Tracklist
| 1 | Hooch | 2:50 | |
| 2 | Night Goat | 4:41 | |
| 3 | Lizzy | 4:44 | |
| 4 | Going Blind | 4:32 | |
| 5 | Honey Bucket | 3:01 | |
| 6 | Hag Me | 7:06 | |
| 7 | Set Me Straight | 2:25 | |
| 8 | Sky Pup | 3:50 | |
| 9 | Joan Of Arc | 3:36 | |
| 10 | Teet | 2:51 | |
| 11 | Copache | 2:07 | |
| 12 | Pearl Bomb | 2:45 | |
| 13 | Spread Eagle Beagle | 10:13 |
Companies, etc.
- Record Company – Time Warner
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – Atlantic Recording Corporation
- Copyright © – WEA International Inc.
- Copyright © – WB Music Corp.
- Copyright © – Green Lantern Music
- Copyright © – Prison Bride Music
- Published By – WB Music Corp.
- Published By – Green Lantern Music
- Published By – Prison Bride Music
- Recorded At – Brilliant Studios
- Recorded At – Razor's Edge Recording
- Recorded At – Laundry Room Studio
- Mixed At – Prairie Sun Recording Studios
- Mixed At – Razor's Edge Recording
- Mixed At – Hyde Street Studios
- Mastered At – Precision Mastering
- Pressed By – Specialty Records Corporation
- Made By – WEA Manufacturing Inc.
Credits
- A&R – Al Smith (16)
- Art Direction, Design – Valerie Wagner
- Art Direction, Illustration – Frank Kozik
- Bass – Lori Black
- Booking – Peter Davis (14)
- Drums – Dale Crover
- Engineer – Lou Oribin (tracks: 8, 12)
- Engineer [Second] – Wolf Kessler (tracks: 3 to 6, 9, 10, 13)
- Guitar, Vocals – King Buzzo
- Legal [Legal Beagles] – Jeff Saltzman (4)
- Management – David Lefkowitz Management
- Management [Assistant] – Stephanie Wells (2)
- Mastered By – Stephen Marcussen
- Mixed By – Melvins (tracks: 1 to 7, 9 to 11, 13)
- Mixed By [Second Engineer] – Tom Doty (tracks: 1, 7)
- Photography By [Band Photo] – Don Lewis (4)
- Producer – Melvins
- Recorded By – Melvins (tracks: 11)
Notes
Comes with Yellow CD Tray
Tracks 1, 3 to 7, 9, 10, 13 recorded at Brilliant Studios, San Francisco, CA. Mixed at Prairie Sun, Cotati, CA.
Tracks 2, 8, 12 recorded and mixed at Razor's Edge, San Francisco, CA.
Track 11 recorded and mixed at Laundry Room, Seattle, WA.
Catalog# 7 82532-2 appears on spine of case. Catalog# 82532-2 appears in liner notes and on CD itself.
Note on Matrix/Runout variant 4: M1S2 is only partially visible, and may even be M1S3.
Tracks 1, 3 to 7, 9, 10, 13 recorded at Brilliant Studios, San Francisco, CA. Mixed at Prairie Sun, Cotati, CA.
Tracks 2, 8, 12 recorded and mixed at Razor's Edge, San Francisco, CA.
Track 11 recorded and mixed at Laundry Room, Seattle, WA.
Catalog# 7 82532-2 appears on spine of case. Catalog# 82532-2 appears in liner notes and on CD itself.
Note on Matrix/Runout variant 4: M1S2 is only partially visible, and may even be M1S3.
Barcode and Other Identifiers
- Barcode: 0 7567-82532-2 5
- Rights Society: ASCAP
- Matrix / Runout (Variant 1): 3 82532-2 SRC**01
- Matrix / Runout (Variant 2): 3 82532-2 SRC**02 M1S2
- Matrix / Runout (Variant 3): 3 82532-2 SRC**02 M1S3
- Matrix / Runout (Variant 4, M1S2 partially visible): 3 82532-2 SRC##01 M1S2
- Matrix / Runout (Variant 5): 3 82532-2 SRC**02 M1S1
- Matrix / Runout (Variant 6): 3 82532-2 SRC##01 M1S1
Other Versions (5 of 46)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Houdini (LP, Album, Gatefold) | Amphetamine Reptile Records | AMREP 532-1 | US | 1993 | |||
|
Recently Edited
|
Houdini (LP, Album, Gatefold) | Atlantic | 7567-82532-1 | 1993 | |||
|
New Submission
|
Houdini (Cassette, Album, Yellow) | Atlantic | 82532-4 | US | 1993 | ||
|
Recently Edited
|
Houdini (CD, Album) | Atlantic | 756782532-2 | Australia | 1993 | ||
| Houdini (CD, Album, Club Edition) | Atlantic | 7 82532-2 | US | 1993 |
Recommendations
Reviews
-
Killer sound quality!
Bass is unreal on my Dunlavy’s!
Seems better than the OG from memory only... -
Imagine yourself in a cruddy record store in a dirty city in 1993. It could be Tacoma, it could be Cleveland, it could be Tempe. There's posters promoting "Nevermind" and Alice in Chains and "Beavis and Butthead" is just starting to perfectly capture the mind-numbing apathy of the western teen's condition.
Now, what's playing in the background? "Houdini", of course. This album is the audible cherry to top off this memory cake. The band was heavy as hell and didn't care about anything. The unexpected percussive asides, disturbing subject matter, and incredibly low-tuned bass garnered a niche following that has grown into a fevered cult today. Turn off your brain and let this one smack you around for an hour.
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
6 copies from $7.30