The Rolling Stones – Beggars Banquet
Label: |
ABKCO – 882330-1 |
|---|---|
Series: |
The Rolling Stones Remastered Series |
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Rock & Roll |
Tracklist
| A1 | Sympathy For The Devil | |
| A2 | No Expectations | |
| A3 | Dear Doctor | |
| A4 | Parachute Woman | |
| A5 | Jigsaw Puzzle | |
| B1 | Street Fighting Man | |
| B2 | Prodigal Son | |
| B3 | Stray Cat Blues | |
| B4 | Factory Girl | |
| B5 | Salt Of The Earth |
Companies, etc.
- Record Company – ABKCO Music And Records, Inc.
- Phonographic Copyright ℗ – ABKCO Records
- Copyright © – ABKCO Records
- Published By – ABKCO Music, Inc.
- Published By – Wynwood Music Co. Inc.
- Manufactured By – ABKCO Records
- Recorded At – Olympic Studios
- Recorded At – Sunset Sound Recorders
- Engineered At – The Magic Shop
- Mastered At – Gateway Mastering
- Pressed By – Schallplattenfabrik Pallas GmbH – 7643
Credits
- Art Direction [Repackage Art Direction] – Iris W. Keitel
- Artwork [Art Production Assistants] – Patricia Sheppard
- Bongos – Rocky*
- Design Concept [Conception] – Lenne Allik
- Design [Original Design] – Tom Wilkes (2)
- Design [Repackage Design] – Zane Peterson
- Direct Metal Mastering By [DMM] – Don Grossinger
- Engineer – Glyn*
- Engineer [DSD Engineer] – Gus Skinas
- Mastered By [Mastering] – Bob Ludwig
- Photography By [Front And Back Photos] – Barry Feinstein
- Photography By [Inside Photo] – Michael Josephs*
- Producer [Produced By] – Jimmy Miller
- Producer [Production Assistants] – Maria Papazahariou
- Reissue Producer [Restoration Producer] – Jody H. Klein
- Research [Additional Tape Archive Research] – Mick McKenna
- Restoration [Sound Restoration], Coordinator [Archive Coordinator] – Steve Rosenthal
- Songwriter [All Songs Written By] – Jagger And Richards* (tracks: A1 to B1, B3 to B5)
- Transferred By [Additional Analog To Digital Transfer] – Pascal Byrne*
- Transferred By [Analog To Digital Transfers], Research [Tape Archive Research] – Teri Landi
Notes
Pallas pressing variant, with "-7643-" stamped processing number in runouts, remainder of runouts etched. DMM = Direct Metal Mastering.
Issued in a gatefold sleeve.
[Series hype sticker on shrinkwrap]
ABKCO's
the ROLLING STONES
DSD REMASTERED
THE WAY THEY WERE
MEANT TO BE HEARD
[Inside gatefold]
Sound Restoration & Archive Coordinator: The Magic Shop
All songs published by ABKCO Music, Inc., except B2 published by Wynwood Music Company, Inc.
[On labels]
882 330-1
©2003 ℗1968 ABKCO Records. Manufactured by ABKCO Records a division of ABKCO Music & Records, Inc. Made in EU
[On back cover]
©2003 ABKCO Records. Printed in EU.
Studio Olympic in London, Sunset Sound in L.A.
[Labels and back cover]
DSD [Direct Stream Digital] and SBM Direct [Super Bit Mapping Direct] logos.
DSD, & SBM Direct are Trademarks of Sony & Philips.
[On spine]
882330-1
Track title variations on back cover:
A5: Jig Saw Puzzle
B1: Street Fightin' Man
B5: The Salt Of The Earth
Issued in a gatefold sleeve.
[Series hype sticker on shrinkwrap]
ABKCO's
the ROLLING STONES
DSD REMASTERED
THE WAY THEY WERE
MEANT TO BE HEARD
[Inside gatefold]
Sound Restoration & Archive Coordinator: The Magic Shop
All songs published by ABKCO Music, Inc., except B2 published by Wynwood Music Company, Inc.
[On labels]
882 330-1
©2003 ℗1968 ABKCO Records. Manufactured by ABKCO Records a division of ABKCO Music & Records, Inc. Made in EU
[On back cover]
©2003 ABKCO Records. Printed in EU.
Studio Olympic in London, Sunset Sound in L.A.
[Labels and back cover]
DSD [Direct Stream Digital] and SBM Direct [Super Bit Mapping Direct] logos.
DSD, & SBM Direct are Trademarks of Sony & Philips.
[On spine]
882330-1
Track title variations on back cover:
A5: Jig Saw Puzzle
B1: Street Fightin' Man
B5: The Salt Of The Earth
Barcode and Other Identifiers
- Barcode (Text): 0 42288 23301 5
- Barcode (Scanned): 042288233015
- Label Code: LC0171
- Rights Society: BIEM/MS
- Matrix / Runout (Side A runout): 0422-882-330-1-5-9539-1-A -7643- DON GROSSINGER DMM 72983
- Matrix / Runout (Side B runout): 0422-882-330-1-5-9539-1-B -7643- DON GROSSINGER DMM 72983
Other Versions (5 of 453)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Beggars Banquet (LP, Album, Mono, Unboxed Decca Logo) | Decca | LK 4955 | UK | 1968 | ||
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Recently Edited
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Beggars Banquet (LP, Album, Stereo, Gatefold, Pitman Pressing) | London Records | PS 539 | US | 1968 | ||
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Recently Edited
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Beggars Banquet (LP, Album, Stereo) | Pax | ISK 1044, ISK. 1044 | Israel | 1968 | ||
|
Recently Edited
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Beggars Banquet (LP, Album, Stereo) | Decca | SKL.4955, SKL 4955 | UK | 1968 | ||
|
Recently Edited
|
Beggars Banquet (LP, Album, Stereo) | London Records | PS 539 | Colombia | 1968 |
Recommendations
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2003 EuropeVinyl —LP, Album, Reissue, Remastered, Stereo -
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2016 WorldwideVinyl —LP, Album, Reissue, Remastered, Repress, Stereo
Reviews
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LOVE this record at proper speed like this. If they could marry this w/ AAA sound, it would be a perfect beast. That said, there's nothing wrong here - flat record, no surface noise, and very revealing. My UK OG just has a bit more cajones and warmth. -
I just listened to all 7 of my BB pressings. I have this one, the 2013 DSD clear vinyl reissue (which they say is the same master as this), one US second pressing London and the rest are excellent conditioned OG pressings like Bestway and Monarch. This is right in the middle. It’s slightly better than the 2013 reissue. And it’s fantastic, don’t get me wrong…but after comparing them back to back I was shocked (well, not shocked) that the OG Monarch pressing was more dynamic and bombastic. And, another OG London pressing that I’m unable to identify exactly sounds slightly better than that! It was incredible. The DSD is great but these OGs in good condition just have that presence….like they are playing in the room with you. That said, don’t hesitate to pick this one up…it’s a killer pressing. -
Edited 2 years agoThe best I've ever heard. Although i prefer AAA analogue all the way, the beggars is just perfect in this DSD version. And maybe the only DSD i can recommend by the way. This DSD release feels analogue without being processed digitally. very dynamic! It is just a good copy from a mastertape without the tweaking in protools with all the filter effects like the later reissues all have. The sleeve could have been better, it is blurry if you compare it with the Abkco 1986 vinyl reissue. -
“DMM” in the deadwax, this sounds fucking awesome. Probably the best I’ve heard this album on vinyl. An original US and an original UK just doesn’t have the same clarity and punch as this one does. The acoustic guitar really shines here, and emphasizes those beautiful strings and charlie’s snare. Proves that digital can be just as good as analog! I agree with the previous reviewer, this sounds like a modern MFSL record. It’s very comparable to my 2018 MFSL copy of Breakfast in America. The only gripe I have is how flimsy the cover is, but this isn’t a special market release so I can easily look past that -
This sounds fantastic. Anyone who says that digital mastering is inferior to all analogue hasn't listened to reissues like this. I'd put this on the same level as a MoFi reissue and we now know they also use DSD.
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This new DsD version is simply stunning! Unbelievably crispy sound. You can pick up each instrument and note like never before. I can highly recommend getting this one.
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My copy of this pressing sounds fantastic. The corrected speeds take a bit of getting used to, but on the whole I like them. The mastering is very revealing compared to an original pressing, although it does lack some bite the faster pace helps pick everything up. The completist really needs both.
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