Orb* – Asylum
Label: |
Island Records – 854 963-2 |
---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
IDM |
Tracklist
1 | Asylum (7" Edit) | 3:59 | |
2 | Asylum (Blood Sugar's Mix 1) | 8:58 | |
3 | Asylum (Andrea Parker's Bezirkskrankenhams Mix) | 7:17 |
Companies, etc.
- Phonographic Copyright ℗ – Island Records Ltd.
- Copyright © – Island Records Ltd.
- Record Company – PolyGram
- Published By – Chrysalis Music Ltd.
- Published By – Polygram Music Publishing Ltd.
- Published By – BMG Music Publishing Ltd.
- Published By – Flow Publishing
- Published By – Copyright Control
- Made By – PMDC, UK – 10464991
Credits
- Artwork [Adopted From] – Nikolai Prusakov
- Cover, Design – MadArk, London*
- Engineer – Andy Hughes (2)
- Mastered By – Tim Burrell
- Other [Collection (original Art)] – Susan Pack
- Producer – The Orb
- Written-By – Fehlmann*
Notes
Released in a j-card case, to accompany Part Two that has a special case to house both CDs. Mastered at The Townhouse.
A clear printed hype sticker is added to the front of the jewel box.
However there must have been a mix up at the plant because copies of CD1 seem to all
have the sticker for CD2 on the case, while copies of CD2 seem to all have CD1 stickers
℗ © 1997 Island Records Ltd. A Polygram Company.
2: Remixed for Blood Sugar Production.
Asylum is a nearly identical version made by PMDC, .
A clear printed hype sticker is added to the front of the jewel box.
However there must have been a mix up at the plant because copies of CD1 seem to all
have the sticker for CD2 on the case, while copies of CD2 seem to all have CD1 stickers
℗ © 1997 Island Records Ltd. A Polygram Company.
2: Remixed for Blood Sugar Production.
Asylum is a nearly identical version made by PMDC, .
Barcode and Other Identifiers
- Barcode (Printed): 0 42285 49632 1
- Barcode: 042285496321
- Rights Society: BIEM/MS
- Label Code: LC 0407
- Matrix / Runout: CID657 10464991 01 %
- Matrix / Runout (Mould inscription): MADE IN THE UK BY PMDC
- Mastering SID Code: IFPI L132
- Mould SID Code (Variant 1): IFPI 0470
- Mould SID Code (Variant 2): IFPI 0453
Other Versions (5 of 10)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Asylum (CD, Single, CD2) | Island Records | CIDX 657, 854 962-2 | UK | 1997 | ||
Recently Edited
|
Asylum (12", 33 ⅓ RPM, Single) | Island Records | 12 IS 657, 854 963-1 | UK | 1997 | ||
Recently Edited
|
Asylum (12", 33 ⅓ RPM, Promo) | Island Records | 12IS657DJ | UK | 1997 | ||
New Submission
|
Asylum (CDr, Test Pressing) | Island Records | none | UK | 1997 | ||
Asylum (CDr, Test Pressing) | Island Records | none | UK | 1997 |
Recommendations
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1996 UKCompilation, Mono, Stereo, Mixed
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Reviews
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None of the remixes manage to improve on the original. The Blood Sugar mix is disappointing, just a minimal DJ tool, and Soul Catcher's house du jour take fail to impress all these years later.
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Ok. Let’s be honest; Asylum isn’t one of the Orb’s finest tunes, but it meanders along quite nicely with typical spacey ness and has rather a catchy melody.
The intro is typical Orb; layers of ambient bleeps supplemented with voice samples-instantly recognizable. Although the slightly Orbital-esque main tune is pleasant on the ear, the rather staccato, eighties sounding keyboards ruin it a bit. Overall though, not a bad listen.
Andrew Weatherall’s minimalistic Blood Sugar Mix (1) is a real letdown. In my view he has always been overrated as both a remixer and artist in his own right. Sabresonic wasn’t that great, though the critics raved about it, and Wilmot was catchy but tedious after a few listens.
I don’t see where he gets his lofty reputation from, but I digress. He proceeds to dissect Dr Paterson and co’s work here, stripping it down to a monotonous lecture given by some crusty old professor. Cue yawning. Once again I marvel at the choice of remixer. Mr. Weatherall is more suited to heavy machinery and factory grime-nothing like the Orb at all.
Andrea Parker’s mad house mix is an improvement, bringing back some of the Orb sound at least and incorporating some effective bass and percussion work. It’s still rather stark, though its rhythm keeps us mostly involved throughout. It reminds me a bit of an Air Liquide tune.
So, a bit disappointing on the remix front, but worth picking up if only for the splendid cover and sleeve artwork-a must for any true Orb fan.
Release
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Recently Edited
Recently Edited
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