LCD Soundsystem – LCD Soundsystem
Label: |
Capitol Records – CDP 0946 3 32307 2 9 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
1-1 | Daft Punk Is Playing At My House | 5:16 | |
1-2 | Too Much Love | 5:42 | |
1-3 | Tribulations | 4:59 | |
1-4 | Movement | 3:04 | |
1-5 | Never As Tired As When I'm Waking Up | 4:49 | |
1-6 | On Repeat | 8:01 | |
1-7 | Thrills | 3:42 | |
1-8 | Disco Infiltrator | 4:56 | |
1-9 | Great Release | 6:35 | |
2-1 | Losing My Edge | 7:53 | |
2-2 | Beat Connection | 8:07 | |
2-3 | Give It Up | 3:55 | |
2-4 | Tired | 3:34 | |
2-5 | Yeah (Crass Version) | 9:21 | |
2-6 | Yeah (Pretentious Version) | 11:06 | |
2-7 | Yr City's A Sucker (Full Version) | 9:22 |
Companies, etc.
- Phonographic Copyright ℗ – DFA LLC
- Copyright © – EMI Records Ltd.
- Recorded At – Long View Farm Studios
- Recorded At – Plaintain Recording House
- Mixed At – Soundtrack Studios
- Mixed At – Plaintain Recording House
- Published By – Guy With Head And Arms Music
- Published By – Goldsworthy Music
- Published By – Les Souvenir
- Mastered At – West West Side Music
- Manufactured By – Capitol Records, Inc.
- Glass Mastered At – Cinram, Richmond, IN – C50119-03
- Glass Mastered At – Cinram, Richmond, IN – F50119-03
- Pressed By – Cinram, Richmond, IN
Credits
- Art Direction, Design – Michael Vadino
- Engineer [Assistant], Programmed By [Assistant] – Steve Sisco
- Legal – Craig Averill
- Management – Advanced Alternative Media, Inc.
- Mastered By – Alan Douches
- Mixed By – Andy Wallace
- Photography By – Correa-Dvoskin
- Producer, Mixed By – The DFA
- Sounds [Other Sounds] – Tyler Pope
- Written-By – Tim Goldsworthy (tracks: 2-2, 2-5, 2-6)
- Written-By, Art Direction, Design, Sounds [Most Sounds] – James Murphy
Notes
Booklet (rear, lower left): CDP 0946 3 32307 2 9
CD1 face (4 o'clock): CDP 7243 8 63945 2 1 (CDP 7243 8 63944 2 2)
CD2 face (4 o'clock): CDP 7243 8 63946 2 0 (CDP 7243 8 63944 2 2)
Assisted throughout by Eric Broucek, the Intrepid Traveller
All songs published by Les Souvenir (SESAC)
Under exclusive license to Capitol Records, Inc.
Manufactured by Capitol Records, Inc. Printed in U.S.A.
Management: Advanced Alternative Media, Inc., NYC, aka, Mark
Publishing: Guy With Head And Arms Music, 2004
Legal Representation: Sciorra, Laness, Averill, & Rubenstein, LLP
With great thanks and love for Phillip Mossman, Patrick Mahoney, Tyler Pope, and Nancy Whang and their families, and to Steve Revitte, Paul Epworth, and Jerry Fuchs
Thanks to: Mandy Coon, Tim Goldsworthy, Tim Sweeney, Marcus Lambkin and Shit Robot, James Hopkins, Stevie O.D., Adam H and the Ps, 41 Small Stars, The Rapture, Mark and Craig, David and Steph and all of Soulwax, Tom Windish and Cris Hearn, Simon Geh, Casiotone ftPA, Black Dice, Hot Chip, Richard McGuire and Liquid Liquid, The Juan, Gavin and Delia, Jonathan and the Galkins, NYC Andy, Justin Credible, Michael Vadino, Jen Santos Goldsworthy, Paul Mogg, Matze, Oschi, Conny and Peach, Keith Wozencroft, The Matts: D and E, The Kimsy, Cheap Faker and Mal, Laila, Sadia, Erol A, Rory, Lauren P, Becky and Renee (et all), Trevor Jackson and all at Output, Automato and Halo, Ben and all truckers, Rob Beetle and all Dungbeetle, Warren and Casey, Jules Vernhes, Bob and Steve Chicago, BFS, Michael and Maarten, Scott the Simon, V, Rub n' Tug, !!!, Outhud, Hunter and Lisa, Tyler B, Jeremy Walker, Samara L, Morgan Geist, Juice Stair, Eric B., George Kamen, Dalpha, Tommy and Mandy and all at The Grands, Max the Fucker, Michel G, Sarah and Marie Colette, Milk and Honey, Plant Bar--nial, Jen, Dom, Dave et all, Dave Zero and the Zeros, Peanut and All Texas Family, the gigantic extended Murphy family, Muy Importante, Optimo in all it's Glory, Le Tigre, Purple, Sam Shit and the Shits, Tom Vigliotta, Emmanuel de Buretel and Vincent Cm, Yui and Jet Set, Space Dog, Jessica Cohen, Rebecca Roses, DJ and Jon W, Andy Kipnes, Finey (he hates that), all at EMI, Girlie Action, AAM, Princeton Record Exchange, Charlie at Vinyl Mania, E. William Tucker (RIP), E.P., New York City, and the 2 cardinals winging above my head and around to the back of the house in Cape Cod, August 2001.
CD1 face (4 o'clock): CDP 7243 8 63945 2 1 (CDP 7243 8 63944 2 2)
CD2 face (4 o'clock): CDP 7243 8 63946 2 0 (CDP 7243 8 63944 2 2)
Assisted throughout by Eric Broucek, the Intrepid Traveller
All songs published by Les Souvenir (SESAC)
Under exclusive license to Capitol Records, Inc.
Manufactured by Capitol Records, Inc. Printed in U.S.A.
Management: Advanced Alternative Media, Inc., NYC, aka, Mark
Publishing: Guy With Head And Arms Music, 2004
Legal Representation: Sciorra, Laness, Averill, & Rubenstein, LLP
With great thanks and love for Phillip Mossman, Patrick Mahoney, Tyler Pope, and Nancy Whang and their families, and to Steve Revitte, Paul Epworth, and Jerry Fuchs
Thanks to: Mandy Coon, Tim Goldsworthy, Tim Sweeney, Marcus Lambkin and Shit Robot, James Hopkins, Stevie O.D., Adam H and the Ps, 41 Small Stars, The Rapture, Mark and Craig, David and Steph and all of Soulwax, Tom Windish and Cris Hearn, Simon Geh, Casiotone ftPA, Black Dice, Hot Chip, Richard McGuire and Liquid Liquid, The Juan, Gavin and Delia, Jonathan and the Galkins, NYC Andy, Justin Credible, Michael Vadino, Jen Santos Goldsworthy, Paul Mogg, Matze, Oschi, Conny and Peach, Keith Wozencroft, The Matts: D and E, The Kimsy, Cheap Faker and Mal, Laila, Sadia, Erol A, Rory, Lauren P, Becky and Renee (et all), Trevor Jackson and all at Output, Automato and Halo, Ben and all truckers, Rob Beetle and all Dungbeetle, Warren and Casey, Jules Vernhes, Bob and Steve Chicago, BFS, Michael and Maarten, Scott the Simon, V, Rub n' Tug, !!!, Outhud, Hunter and Lisa, Tyler B, Jeremy Walker, Samara L, Morgan Geist, Juice Stair, Eric B., George Kamen, Dalpha, Tommy and Mandy and all at The Grands, Max the Fucker, Michel G, Sarah and Marie Colette, Milk and Honey, Plant Bar--nial, Jen, Dom, Dave et all, Dave Zero and the Zeros, Peanut and All Texas Family, the gigantic extended Murphy family, Muy Importante, Optimo in all it's Glory, Le Tigre, Purple, Sam Shit and the Shits, Tom Vigliotta, Emmanuel de Buretel and Vincent Cm, Yui and Jet Set, Space Dog, Jessica Cohen, Rebecca Roses, DJ and Jon W, Andy Kipnes, Finey (he hates that), all at EMI, Girlie Action, AAM, Princeton Record Exchange, Charlie at Vinyl Mania, E. William Tucker (RIP), E.P., New York City, and the 2 cardinals winging above my head and around to the back of the house in Cape Cod, August 2001.
Barcode and Other Identifiers
- Barcode (Text): 0 9463-32307-2 9
- Barcode (Scanned): 094633230729
- Other (Disk 1 Catalog Number): CDP 7243 8 63945 2 1 (CDP 7243 8 63944 2 2)
- Other (Disk 2 Catalog Number): CDP 7243 8 63946 2 0 (CDP 7243 8 63944 2 2)
- Matrix / Runout (Disc 1 [Variant 1]): A 7301 724386394521 C50119-03 M1S5
- Matrix / Runout (Disc 1 [Variant 2]): A 7301 724386394521 C50119-03
- Matrix / Runout (Disc 2 [Variant 1]): A 7301 724386394620 F50119-03 M2S4
- Matrix / Runout (Disc 2 [Variant 2]): A 7301 724386394620 F50119-03
- Mastering SID Code (Disc 1): L385
- Mastering SID Code (Disc 2): L384
- Mould SID Code (Discs 1 & 2): IFPI 6100
Other Versions (5 of 31)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
LCD Soundsystem (2×LP, Album, White Label) | DFA | dfaemidj 2138 lp | UK | 2005 | ||
LCD Soundsystem (2×CD, Album, Copy Protected, Digipak) | EMI | dfaemi 2138cdi, 7243 5 63439 2 4 | Europe | 2005 | |||
Recently Edited
|
LCD Soundsystem (LP, Album, Stereo, Gatefold) | EMI | dfaemi 2138lp, DFAEMI2138LP | UK | 2005 | ||
LCD Soundsystem (2×CD, Album, Digipak) | Capitol Records | CDP 7243 8 63945 2 1, CDP 7243 8 63944 2 2 | US | 2005 | |||
LCD Soundsystem (LP, Album, Gatefold) | DFA | dfa 2138 | US | 2005 |
Recommendations
Reviews
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The change around 2003 in all the electronic scene to make everything sound "real" and "organic" had its peak in the James Murphy label/scene/band/productions/etc and quite a hype in this first LP. As the rest of the scene was doing, they replicated the dance/punk scene of Liquid Liquid/Gang of Four/Au Pairs/Delta 5/pick your band here and added just a bit more of ravey attitude in their use of samples, the retro synths and the repetition of phrases until fade. There is a huge nod to the electroclash scene in "Tribulations", probably the single I had to listen the most every weekend after this album was released [aclaration here of something that I came to realise was very local: in Spain the electroclash and dance punk scene hit very very hard, but it converged in a series of clubs where the djs ended up playing exactly the same hits in the same order weekend after weekend because if not people got bored instantly, and that lasted for around 10 years - it was the only way to listen to this music and you only could listen to these same hits, meanwhile it was festivals and live shows where you saw how good the scene could get] but most of the (double?) album is filled with those long dance developments, which at the time were defended awesomely in their live shows (way more restrained lately). And the weird Beatle-esque "Never as Tired as When I'm Waking up", which actually works.
It is just too good of a collection of tunes to let it , though the discourse of "this is too dancey/this is not electronic/ this is for the masses" still prevails. As a note, on NYD I was on a party where the dj dropped the Tiga remix of Tribulations and I found myself being the only one singing the lyrics (contrary to some other Madonna or Kylie edits) which makes me think that no, this was not as mainstream as it was accused to be.
Some more notes: there is a clear influence as well of The Fall (Losing my Edge being the clear example) which motivated Mark E. Smith to do something similar to this album when he gathered Mouse on Mars to make that other wonderful oddity called "Von Sudenfed". And Yr City's a Sucker is wonderful and mostly forgotten - when they played it at SNL many fans said "I have been a fan of LCD Soundsystem for ages and I never knew about that song" which brings me to my other thought that most of fans of anything only know that something very superficially and for the looks. Rant/review off. -
i can't believe after all this time we haven't gotten a complete vinyl release with the added singles
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So, is only the first volume on vinyl? I have looked at all the vinyl releases for this title and none has the second part. I can't imagine this album without Yeah, Losing my Edge, or Beat Connection. Any hints?
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