Woody McBride – Interference E.P.
Label: |
Drop Bass Network – DBN001 |
|---|---|
Format: |
Vinyl
, 12", 33 ⅓ RPM, EP, Repress
|
Country: |
US |
Released: |
|
Genre: |
Electronic |
Style: |
Techno |
Tracklist
| A1 | Perfect Awareness | 5:59 | |
| A2 | Pulp | 6:28 | |
| B1 | Least Expect It | 7:00 | |
| B2 | Humpback | 6:14 |
Notes
Other Versions (5 of 7)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Interference e.p. (12", 33 ⅓ RPM, EP, Green Transparent) | Drop Bass Network | DBN001 | US | 1993 | ||
| Interference E.P. (12", EP, 33 ⅓ RPM, Transparent) | Drop Bass Network | DBN001 | US | 1993 | |||
| Interference e.p. (12", 33 ⅓ RPM, EP, Red) | Drop Bass Network | DBN001 | US | 1993 | |||
| Interference EP (12", 33 ⅓ RPM, EP, White Label, Stamped) | Drop Bass Network | DBN001 | US | 2003 | |||
|
New Submission
|
Interference (5×File, WAV, EP, Reissue, Remastered) | Drop Bass Network | DBN001 | US | 2019 |
Recommendations
Reviews
-
This track 'Least Expect It' never gets old and still amaze me when I play it on a big sound system.
-
This and several other Drop Bass records were re-released not too long ago. I would rather have the original colored-vinyl releases, but nobody locally seems to want to get rid of theirs. Can you blame them? For a long-haired average guy out of Milwaukee, WI, Kurt Eckes really turned out some of the best techno being made for a while there. This was a very unique first time out in its day. I had the opportunity to talk to Kurt a couple of years ago and was sure to compliment him on his label. His parties were average to me, especially in his later days, but his label in 1993-1995 was turning out GOOD STUFF! This was the beginning. I've seen not only a clear vinyl of #1, but a green one as well. Or maybe it was orange... Hmmm, I don't quite recall. Either way, there were choices back in the day. A good friend of mine who got me into techno way back in '92 has two different color-vinyl releases and a white-label. Pretty cool. Not all Drop Bass stuff was "hardcore", and for a while hard acid was called "hardcore", but I think hardcore took on a different form when Nasenbluten(?) and Doormouse (among others) turned hardcore away from distorted 303s and 909s and toward Fastracker-based sample-based material. But Drop Bass had the rights first, and I like it!
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
9 copies from €6.16