, spiral groove and audioquest cabling. -
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Sound is not good it's muddled very disappointing two reviews were positive. This is not one of my favorite Sylvian albums
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I lucked up on a cheap NM used copy of this in a shop before vinyl was "cool". An excellent pressing!
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I bought a UK press of this on the strength of a 12” of ‘Red Guitar’ I picked up in my local record shop. Absolutely loved the album and then found a NM copy of this Japanese press which is stunning, depth and detail definitely superior to the UK version.
Release
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