Pixies – Doolittle
Label: |
4AD – CAD 905 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
A1 | Debaser | |
A2 | Tame | |
A3 | Wave Of Mutilation | |
A4 | I Bleed | |
A5 | Here Comes Your Man | |
A6 | Dead | |
A7 | Monkey Gone To Heaven | |
B8 | Mr. Grieves | |
B9 | Crackity Jones | |
B10 | La La Love You | |
B11 | No. 13 Baby | |
B12 | There Goes My Gun | |
B13 | Hey | |
B14 | Silver | |
B15 | Gouge Away |
Companies, etc.
- Phonographic Copyright ℗ – 4AD
- Copyright © – 4AD
- Published By – Rice and Beans Music
- Recorded At – Downtown Recorders
- Mixed At – Carriage House Studios
- Designed At – v23
- Mastered At – Sterling Sound
- Pressed By – Record Technology Incorporated – 37729
Credits
- Art Direction, Design – Vaughan Oliver
- Bass – Kim Deal
- Drums – David Lovering*
- Engineer [Assistant] – Matt Lane
- Lead Guitar, Backing Vocals – Joey Santiago
- Management – Ken Goes
- Mastered By – RKS*
- Mixed By – Steve Haigler*
- Photography By – Simon Larbalestier
- Producer, Engineer – Gil Norton
- Vocals, Guitar – Black Francis
- Written-By – Kim Deal (tracks: B7)
Notes
Printed inner sleeve and double-sided lyric sheet.
Recorded at Downtown Recorders, Boston, M.A.
Mixed at Carriage House Studios, Stamford, C.T.
Mastered at Loud Mastering, Taunton, UK.
℗ & © 1989 4·A·D
Published by Rice 'n' Beans Music BMI.
Made in England
Back cover states "Managed by Ken Goes", but the inner sleeve has "Management: Richard Jones at Key Music Management Ltd. Thanks to Ken Goes"
Track order runs in a sequential manner on labels and back cover.
Track B11 titled "No. 13 Baby" on label.
This version has copper colored labels with black print.
Recorded at Downtown Recorders, Boston, M.A.
Mixed at Carriage House Studios, Stamford, C.T.
Mastered at Loud Mastering, Taunton, UK.
℗ & © 1989 4·A·D
Published by Rice 'n' Beans Music BMI.
Made in England
Back cover states "Managed by Ken Goes", but the inner sleeve has "Management: Richard Jones at Key Music Management Ltd. Thanks to Ken Goes"
Track order runs in a sequential manner on labels and back cover.
Track B11 titled "No. 13 Baby" on label.
This version has copper colored labels with black print.
Barcode and Other Identifiers
- Barcode (Text): 6 52637 09051 2
- Barcode (Scanned): 652637090512
- Matrix / Runout (Side A Etched): CAD 905-A RKS
- Matrix / Runout (Side A Etched, Inverted): 3̶7̶7̶3̶ 37729.1
- Matrix / Runout (Side B Etched): CAD 905-☒B RKS
- Matrix / Runout (Side B Etched, Inverted): 37729.2
- Matrix / Runout (Sides A/B Stamped): STERLING
- Rights Society: BMI
Other Versions (5 of 167)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Doolittle (Cassette, Album) | 4AD | CAD C 905 | UK | 1989 | ||
Doolittle (LP, Album) | 4AD | CAD 905 | UK | 1989 | |||
Recently Edited
|
Doolittle (CD, Album) | Megadisc | RTD CD 106, CAD 905 CD, CD1 - 288 | 1989 | |||
Recently Edited
|
Doolittle (CD, Album) | 4AD | 869512 | 1989 | |||
Recently Edited
|
Doolittle (CD, Album) | 4AD | 30697 | 1989 |
Recommendations
Reviews
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Absolute killer pressing both in of quality of pressing and the mastering done by Ryan Smith! What a gem of a reissue.
Dynamic range is amazing and the soundstage is massive. The EQ is superb as well, everything sounds balanced. Usually when I buy reissues of late 80s/90s records, the flat mastering always makes me go seek out an analog reissue or original pressing. Happy to say this reissue is not one of them.
Excellent quality artwork and cover reproduction as well. -
Brilliant - cuts like razors. I wonder how the original US DMM sounds, but this would be difficult to improve on, and every copy was probably cut digitally by this point I'm guessing.
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Just want to comment that this is an absolutely fantastic pressing. Heavyweight sleeve and vinyl, incredible mastering, and the vinyl is dead silent after a quick clean (it came fairly dirty).
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