John ColtraneMeditations

Label:

Impulse! – A-9110

Format:

Vinyl , LP, Album, Stereo , Gatefold

Country:

US

Released:

Genre:

Jazz

Style:

Free Improvisation

Tracklist

A1 The Father And The Son And The Holy Ghost
A2 Comion
B1 Love
B2 Consequences
B3 Serenity

Companies, etc.

  • Manufactured ByABC-Paramount Records, Inc.
  • Published ByJowcol
  • Recorded AtVan Gelder Studio, Englewood Cliffs, New Jersey
  • Designed AtViceroy (2)
  • Record CompanyABC-Paramount Records, Inc.
  • Mastered AtLongwear Plating

Credits

  • BassJimmy Garrison
  • Composed ByJohn Coltrane
  • Design [Cover]Robert Flynn (2)
  • Design [Liner]Joe Lebow
  • DrumsRashied Ali
  • EngineerRudy Van Gelder
  • Liner NotesNat Hentoff
  • Mastered ByVAN GELDER*
  • Photography ByCharles Shabacon
  • PianoMcCoy Tyner
  • ProducerBob Thiele
  • Tenor SaxophonePharoah Sanders

Notes

First cat# on label, second on cover.

- This earliest-labelled version, downmost text on the labels in white:

A PRODUCT OF ABC-PARAMOUNT RECORDS INC.

- Later-labelled version John Coltrane - Meditations states:

A PRODUCT OF ABC RECORDS INC.
NEW YORK, N.Y. 10019

- An apparent crossover pressing with one of each of these labels is here: John Coltrane - Meditations

Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey, November 23, 1965 [jazzdisco.org]. Wrong date of recording given on back cover: "Recorded 1966".

[all selections] Published by: Jowcol--BMI

Barcode and Other Identifiers

  • Matrix / Runout (Label, side A): AS-9110-A
  • Matrix / Runout (Label, side A): AS-9110-B
  • Matrix / Runout (Runout side A, etched): AS-9110-A VAN GELDER LW
  • Matrix / Runout (Runout side B, etched): AS-9110-B VAN GELDER LW
  • Matrix / Runout (Runout fragment side A+B, stamped): VAN GELDER
  • Rights Society: BMI

Other Versions (5 of 68)

View All
Title (Format) Label Cat# Country Year
New Submission
Meditations (LP, Album, Stereo) His Master's Voice CSD 3575 UK 1966
New Submission
Meditations (LP, Album, Mono, Gatefold) Impulse! A-9110 US 1966
New Submission
Meditations (LP, Album, Mono) His Master's Voice CLP 3575 UK 1966
Recently Edited
Meditations (LP, Album, Mono, Gatefold) Impulse! A 9110, A-9110 Canada 1966
New Submission
Meditations (LP, Album, Mono, Gatefold) Impulse! A-9110 US 1966

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Reviews

  • undathere_records's avatar
    Shocking that this hasn’t gotten a reissue since 1983. All the other ones did. Why not this? Such an incredible release.
    • wplj's avatar
      wplj
      When I first discovered Coltrane it was the late 80's and I was 17. The first Coltrane records I went out and bought was My Favourite Things and Meditations. There was no Spotify or Youtube back then, I had to go by the covers. Needless to say, I was in for a surprise. I managed to choose one of each end of the spectrum. Throughout the years I have built up a nice collection of his music, he is truly one of my all time favourite musicians. Today I found a copy of this pressing, and it was in a really good condition. I put it on and finally I can say that I get this music. The Father and the Son and the Holy Ghost is a really powerful expression, and the rest of the music, which he had attempted to record a couple of months earlier but decided to re record, is really dynamic and I think I can understand why he decided to release this instead of the recording that came out posthumously as "First Meditations". This is brilliant music, it just took me 35 years to realise it.
      • MusicGriz's avatar
        MusicGriz
        I usually love free jazz but side A just sounds like a donkey getting tortured
        • Harrison_Bergeron's avatar
          "The year 1965 was a turning point in the life of John Coltrane. It was at this point that he crossed the line into the free jazz arena that he had been approaching since the early '60s. Besides his landmark Ascension, no album better illustrates this than the awe-inspiring Meditations. Coltrane's regular quartet -- McCoy Tyner (piano), Jimmy Garrison (bass), and Elvin Jones (drums) -- is expanded here with second drummer Rashied Ali (who assumed Jones' spot after this album) and saxophonist Pharoah Sanders. This conglomeration produces some dense textures, especially in the epic first track "The Father and the Son and the Holy Ghost." This sonic hurricane is a 13-minute outpouring of spiritual emotion that is at once compelling and exhausting. Elsewhere, the group delicately follows Coltrane's lead on the ionate "Love" and swings with abandon on the raucous "Consequences" as Sanders and 'Trane battle like warriors above the churning rhythm section. Finally, the aptly titled "Serenity" is a swirling free-form improvisation gently touching back down to earth after an adventurous ride through the heavens." Review by Ravi Staff of Allmusic.
          • buddysrecords's avatar
            buddysrecords
            Edited 6 years ago
            'How does one review a group which appears to have discarded all musical values? I don't know what Coltrane and his fellows are up to here but it is not music according to my dictionary's definintion. There are sounds on this record sure enough--harsh, primitive, squawking sounds, a barrage of them...
            Jive just about sums up this rubbish. I find it distressing to see musicians of proven ability as Coltrane, McCoy Tyner, Jimmy Garrison and Elvin Jones lending their names to such drivel. The schrill screeches of Pharoah Sanders, on the other hand, make me wonder whether he can play the instrument at all...
            Absolute hokum from start to finish. Coltrane states that he believes in all religions and furthermore declares there "certainly is meaning to life" unfortunetly no coherent, understandable meaning is communicated by his music at this stage. I read he has bought a electric saxophone and is contemplating a period of withdrawal from the scene... I fear though he he has ed the legion of the lost for good.... excerpts of review from Jazz Journal December 1966

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