Nucleus (3) – Snakehips Etcetera
Tracklist
A1 | Rat's Bag | 5:49 | |
A2 | Alive And Kicking | 9:24 | |
A3 | Rachel's Tune | 6:58 | |
B1 | Snakehips Etcetera | 10:23 | |
B2 | Pussyfoot | 3:59 | |
B3 | Heyday | 7:43 |
Companies, etc.
- Marketed By – Phonogram
- Printed By – Robert Stace
Credits
- Bass Guitar, Percussion – Roger Sutton
- Design [Sleeve Design / Illustration] – Michael Farrell (4)
- Drums, Percussion – Roger Sellers
- Electric Guitar, Twelve-String Guitar, Percussion – Ken Shaw
- Engineer – Steve Lillywhite
- Engineer [Assistant] – Richard Ashley (2)
- Keyboards, Synthesizer [Moog], Percussion – Geoff Castle
- Producer – Jon Hiseman
- Soprano Saxophone, Alto Saxophone, Baritone Saxophone, Flute, Voice, Percussion – Bob Bertles
- Trumpet, Flugelhorn, Piano, Synthesizer [Moog], Percussion – Ian Carr
Barcode and Other Identifiers
- Matrix / Runout (Runout A, stamped): 6360119 1Y//1▽420 05 12 2
- Matrix / Runout (Runout B, stamped): 6360119 2Y//2▽420 03 11 5
Other Versions (5 of 8)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Snakehips Etcetera (LP, Album, Stereo) | Sire | SASD-7508 | US | 1975 | ||
New Submission
|
Snakehips Etcetera (LP, Album) | Vertigo | 6360 119 | 1975 | |||
New Submission
|
Snakehips Etcetera (LP, Album, Promo, Stereo) | Sire | SASD-7508 | US | 1975 | ||
Snakehips Etcetera (LP, Album, Swirl Labels) | Vertigo | 6360 119 A | Italy | 1975 | |||
New Submission
|
Snakehips Etcetera (LP, Album, Promo) | Vertigo | 6360 119 | 1975 |
Recommendations
Reviews
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Edited 17 years agoOK, so Mr.Carr strides on and on. Or did we state so before? Some new folks around, though. The cliché-filled half-funk of ''Rat's bag'' is probably overestimated by its creators, a poor statement to begin with. ''Alive and kicking'' does better. Mysterious and widely spaced reeds are the intro to a much more supple and driving kind of jazz-rock. It's quite a bit too long, though. The rest of the album has its share of inspired playing, but the context is often too predictable. The strange incisions of the title track escape this predictability and do not always lead where you already expected the music to land. ''Pussyfoot'' is by virtue of its magical flute solo the best track. No need to remark, probably, that the playing is immaculate throughout.
Release
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