デヴィッド・シルビアン*Brilliant Trees

Label:

Virgin – VIRG-6114

Format:

Vinyl , LP, Album

Country:

Japan

Released:

Genre:

Rock

Style:

Synth-pop

Tracklist

A1 Pulling Punches = プリング・パンチズ
BassWayne Braithwaite*
GuitarRonny Drayton*
Mixed BySteve Nye
SynthesizerRichard Barbieri
A2 The Ink In The Well = 詩人の血
Double BassDanny Thompson
FlugelhornKenny Wheeler
GuitarPhil Palmer
Mixed ByN. Walker*
Mixed By [Assisted By]M. Butler*
A3 Nostalgia = ノスタルジア
FlugelhornKenny Wheeler
Mixed BySteve Nye
Piano, SynthesizerSteve Nye
A4 Red Guitar = レッド・ギター
BassWayne Braithwaite*
GuitarRonny Drayton*
Mixed BySteve Nye
Piano, SynthesizerSteve Nye
TrumpetMark Isham
B1 Weathered Wall = 嘆きの壁
Mixed BySteve Nye
Music ByJ. Hassell*
PianoRiuichi Sakamoto*
SynthesizerRyuichi Sakamoto
TrumpetJon Hassell
B2 Backwaters = よどみの中に
Mixed ByN. Walker*
Mixed By [Assisted By]M. Butler*
B3 Brilliant Trees = 輝ける樹木
Mixed BySteve Nye
Music ByJ. Hassell*
Piano, SynthesizerRiuichi Sakamoto*
TrumpetJon Hassell

Companies, etc.

  • Made ByVictor Musical Industries, Inc.
  • Licensed FromVirgin Records Ltd.
  • Distributed ByVictor Musical Industries, Inc.
  • Phonographic Copyright ℗Victor Musical Industries, Inc.
  • Copyright ©Virgin Records Ltd.
  • Published ByOpium (Arts) Ltd.
  • Published ByVirgin Music (Publishers) Ltd.
  • Published ByOpal Music
  • Produced ForKlangfarben Productions
  • Lacquer Cut AtVictor Company Of Japan, Ltd.

Credits

  • DrumsSteve Jansen
  • EngineerS. Nye*
  • French Horn, VoiceHolger Czukay
  • GuitarHolger Czukay
  • Liner Notes [Interview On Insert]坂本龍一*
  • Liner Notes [Lyrics Translation On Insert]内田久美子*
  • Mixed By [Assisted By]P. Williams*
  • Photography ByYuka Fujii
  • Producer, Arranged BySteve Nye
  • Synthesizer, PercussionSteve Jansen
  • Vocals, Piano [Treated], Tape [Tapes]David Sylvian
  • Words By, Music ByD. Sylvian*

Notes

℗ 1984 Victor Musical Industries
© 1984 Virgin Records Limited, England
Made by Victor Musical Industries Inc, Tokyo, Japan

Includes lyrics sheet Japanese/English
Includes another insert sheet with photo & credits
Some items come with big poster

Published by Opium (Arts) Ltd./Virgin Music (Publishers Ltd.)
except B1, B3 published by Opium (Arts) Ltd. Opal Music /Virgin Music (Publishers Ltd.)

Barcode and Other Identifiers

  • Matrix / Runout (Side A label): V-2309-A
  • Matrix / Runout (Side B label): V-2309-B
  • Matrix / Runout (Side A runout, variant 1): V 〄Ⓑ V-2309A 111⊹ S
  • Matrix / Runout (Side B runout, variant 1): V-2309B 111⊹
  • Matrix / Runout (Side A runout, variant 2): V-2309A 1 1 3 - 7 TS
  • Matrix / Runout (Side B runout, variant 2): V-2309B 1 1 3 - 2
  • Rights Society: JASRAC
  • Other (Sleeve date): N·7·21
  • Other (Price): ¥2,500

Other Versions (5 of 99)

View All
Title (Format) Label Cat# Country Year
Brilliant Trees (LP, Album, Stereo) Virgin V2290 UK 1984
Recently Edited
Brilliant Trees (LP, Album) Virgin VG 2290 Greece 1984
Recently Edited
Brilliant Trees (LP, Album) Virgin VL 2297 Canada 1984
Recently Edited
Brilliant Trees (LP, Album) Virgin V-2290, V2290 Australia 1984
Recently Edited
Brilliant Trees (LP, Album) Virgin V 2290, V2290 New Zealand 1984

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Reviews

  • MalachiLui's avatar
    MalachiLui
    just compared this to the original UK and german pressings (listened to 'the ink in the well' on all three copies). this japanese pressing is by FAR the best one to have.

    UK original mastered at townhouse was cut through a digital delay line, as with everything townhouse cut starting sometime in 1982. good bass texture and articulation, but vocal sibilants are choppy and smeary and horns sound mechanical. midrange is pretty thin but there's an appeal to the transients. biggest issue is how stuffy it sounds--spatially it's boxed in with no firm sense of instrument placement. the german pressing is easily better in every way (especially with vocal emotion) but warmer and thicker than i'd prefer.

    meanwhile, this japanese pressing is the most spatially coherent and dynamically expressive. it's brighter (as common with japanese pressings) but not egregiously so, everything's more natural and realistic. this is the one pressing where vocal sibilants cleanly resolve rather than becoming garbled and smeary. transients are sharp when necessary but grounded in full-bodied textures, and the JVC supervinyl provides a clean background that enhances sonic contrasts. i'm not big on old japanese pressings of western music, though in this case, the japanese pressing is like a painting whereas the UK pressing is merely a decent photographic replication. all iterations of this album are thoroughly listenable, but this stands out and thankfully isn't too expensive.

    equipment: rega p6, ortofon mc cadenza bronze, stein music 'the perfect interface' turntable mat, liberty b2b-1 phono preamp, hegel h95 integrated amp, mofi sourcepoint 8 speakers, spiral groove and audioquest cabling.
    • Japan3's avatar
      Japan3
      This Japanese pressing is sublime, plays/sounds far better than my previous UK version.
      • Nyjeffy1967's avatar
        Nyjeffy1967
        Sound is not good it's muddled very disappointing two reviews were positive. This is not one of my favorite Sylvian albums
        • Cium_Red's avatar
          Cium_Red
          I lucked up on a cheap NM used copy of this in a shop before vinyl was "cool". An excellent pressing!
          • EwenMerry's avatar
            EwenMerry
            I bought a UK press of this on the strength of a 12” of ‘Red Guitar’ I picked up in my local record shop. Absolutely loved the album and then found a NM copy of this Japanese press which is stunning, depth and detail definitely superior to the UK version.

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            • Avg Rating:4.52 / 5
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