Four Tet – Pink
Label: |
Hostess Entertainment Unlimited – HSE-60128 |
|---|---|
Format: |
CD
, Album
|
Country: |
Japan |
Released: |
|
Genre: |
Electronic |
Style: |
Ambient |
Tracklist
| 1 | Locked | 8:30 | |
| 2 | Lion | 9:04 | |
| 3 | Jupiters | 5:48 | |
| 4 | Ocoras | 5:24 | |
| 5 | 128 Harps | 4:52 | |
| 6 | Pyramid | 8:27 | |
| 7 | Peace For Earth | 11:23 | |
| 8 | Pinnacles | 8:21 |
Companies, etc.
- Phonographic Copyright ℗ – Hostess Entertainment Unlimited
- Copyright © – Hostess Entertainment Unlimited
- Manufactured By – Hostess K.K.
- Distributed By – Hostess K.K.
- Published By – Chrysalis Music
Notes
Japan-only release, packaged in a digisleeve with obi strip.
Barcode and Other Identifiers
- Barcode (Scanned): 4582214508849
- Barcode (Printed): 4 582214 508849
- Matrix / Runout: HSE-60128 | OP1282A
- Mastering SID Code: IFPI L304
- Mould SID Code: IFPI 4874
- Rights Society: JASRAC
Other Versions (5 of 7)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Pink (8×File, FLAC, Album) | Text Records | TEXT018 | UK | 2012 | ||
|
New Submission
|
Pink (8×File, AAC, Album) | Text Records | none | UK, Europe & US | 2012 | ||
| Pink (8×File, MP3, Album, 320 kbps) | Text Records | TEXT018 | UK | 2012 | |||
|
New Submission
|
Pink (2×LP, Album, Club Edition, Remastered, 180g) | Text Records | TEXT018 | US | 2015 | ||
| Pink (2×LP, Album) | Text Records | TEXT018 | UK, Europe & US | 2015 |
Recommendations
Reviews
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Edited 11 years agoWouldn't mind a CD copy of this here in the UK. Seems strange that it wasn't released on CD really! -
-
Edited 12 years agoWhen someone with the reputation of Four Tet releases an album and no one seems to care, then you know it's got some issues. PINK was released in 2012 and pretty much no one noticed. It's a compilation of melodic, danceable house that eschews the concept album approach that characterized his prior works. It's almost identical to Daphni's Jiaolong, also released in 2012, and while both releases have some really captivating highlights, the product as a whole leaves me disappointed. At the same time, this one is in my view a much tighter release than Jiaolong, which makes it all the more puzzling as to why critics seemed to favor the latter in their reviews.
I don't understand why artists choose to make compilation albums. Either make a compilation/mix, or make an album. The reason why label-sponsored compilations work is because they seek to choose tracks that mesh together and contribute to a central sonic theme. The reason why artist albums work is because the artist designs the album with similar objectives in mind. But a compilation artist album just ignores this essential aspect of a successful music release by putting together odds and ends, apples and oranges, and the result is worth less than the sum of its parts. -
Release
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