The 1975 – The 1975
Label: |
Polydor – 3740515 |
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Format: |
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Country: |
UK & Europe |
Released: |
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Genre: |
Pop |
Style: |
Indie Rock |
Tracklist
A1 | The 1975 | 1:19 | |
A2 | The City | 3:26 | |
A3 | M.O.N.E.Y. | 3:36 | |
A4 | Chocolate | 3:44 | |
B1 | Sex | 3:26 | |
B2 | Talk! | 2:47 | |
B3 | An Encounter | 1:14 | |
B4 | Heart Out | 3:22 | |
C1 | Settle Down | 3:59 | |
C2 | Robbers | 4:14 | |
C3 | Girls | 4:14 | |
C4 | 12 | 1:19 | |
D1 | She Way Out | 3:59 | |
D2 | Menswear | 3:26 | |
D3 | Pressure | 3:41 | |
D4 | Is There Somebody Who Can Watch You | 2:54 |
Companies, etc.
- Phonographic Copyright ℗ – Dirty Hit Ltd.
- Copyright © – Dirty Hit Ltd.
- Licensed To – Polydor Ltd.
- Published By – Good Soldier Songs
- Recorded At – Motor Museum
- Recorded At – Livingston Studios
- Recorded At – Rose Cottage
- Mastered At – 24-96 Mastering
- Lacquer Cut At – 24-96 Mastering
- Pressed By – Optimal Media GmbH – BD19717
Credits
- Bass Guitar – Ross MacDonald (2)
- Design – Samüel Johnson
- Drums, Programmed By [Programming], Synthesizer, Vocals, Photography By [For Tracks A1, A2, A4, B2, B4, C2, D2, D4] – George Daniel
- Engineer [Engineered By] – Mike Spink
- Engineer [Pro Tools Engineering] – Jonathan Gilmore
- Guitar – Adam Hann
- Management, A&R – Jamie Oborne
- Mastered By – Robin Schmidt
- Photography By [Front & Back Cover, For Tracks A3, B1, B3, C1, C3 To D1 & Credits] – David Drake
- Photography By [Photo Of B&] – David Ma*
- Producer – Matthew Healy (tracks: B3, C4, D4)
- Producer, Mixed By – The 1975 (tracks: A1 to B2, B4 to C3, D1 to D3)
- Programmed By [Additional Programming] – Mike Crossey
- Vocals, Guitar, Piano – Matthew Healy
- Written-By – Ross MacDonald (2)
Notes
Gatefold sleeve.
This album was recorded at The Motor Museum Liverpool, Livingston Studios London & Rose Cottage Wilmslow between Autumn 2012 & Spring 2013.
Mastered @ 24 - 96 Mastering.
Published by Good Soldier Songs.
This sound recording is owned by Dirty Hit Ltd.
© 2013 Dirty Hit, under exclusive licence to Polydor Ltd. a division of Universal Music Group Ltd.
℗ 2013 Dirty Hit Ltd. © 2013 Dirty Hit Ltd.
Under exclusive license to Polydor Ltd. a Universal Music company.
The copyright in this sound recording is owned by Dirty Hit Ltd.
Made in EU.
"Made in " sticker on shrink on the back of the LP sleeve.
This album was recorded at The Motor Museum Liverpool, Livingston Studios London & Rose Cottage Wilmslow between Autumn 2012 & Spring 2013.
Mastered @ 24 - 96 Mastering.
Published by Good Soldier Songs.
This sound recording is owned by Dirty Hit Ltd.
© 2013 Dirty Hit, under exclusive licence to Polydor Ltd. a division of Universal Music Group Ltd.
℗ 2013 Dirty Hit Ltd. © 2013 Dirty Hit Ltd.
Under exclusive license to Polydor Ltd. a Universal Music company.
The copyright in this sound recording is owned by Dirty Hit Ltd.
Made in EU.
"Made in " sticker on shrink on the back of the LP sleeve.
Barcode and Other Identifiers
- Barcode (Scanned): 602537405152
- Barcode (Text): 6 02537 40515 2
- Other (Disc 1 cat#, on label): 3752591
- Other (Disc 2 cat#, on label): 3752592
- Rights Society: BIEM / SDRM
- Label Code: LC06444
- Matrix / Runout (Side A): BD19717-01 A1 A 24-96 MASTERING DH0042 1st June The 1975
- Matrix / Runout (Side B): BD19717-01 B1 A1 B 24-96 MASTERING 1st June The 1975 DH0042
- Matrix / Runout (Side C): BD19717-02 C1 C 24-96 MASTERING 1st June The 1975 DH0042
- Matrix / Runout (Side D): BD19717-02 D1 D 24-96 MASTERING 1st June The 1975 DH0042
- Matrix / Runout (Side A, variant 2): BD19717-01 A1 A 24-96 MASTERING DH0042 1st June The 1975 3IT
- Matrix / Runout (Side B, variant 2): BD19717-01 B1 B 24-96 MASTERING 1st June The 1975 DH0042 3T
- Matrix / Runout (Side C, variant 2): BD19717-02 C1 C 24-96 MASTERING 1st June The 1975 DH0042 S=V
- Matrix / Runout (Side D, variant 2): BD19717-02 D1 D 24-96 MASTERING 1st June The 1975 DH0042 V^^
Other Versions (5 of 43)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
The 1975 (CD, Album, Target Edition) | Interscope Records | B0019149-02 | US | 2013 | ||
New Submission
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The 1975 (CD, Album, Limited Edition, Card Slipcase) | Dirty Hit | DH00045 | UK | 2013 | ||
Recently Edited
|
The 1975 (CD, Album) | Dirty Hit | B0019026-02 | US | 2013 | ||
New Submission
|
The 1975 (2×CD, Deluxe Edition, Digipak Threefold) | Polydor | DH 00041, 3740520 | Europe | 2013 | ||
Recently Edited
|
The 1975 (CD, Album) | Polydor | DH00040, 3740516 | Europe | 2013 |
Recommendations
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2016 EuropeVinyl —LP, Album
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2016 USVinyl —LP, Album
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Reviews
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One of the worst recent pressings. Besides being dirty the noise and high-end crackle overrides the overall presentation - the analog vibe of 1975 just doesn't work on Vinyl. A classic case of overcooking the levels. Also total waste of the run out...I get this eliminates sibilance but not at the expense of the whole album. Play Lorde after and wow what a difference. Crisp, deep and expansive.
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Dead quiet pressing! Such a great album that comes to life here. The packaging is beautiful and I love the lyrics printed on the inner sleeve.
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Happy to have this version, perfect sounding with minor pops but i'd put that down to the clear pressing. 10 years old!
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Edited one year agoi had the US clear pressing at one point, and now have this polydor EU pressing and the australian white vinyl. this doesn't sound amazing but it's definitely the best one. the original US pressing sounds a bit glassy while the australian one is a bit harsh on top. you could argue that the EU pressing is more veiled in the midbass but everything is tidier overall.
EDIT: this remains the best pressing of the standalone album, but if you're really a fan and have a good hi-fi, get the 10th anniversary 4LP. the new lacquer cut of the original album is a vast improvement on the original. sure, it's $70, but the standalone record is already $30-35 now and the 4LP has the EPs too.
listening setup: rega p6, ortofon mc cadenza bronze cartridge, stein music 'the perfect interface' carbon mat, liberty b2b-1 preamp, hegel h95 integrated amp, elac debut b5 speakers -
Edited 2 years agoNot sure what others are getting. My copy is almost dead silent. Seems like it may be a touch compressed/flat or something, but I'm impressed. My "fogged" clear also has a bit of black swirl in the pressing. Not sure if its intentional, but gives it a very unique look.
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This pressing could sound better, but it’s by no means terrible, at least sides A,B,C. There is some static, but you generally can’t hear it. There is a circular pop at the end of Chocolate, pretty bad static on 12. Almost the entirety of side D is bad, pops right at the start, noisy on She Way Out, unbearable on Menswear.
It’s not particularly dynamic, but some songs (Robbers) sound very very good.
Packaging is nice, heavy and well made. -
Mild warping, mild/medium surface noise and generally sounds pretty muddy. About the usual for a 1975 press. Don't be afraid to buy it for your collection if you're a fan, its certainly playable but don't expect it to sound great.
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One big difference between the European Version and the United States Version is that the American vinyl is more "Crystal Clear" whilst the European vinyl is more "Fogged Clear".
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This is an amazing album. Every song is a hit. Love the nonchalant vibe and Matty Healy's sort of "throw-away" vocals. Love the distinct character of each track, makes it an interesting listen. Love the combo of the dancey music and faintly nihilistic lyrics. I feel like The 1975 has pretty much nailed the voice of this generation with this album!
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Edited 10 years agoAnyone else's copy riddled with surface noise? I cleaned it well right before playing and I've made sure my stylus is dust free and well aligned, yet the problem persists. Fortunately the sound isn't too distorted and the album is dynamic for the most part, but there are moments when the noise comes out of nowhere for several seconds at a time and it gets pretty ridiculous, which kind of ruins the experience. Such a shame about the pressing quality cause this is a pretty great album. I hope it's only my copy so I can get a new one.
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