Tracklist
A1 | Warning | |
A2 | Blood, Sex And Booze | |
A3 | Church On Sunday | |
A4 | Fashion Victim | |
A5 | Castaway | |
A6 | Misery | |
B1 | Deadbeat Holiday | |
B2 | Hold On | |
B3 | Jackass | |
B4 | Waiting | |
B5 | Minority | |
B6 | Macy's Day Parade |
Companies, etc.
- Recorded At – Studio 880
- Mixed At – Ocean Way Recording
- Mastered At – Sterling Sound
- Pressed By – Schallplattenfabrik Pallas GmbH – 19233
- Lacquer Cut At – SST Brüggemann GmbH
- Published By – Wb Music Corp.
- Published By – Green Daze Music
- Phonographic Copyright ℗ – Reprise Records
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – Reprise Records
- Copyright © – WEA International Inc.
Credits
- Arranged By [Strings] – David Campbell
- Art Direction – Chris Bilheimer
- Bass, Vocals – Mike Dirnt
- Consultant [Studio Consultant] – Allen Sides
- Coordinator [Production Coordinator] – Cheryl Jenets
- Drums, Percussion, Accordion – Tré Cool*
- Engineer – Ken Allardyce
- Engineer [2nd Engineer At Oceanway] – Richard Ash
- Engineer [2nd] – Tone (11)
- Executive-Producer – Rob Cavallo
- Keyboards [Farfisa] – Mike Dirnt (tracks: A6)
- Lacquer Cut By – Kr*
- Management – Pat Magnarella
- Mastered By – Ted Jensen
- Mixed By – Jack Joseph Puig
- Musician [Additional] – Benmont Tench (tracks: A3)
- Photography By – Marina Chavez
- Producer, Music By – Green Day
- Saxophone – Gary Meek (tracks: B4)
- Technician [Additional Guitar Tech] – Timmy Chunks
- Technician [Drum Tech] – Kenny Butler
- Technician [G3 Operator] – Tal Herzburge*
- Technician [Guitar Tech] – Bill Schneider
- Vocals, Guitar, Mandolin, Harmonica – Billie Joe*
- Voice [Dominatrix] – Mistress Simone
- Words By – Green Day (tracks: A6)
Notes
© 2000 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
℗ 2009 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
Recorded in the city of Oakland, CA at Studio 880.
Mixed at Oceanway, Hollywood, CA.
Lyric sheet insert included.
Runouts are etched, besides -19233- which is stamped.
Tracks are listed as they appear on the B-Side label. Tracks positions are listed sequentially, regardless of sides, on the rear cover.
℗ 2009 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
Recorded in the city of Oakland, CA at Studio 880.
Mixed at Oceanway, Hollywood, CA.
Lyric sheet insert included.
Runouts are etched, besides -19233- which is stamped.
Tracks are listed as they appear on the B-Side label. Tracks positions are listed sequentially, regardless of sides, on the rear cover.
Barcode and Other Identifiers
- Barcode (Text): 0 9362-47613-10
- Barcode (Scanned EAN-13): 0093624761310
- Matrix / Runout (Side A runout): 1-47613 A Kr SST -19233-
- Matrix / Runout (Side B runout): 1-47613 B Kr SST -19233-
- Rights Society: ASCAP
Other Versions (5 of 91)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Warning: (CD, Album) | Reprise Records | 9362-47613-2, 9 47613-2 | Europe | 2000 | ||
Recently Edited
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Warning: (CD, Album, Enhanced, Limited Edition) | Reprise Records | 9 48038-2 | US | 2000 | ||
Recently Edited
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Warning: (CD, Album) | Reprise Records | 9362-48030-2 | Europe | 2000 | ||
Warning: (CD, Album, Olyphant Pressing) | Reprise Records | 9 47613-2 | US | 2000 | |||
Warning: (LP, Album, Green Translucent) | Adeline Records | 012-1 | US | 2000 |
Recommendations
Reviews
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As another reviewer said, sound quality isn't anything to shout about but it's well pressed, no popping or noise found. Having own most of their albums on Vinyl, I would recommend Tune In,Tokyo RSD blue pressing as the quality is top notch (In my opinion anyways), I am able to hear the sounds of the muted strings on the electric guitar among other things
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Can't seem to find my exact version. This one comes close but it's missing a couple other matrix numbers. Mine also has FRP stamped. Can anyone confirm if this is the same press?
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Bought in 2018 for about 20 bucks. Sound quality isn't superb but certainly more than listenable. I assume Warning was recorded digitally so it's really more or less just high quality digital pressed onto vinyl. Great to have in the collection regardless, and easily Green Day's best record (Well this and Nimrod)
Release
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