Pearl Jam – Ten
Label: |
Epic – EPC 468884 9 |
---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
1 | Once | 3:51 | |
2 | Even Flow | 4:53 | |
3 | Alive | 5:40 | |
4 | Why Go | 3:19 | |
5 | Black | 5:43 | |
6 | Jeremy | 5:18 | |
7 | Oceans | 2:41 | |
8 | Porch | 3:30 | |
9 | Garden | 4:58 | |
10 | Deep | 4:18 | |
11.1 | Release | 5:08 | |
11.2 | (silence) | 0:08 | |
11.3 | Master / Slave | 3:47 | |
12 | Alive (Live) | 4:55 | |
13 | Wash | 3:34 | |
14 | Dirty Frank | 5:32 |
Companies, etc.
- Record Company – Sony Music Entertainment Inc.
- Phonographic Copyright ℗ – Sony Music Entertainment Inc.
- Copyright © – Sony Music Entertainment Inc.
- Produced For – Worlds End America Inc
- Distributed By – Sony Music
- Recorded At – London Bridge Studio
- Mixed At – Ridge Farm Studios
- Mastered At – Masterdisk
- Glass Mastered At – DADC Austria
Credits
- A&R – Michael Goldstone
- Art Direction, Design Concept [Concept] – Jeff Ament
- Artwork [Additional Art] – Steve Pitstick
- Bass [Basses] – Jeff*
- Cello – Walter Gray
- Design – Risa Zaitschek
- Drums – Dave*
- Engineer [Additional] – Don Gilmore
- Guitar [Guitars] – Stone*
- Lead Guitar – Mike*
- Legal [Attorney] – Richard Leher
- Lyrics By – Eddie Vedder
- Management – Kelly Curtis
- Management [Agent] – Triad*
- Mastered By – Bob Ludwig
- Mixed By, Other [Fire Extinguisher], Other [Pepper Shaker] – Tim Palmer
- Music By – Gossard* (tracks: 1 to 3, 5, 7, 9 to 14)
- Photography By – Lance Mercer
- Piano, Organ, Percussion – Rick Parashar
- Producer – Rick Parashar
- Public Relations [Fan Club] – Ten Club
- Vocals – Eddie*
Notes
Reissue from (early) 1992 with 3 extra tracks comparing to first issue.
No SID codes and sticker on front of jewel case, either a blue one with: "New European Version - Contains 3 extra tracks - 01-468884-11" or a pink one with "De speciale Pinkpop-versie met 3 bonus-tracks "Wash - "Dirty Frank" en "Alive" (Live) [Pinkpop logo] 17-468884-11"
18-page fold-out poster as booklet, containing band poster and lyrics.
Track 11 contains a hidden track (track 11.3) after a period of silence. On the disc the duration of track 11 is printed as 6:30, the total running time is however 9:03.
Mixed for Worlds End (America) Inc.
Recorded at London Bridge Studios, Seattle - March/April 91.
Mixed at Ridge Farm Studios, Dorking, England - June 91
Mastered at Masterdisk, New York.
The copyright in this sound recording is owned by Sony Music Entertainment Inc.
Original sound recording made by Sony Music Entertainment Inc.
℗ 1992 Sony Music Entertainment Inc.
© Sony Music Entertainment Inc.
[White epic Logo on rear inlay]
Made in Austria.
Catalog number printed on spine and CD label is "468884 9".
Catalog number printed on back cover is "EPC 468884 9".
There are three nearly identical represses:
- with the [DADC AUSTRIA logo] in the runouts, see Ten.
- with "DADC AUSTRIA" written in the runouts (this release).
- with "Sony Music" written in the runouts, see Ten.
No SID codes and sticker on front of jewel case, either a blue one with: "New European Version - Contains 3 extra tracks - 01-468884-11" or a pink one with "De speciale Pinkpop-versie met 3 bonus-tracks "Wash - "Dirty Frank" en "Alive" (Live) [Pinkpop logo] 17-468884-11"
18-page fold-out poster as booklet, containing band poster and lyrics.
Track 11 contains a hidden track (track 11.3) after a period of silence. On the disc the duration of track 11 is printed as 6:30, the total running time is however 9:03.
Mixed for Worlds End (America) Inc.
Recorded at London Bridge Studios, Seattle - March/April 91.
Mixed at Ridge Farm Studios, Dorking, England - June 91
Mastered at Masterdisk, New York.
The copyright in this sound recording is owned by Sony Music Entertainment Inc.
Original sound recording made by Sony Music Entertainment Inc.
℗ 1992 Sony Music Entertainment Inc.
© Sony Music Entertainment Inc.
[White epic Logo on rear inlay]
Made in Austria.
Catalog number printed on spine and CD label is "468884 9".
Catalog number printed on back cover is "EPC 468884 9".
There are three nearly identical represses:
- with the [DADC AUSTRIA logo] in the runouts, see Ten.
- with "DADC AUSTRIA" written in the runouts (this release).
- with "Sony Music" written in the runouts, see Ten.
Barcode and Other Identifiers
- Barcode (Text): 5 099746 888497
- Barcode (Scanned): 5099746888497
- Rights Society: BIEM/STEMRA
- Label Code: LC 0199
- Price Code: CB 811
- Other (Sony format code): CDC
- Other (Sony format code): CF
- Other (Manufacturing code): 01-468884-11
- Other (Manufacturing code): 17-468884-11
- Matrix / Runout (Variant 1, mirrored): 01-468884-11 11 A6 DADC AUSTRIA
- Matrix / Runout (Variant 2, mirrored): 01-468884-11 11 K1 DADC AUSTRIA
- Matrix / Runout (Variant 3, mirrored): 01-468884-11 21 A1 DADC AUSTRIA
- Matrix / Runout (Variant 4, mirrored): 01-468884-77 11 K13 DADC AUSTRIA
- Matrix / Runout (Variant 5, mirrored): 01-468884-11 11 A2 DADC AUSTRIA
- Matrix / Runout (Variant 6, mirrored): 01-468884-11 11 K2 DADC AUSTRIA
- Matrix / Runout (Variant 7, mirrored): 01-468884-11 11 K4 DADC AUSTRIA
- Matrix / Runout (Variant 8, mirrored): 01-468884-11 11 A4 DADC AUSTRIA
- Matrix / Runout (Variant 9, mirrored): 01-468884-11 11 B11 DADC AUSTRIA
- Matrix / Runout (Variant 10, mirrored): 01-468884-11 11 K6 DADC AUSTRIA
- Matrix / Runout (Variant 11, mirrored): 01-468884-11 11 K3 DADC AUSTRIA
- Matrix / Runout (Variant 12, mirrored): 01-468884-11 11 A7 DADC AUSTRIA
- Matrix / Runout (Variant 13, mirrored): 01-468884-11 11 K5 DADC AUSTRIA
- Matrix / Runout (Variant 14, mirrored): 01-468884-11 11 B2 DADC AUSTRIA
- Matrix / Runout (Variant 15, mirrored): 01-468884-11 21 B1 DADC AUSTRIA
- Matrix / Runout (Variant 16, mirrored): 01-468884-11 11 A3 DADC AUSTRIA
- Matrix / Runout (Variant 17, mirrored): 01-468884-11 21 C6 DADC AUSTRIA
- Matrix / Runout (Variant 18, mirrored): 01-468884-11 11 K13 DADC AUSTRIA
- Matrix / Runout (Variant 19): 01-468884-11 21 B6 DADC AUSTRIA
- Matrix / Runout (Variant 20, mirrored): 01-468884-11 11 B6 DADC AUSTRIA
Other Versions (5 of 310)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Ten (CD, Album, Pitman Pressing) | Epic Associated | ZK 47857, 47857 | US | 1991 | |||
Recently Edited
|
Ten (CD, Album) | Epic | EPC 468884 2, 468884 2 | Europe | 1991 | ||
Recently Edited
|
Ten (Cassette, Album, Dolby System) | Epic Associated | ZT 47857, ZT47857, 47857 | US | 1991 | ||
Recently Edited
|
Ten (LP, Album) | Epic | 188.228, 1-468884 | Brazil | 1991 | ||
Recently Edited
|
Ten (CD, Album) | Sony | SRCS 5634 | Japan | 1991 |
Recommendations
Reviews
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Auch beim dritten Durchlauf werde ich das Gefühl nicht los, dass ich dieses Album anscheinend jahrelang überschätzt habe. Ein Jahr nach Nirvana‘s „Nevermind“ erschien dieses Werk und perfektionierte die Musikrichtung Grunge. Da litt einer für eine ganze Nation, nämlich Sänger Eddie Vedder, und brachte dies in tieftraurigen Texten zum Ausdruck. So wünscht er sich in „Once“ eine gewisse Selbstkontrolle, singt in „Even flow“ vom Alleingelassen werden, muss in „Black“ mit dem Tod eines geliebten Menschen fertig werden, beschreibt in „Why go“ ein einsames Kind und singt in „Oceans“ von einer Liebe, die sogar über die Distanz von zwei Ozeanen hält. Ebenso gibt es aber auch Texte, die sich mir einfach nicht erschließen, wie „Porch“, „Garden“ und „Deep“. Den Höhepunkt der Platte stellt die erste Single „Alive“ dar. Der Song wurde aus der Sicht eines verstorbenen Vaters geschrieben, der seinem Sohn mitteilen möchte, dass er immer noch bei ihm ist. Der tieftraurige Text kann eine Gänsehaut verursachen, genauso wie der Song „Jeremy“, in dem es um Kindesmissbrauch geht. Zum Schluss gibt es noch den Song „Release“, mit leichtem Ethno-Anklang und danach den Instrumental-Hiddentrack „Master/Slave“. All diese Songs sind in typischer Grunge-Manier gehalten, da auf Gitarren-Soli und Eunuchen-Gesang verzichtet wurde und die Songs dadurch kompakter als z.B. Heavy Metal- oder Hardrock-Songs wirken. Auch wurde eine gewisse Laut-Leise-Dynamik benutzt. Die europäische Version der Platte enthält übrigens noch drei Bonustracks. Zunächst eine Live-Version von „Alive“, dann „Wash“, ein Song der davon handelt, dass einfach mal aller Dreck dieser Welt weggewaschen werden muss, und das stark an die Red Hot Chili Peppers erinnernde „Dirty Frank“.
Fazit: Ich werde nicht ganz grün mit dieser Platte, doch die beiden Songs „Alive“ und „Jeremy“ sind sogenannte „Songs für die Ewigkeit“. -
Seeds of Pearl Jam music were hidden in Mother Love Bone womb. When Andrew Wood died, the plant had to grow in a different direction, because an era was over. Gossard and Ament decided to start from scratch, with a new guitar player (McCready). When the band met Vedder it bring together its different souls in a basement, dragged by an overflowing creativity that reminds 70s rock spirit. Roots of Pearl Jam plant sink in Led Zeppelin mysticism, in The Who energy, in The Doors psychedelic visions and in Neil Young intimacy, but also in Jane’s Addiction dazzling hypnosis. Its branches reach out in search of a meditative and suffered poetic, far away from 80s music. Ten is a modern reinterpretation of 70s hard rock, a collection of spiritual and intimate losers’ stories told by magnetic Vedder voice. The voice of a generation that its its own vulnerability.
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