Death Cab For Cutie – Transatlanticism
Label: |
Barsuk Records – BARK32LP |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
| A1 | The New Year | 4:06 | |
| A2 | Lightness | 3:30 | |
| A3 | Title And Registration | 3:39 | |
| B1 | Expo '86 | 4:11 | |
| B2 | The Sound of Settling | 2:12 | |
| B3 | Tiny Vessels | 4:21 | |
| C1 | Transatlanticism | 7:55 | |
| C2 | enger Seat | 3:41 | |
| D1 | Death Of An Interior Decorator | 2:56 | |
| D2 | We Looked Like Giants | 5:32 | |
| D3 | A Lack Of Color | 3:36 |
Credits
- Artwork [Original Artwork], Layout – Adde Russell
- Band [Death Cab For Cutie] – Nicholas Harmer
- Booking [Aero Booking] – Trey Many
- Engineer [Assistant, Avast! Recording] – Troy Tietjen
- Engineer [Assistant, Ironwood] – Steve Wiseman
- Engineer [Assistant, Studio X] – Sam Hofstedt
- Engineer [Assistant, The Hall Of Justice] – Robbie Skrocki
- Engineer [Assistant, Tiny Telephone] – Aaron Prellwitz
- Lacquer Cut By – Ryan Smith (2)
- Mastered By – Ed Brooks
- Mastered By [Prepared For Vinyl] – Lon Neumann
- Mixed By – Christopher Walla* (tracks: Tracks 1-3, 6-11)
- Model [Boy Swimming] – Logan Cosmos Schuster
- Performer [Played By] – Death Cab For Cutie
- Producer, Recorded By – Christopher Walla*
- Words By [All Words By] – Benjamin Gibbard*
Notes
Anniversary edition on 180 gram discs in gatefold sleeve. Comes with sticker, code for album and demos on reverse. Includes 12-page full color booklet including lyrics, credits, and artwork.
Differs from Transatlanticism by having different barcode and matrix runouts.
Differs from Transatlanticism by having different barcode and matrix runouts.
Barcode and Other Identifiers
- Barcode: 6 55173 30321 4
- Matrix / Runout (Side A): VMP-E125-A RE1 251719E1 1606443 STERLING RKS
- Matrix / Runout (Side B): VMP-E125-B RE1 251719E2 1495541 STERLING RKS
- Matrix / Runout (Side C): VMP-E125-C RE1 251719E3 1504308 STERLING RKS
- Matrix / Runout (Side D): VMP-E125-D RE1 251719E4 1606174 STERLING RKS
Other Versions (5 of 30)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Transatlanticism (CD, Album) | Fierce Panda | nong32cd | UK | 2003 | ||
|
Recently Edited
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Transatlanticism (CD, Album) | Barsuk Records | bark32 | US | 2003 | ||
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Recently Edited
|
Transatlanticism (CD, Album) | Munich Records | MRCD 246 | Netherlands | 2003 | ||
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Recently Edited
|
Transatlanticism (2×LP, Album) | Grand Hotel Van Cleef | GvHC 008, GHvC 008 | 2003 | |||
|
Recently Edited
|
Transatlanticism (2×LP, Album, Limited Edition) | Barsuk Records | SBR012, bark32 | US | 2003 |
Recommendations
Reviews
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Super happy with my copy. Was hoping this stood up to the high standard set by the bark47 2LP of Plans and it certainly does - wide soundstage, great detail, quality pressing. Both this Plans are in my list of best sounding LPs. Recommended.
System: Rotel RP6, ATK VMN50SH, Pre-Power, Apogee Electrostatics. -
Edited one month agoThis is a fantastic pressing. It’s the best I’ve heard this album so far. Great mix and master on this. Packaging and artwork is great as well. No complaints at all and i recommend this copy. Those with IGD (inner groove distortion) probably should know what stylus they have. If you have a conical or elliptical needle you are more prone to IGD. But if you have a Shibata or Microlinear stylus you greatly minimize and sometimes eliminate these problems with a proper setup. Of course bad pressings won’t help but this pressing isn’t bad by any stretch. It’s excellent.
TT: Fisher MT-6225
Cart: AT-VM95ml
Amp: Harman Kardon hk495i
Speakers: Tannoy C-8 -
Absolutely stunning pressing. Dead silent with top notch mastering. The jacket feels good quality as well as the the booklet that comes with it. Everything a proper reissue should be. -
I have a pretty decent setup with a microcline stylus so had no issues in of muddy high frequencies/sibilance. Both the discs were flat and noise free.
The mastering on this is superb! It’s rare to buy a reissue of late 90s to mid 2000 albums that sounds this good as a lot of the albums from this era suffers from peak loudness war/poor mastering.
This record sounds very wide and deep. Instrument separation is very impressive and the vocal has so much life.
Overall packing and liner notes are great too. Highly recommend. -
I bought the 180g black version. The A side of disc one and some songs on the B side clip and sound distorted. I'm not sure what causes this (any ideas?), but I've checked with different speakers, cleaned the disc, readjusted my tone arm, etc., and it still does it. I've even now bought and returned two albums on Amazon to make sure it wasn't just an issue with the first copy I bought. It's really unfortunate as this is one of the select few albums I really wanted on vinyl. If you love this album and want the vinyl to actually listen to, stay away from this pressing.--> Has anybody else had this issue?
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Edited one year agoCan anyone comment on the quality of this pressing compared to the VMP red marble pressing released this year? Hopefully, it's better…
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