Tracklist
| A1 | Money Changes Everything = マネー・チェンジズ・エブリシング | 5:02 | |
| A2 | Girls Just Want To Have Fun = ハイ・スクールはダンステリア | 3:55 | |
| A3 | When You Were Mine = ホエン・ユー・ワー・マイン | 5:07 | |
| A4 | Time After Time = 過ぎ去りし想い | 3:59 | |
| B1 | She Bop = 闇夜でShe Bop | 3:43 | |
| B2 | All Through The Night = 魅惑のスルー・ザ・ナイト | 4:29 | |
| B3 | Witness = ウィットニス | 3:38 | |
| B4 | I'll Kiss You = アイル・キス・ユー | 4:05 | |
| B5 | He's So Unusual = ヒズ・ソー・アンユージュアル | 0:45 | |
| B6 | Yeah Yeah = イエーYeahイエーYeah | 3:17 |
Companies, etc.
- Record Company – Epic/Sony
- Manufactured By – Epic/Sony Inc.
- Phonographic Copyright ℗ – CBS Inc.
Credits
- Art Direction, Design – Janet Perr
- Backing Vocals [Additional Background Vocalists] – Maeretha Stewart
- Bass, Guitar – Neil Jason
- Design Concept [Cover Concept] – Janet Perr
- Drums, Percussion – Anton Fig
- Engineer [Additional] – Rod O'Brien
- Engineer [Assistant] – John Agnello
- Executive-Producer – Lennie Petze
- Guitar – William ("Rock Pygmy") Wittman*
- Guitar, Bass Guitar, Melodica [Hooter], Saxophone, Backing Vocals – Eric Bazilian
- Keyboards, Backing Vocals – Rob Hyman
- Lead Vocals, Backing Vocals – Cyndi Lauper
- Management – Joe Zynczak*
- Percussion [Extra] – Rick Chertoff
- Photography By – Annie Liebovitz*
- Producer – Rick Chertoff
- Producer [Associate], Engineer – William Wittman
- Synthesizer – Richard Termini
Notes
Two different obi strips exist (The blue one is first press; the yellow one hypes the album's first two big hit singles)
℗1983 CBS, Inc.
Manufactured by Epic/Sony, Inc., Tokyo, Japan
℗1983 CBS, Inc.
Manufactured by Epic/Sony, Inc., Tokyo, Japan
Barcode and Other Identifiers
- Rights Society: JASRAC
- Other (Price): ¥2,500
- Matrix / Runout (Runout A side, variant 1): 25-3P-486A1 〄CS 1 A 6
- Matrix / Runout (Runout B side, variant 1): 25-3P-486B1 1 A 5
- Matrix / Runout (Runout A side, variant 2): 25-3P-486A1 〄CS 1 A 2
- Matrix / Runout (Runout B side, variant 2): 25-3P-486B1 1 A 3
Other Versions (5 of 273)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
She's So Unusual (LP, Album, Reissue) | Portrait | PR 33023 | Australia | 1983 | ||
| She's So Unusual (LP, Album, Stereo) | Portrait | PRT 25792, 25792, BFR 38930 | Europe | 1983 | |||
|
Recently Edited
|
She's So Unusual (Cassette, Album) | Epic | EPC 463362 4 | Netherlands | 1983 | ||
| She's So Unusual (Cassette, Album) | Portrait | 40-25792 | Europe | 1983 | |||
|
New Submission
|
She's So Unusual (LP, Album, Limited Edition, Picture Disc) | Portrait | 9R9-39610-S1 | US | 1983 |
Recommendations
Reviews
-
I have this pressing, its a slight variant to the A but it sounds incredible. Like others nothing to compare to but it sounds great. She Bop hits hard. -
I ittedly have not compared to other pressings. But this pressing is damn great to my ears. I am happy with my purchase
-
Edited one year agogreat sound quality with that lovely cyndi lauper trademark voice . never tried the new mofi version but this Japanese copy is just clean and balanced sound . get this copy if you can find , no regrets :)
-
Lauper's best album, sounding as fresh as yesterday. A stellar release. As for the pressing, I haven't heard others, but can't imagine how they could possibly improve on this one. Japanese records all the way, baby! -
I got the blue OBI first press as unopened new Japanese pressing 1983, I'm in California. An amazingly clean and quiet pressing, great sound quality, most tracks have full bodied sound and clarity even for an 80's pop synth record. This sounded better than I expected and I will hopefully seek out other Japanese pressings of my other favorite LP's if this is any indication of their quality. I have never heard the original USA pressing so I cannot comment on any comparison, but I'm super happy with my Japanese version.
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