David BowieToy

Label:

Parlophone – LPTOYBOX 1

Format:

2 x Vinyl , LP, 10", Album, Reissue, Stereo
2 x Vinyl , LP, 10", Stereo
2 x Vinyl , LP, 10", Stereo
Box Set , Special Edition

Country:

Worldwide

Released:

Genre:

Rock

Style:

Tracklist

Toy
A1 I Dig Everything
Acoustic Guitar, Electric GuitarMark Plati
Backing VocalsHolly Palmer
Bass, Backing VocalsGail Ann Dorsey
Drums, Handclaps [Claps]Sterling Campbell
Lead Vocals, Backing Vocals, Handclaps [Claps]David Bowie
Piano, OrganMike Garson
Violin, Recorder, Backing VocalsLisa Germano
5:01
A2 You've Got A Habit Of Leaving
Acoustic Guitar, Electric GuitarMark Plati
Backing VocalsEmm Gryner
Backing Vocals, PercussionHolly Palmer
BassGail Ann Dorsey
DrumsSterling Campbell
Lead Vocals, Backing VocalsDavid Bowie
Piano, KeyboardsMike Garson
Violin, Backing VocalsLisa Germano
4:43
A3 The London Boys
Bass, Acoustic GuitarMark Plati
ClarinetGail Ann Dorsey
DrumsSterling Campbell
Electric GuitarEarl Slick
Lead VocalsDavid Bowie
OrganMike Garson
TrumpetCuong Vu
ViolinLisa Germano
3:45
B1 Karma Man
12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar], Mellotron, Backing VocalsMark Plati
Acoustic Guitar, Electric GuitarEarl Slick
Backing VocalsLisa Germano
Backing Vocals, PercussionHolly Palmer
BassGail Ann Dorsey
DrumsSterling Campbell
Harpsichord, Synthesizer [Synth Strings]Mike Garson
Lead Vocals, Backing VocalsDavid Bowie
TrumpetCuong Vu
3:43
B2 Conversation Piece
12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar]Mark Plati
Accordion, Mandolin, Backing VocalsLisa Germano
Arranged By [String Arrangement]Tony Visconti
Backing VocalsHolly Palmer
BassGail Ann Dorsey
DrumsSterling Campbell
Electric GuitarEarl Slick
Lead Vocals, Backing VocalsDavid Bowie
PianoMike Garson
3:51
B3 Shadow Man
Acoustic GuitarMark Plati
BassGail Ann Dorsey
Electric GuitarGerry Leonard
Lead VocalsDavid Bowie
PianoMike Garson
TrumpetCuong Vu
ViolinLisa Germano
4:37
C1 Let Me Sleep Beside You
12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar]Mark Plati
Acoustic Guitar, Electric GuitarEarl Slick
Backing VocalsHolly Palmer
BassGail Ann Dorsey
DrumsSterling Campbell
Electric Piano [Fender Rhodes]Mike Garson
Lead Vocals, Backing VocalsDavid Bowie
ViolinLisa Germano
3:12
C2 Hole In The Ground
Accordion, RecorderLisa Germano
Acoustic Guitar, Electric GuitarEarl Slick
Acoustic Guitar, Slide Guitar, Handclaps [Claps]Mark Plati
BassGail Ann Dorsey
Drums, Handclaps [Claps]Sterling Campbell
Lead Vocals, Backing Vocals, Keyboards, Tambourine, Handclaps [Claps]David Bowie
3:29
C3 Baby Loves That Way
12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar]Mark Plati
Acoustic Guitar, Electric GuitarEarl Slick
Backing VocalsHolly Palmer
BassGail Ann Dorsey
DrumsSterling Campbell
Lead Vocals, Backing VocalsDavid Bowie
PianoMike Garson
Violin, Accordion, Recorder, Backing VocalsLisa Germano
4:35
D1 Can't Help Thinking About Me
12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar]Mark Plati
Acoustic Guitar, Electric GuitarEarl Slick
Backing VocalsHolly Palmer
BassGail Ann Dorsey
DrumsSterling Campbell
Electric GuitarGerry Leonard
Lead Vocals, Backing VocalsDavid Bowie
PianoMike Garson
3:23
D2 Silly Boy Blue
Acoustic GuitarMark Plati
Arranged By [String Arrangement]Tony Visconti
Backing VocalsEmm Gryner
Backing Vocals, Finger CymbalsHolly Palmer
BassGail Ann Dorsey
DrumsSterling Campbell
Electric GuitarEarl Slick
Lead Vocals, Backing Vocals, KeyboardsDavid Bowie
PianoMike Garson
Violin [Violin Drone], RecorderLisa Germano
5:32
D3 Toy (Your Turn To Drive)
Acoustic Guitar, Electric GuitarMark Plati
Backing VocalsHolly Palmer
BassGail Ann Dorsey
DrumsSterling Campbell
Electric GuitarEarl Slick
Lead Vocals, Backing Vocals, StylophoneDavid Bowie
PianoMike Garson
TrumpetCuong Vu
ViolinLisa Germano
4:11
Toy - Alternatives & Extras
E1 Liza Jane
Backing VocalsHolly Palmer
BassGail Ann Dorsey
DrumsSterling Campbell
Electric GuitarMark Plati
Lead Vocals, Stylophone, Acoustic GuitarDavid Bowie
SynthesizerMike Garson
TrumpetCuong Vu
ViolinLisa Germano
4:45
E2 You've Got A Habit Of Leaving 4:47
E3 Baby Loves That Way 4:39
F1 Can't Help Thinking About Me 3:24
F2 I Dig Everything 5:03
F3 The London Boys
Acoustic Guitar, Electric GuitarMark Plati
Bass, Arranged By [String Arrngement]Tony Visconti
DrumsSterling Campbell
Lead Vocals, Synthesizer [Korg Triton]David Bowie
OrganMike Garson
StringsThe Scorchio Quartet
3:47
G1 Silly Boy Blue (Tibet Version)
BassTony Visconti
DrumsSterling Campbell
Electric GuitarMoby
Lead VocalsDavid Bowie
PianoPhilip Glass
StringsThe Scorchio Quartet
5:07
G2 Let Me Sleep Beside You 3:13
G3 In The Heat Of The Morning
12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar]Mark Plati
Acoustic Guitar, Electric GuitarEarl Slick
BassGail Ann Dorsey
DrumsSterling Campbell
Lead Vocals, Backing Vocals, Harmonica, Electric GuitarDavid Bowie
OrganMike Garson
TrumpetCuong Vu
3:49
G4 Conversation Piece 3:52
H1 Hole In The Ground 3:52
H2 Shadow Man 4:47
H3 Toy (Your Turn To Drive) 4:50
Toy - Unplugged & Somewhat Slightly Electric
I1 In The Heat Of The Morning 3:48
I2 I Dig Everything 4:55
I3 You've Got A Habit Of Leaving 3:44
J1 The London Boys 3:42
J2 Karma Man 3:41
J3 Conversation Piece 3:48
K1 Shadow Man 4:15
K2 Let Me Sleep Beside You 3:02
K3 Hole In The Ground 3:14
K4 Baby Loves That Way 4:31
L1 Can't Help Thinking About Me 3:25
L2 Silly Boy Blue 5:23
L3 Toy (Your Turn To Drive) 3:48

Companies, etc.

  • Record CompanyWarner Music Group
  • Record CompanySony Music Entertainment
  • Licensed ToParlophone Records Ltd.
  • Licensed ToSony Music Entertainment
  • Licensed FromSony Music Commercial Music Group
  • Produced ForWarner Music
  • Produced ForRZO Music
  • Phonographic Copyright ℗Jones/Tintoretto Entertainment Co., LLC
  • Phonographic Copyright ℗ISO Records
  • Copyright ©Jones/Tintoretto Entertainment Co., LLC
  • Copyright ©Parlophone Records Ltd.
  • Copyright ©Frank Ockenfels 3
  • Pressed ByOptimal Media GmbH – BL34970
  • Pressed ByOptimal Media GmbH – BL38890
  • Pressed ByOptimal Media GmbH – BL42007
  • Published ByEmbassy Music Corp.
  • Published BySparta Florida Music Group Ltd.
  • Published ByEMI Unart Catac.
  • Published ByEMI United Partnership Ltd.
  • Published ByJones Music America
  • Published ByARZO Publishing
  • Published ByColgems-EMI Music Inc.
  • Published ByEMI Music Publishing Ltd.
  • Published ByRZO Music Ltd.
  • Published ByCarbert Music, Inc.
  • Published ByCarlin Music Corp.
  • Published ByEssex Music International, Inc.
  • Published ByWestminster Music Ltd.
  • Published ByTintoretto Music
  • Published ByRZO Music, Inc.
  • Published ByScreen Gems-EMI Music Inc.
  • Published ByOnward Music Ltd.
  • Published ByHollis Music, Inc.
  • Published ByNipple Music
  • Published ByUniversal/Dick James Music Ltd
  • Recorded AtSear Sound
  • Recorded AtThe Looking Glass Studios
  • Recorded AtAlice's Restaurant
  • Engineered AtAlice's Restaurant
  • Mixed AtThe Looking Glass Studios
  • Mixed AtAlice's Restaurant
  • Mastered AtAir Mastering
  • Designed AtGas Associates

Credits

  • Composed ByLeslie Conn (tracks: E1)
  • Concept By, Cover, Graphics [Band Graphics]DB*
  • DesignScott Minshall
  • Engineer [Assisted By]Todd Parker (2) (tracks: E1 to H3)
  • Engineer [Engineered By]Pete Keppler*
  • Mastered ByJohn Webber
  • Mastered By [With]Mark Plati
  • Mixed ByTony Visconti (tracks: E2 to G2, G4 to H3)
  • Mixed By [Assisted By]Todd Parker (2) (tracks: A1 to D3, I1 to L3)
  • Photography By [Inner Photography By]Frank Ockenfels 3*
  • Producer [Additional Production By]Tony Visconti (tracks: F3)
  • Producer [Produced By]Tony Visconti (tracks: G1)
  • Producer [Project Produced For Release In 2021 By]Nigel Reeve
  • Written-ByLeslie Conn (tracks: E1)

Notes

Issued in a thick cardboard box, containing six 10" records, two LPs each housed in individual sleeves.
Cat # for the three LP sets are found on the rears and spines of each set.
16-page booklet.
A1 to D3 First issued as disc 8 of Brilliant Adventure [1992-2001].

Runouts on side A to L are etched. In runouts, all Optimal plating symbols may be mirrored and inverted, e.g. "△1" in the runout field appears as "△↾" in the deadwax.

℗ 2021
© 2021
Made in

Barcode and Other Identifiers

  • Barcode (Text): 0 190296 773259
  • Barcode (Scanned UPC-A): 190296773259
  • Rights Society: GEMA/MS
  • Rights Society: BMI
  • Rights Society: ASCAP
  • Other (Cat # set 1): 0190296773259 - 1
  • Other (Cat # set 2): 0190296773259 - 2
  • Other (Cat # set 3): 0190296773259 - 3
  • Matrix / Runout (Label A): ISOL 2001A
  • Matrix / Runout (Label B): ISOL 2001B
  • Matrix / Runout (Label C): ISOL 2001C
  • Matrix / Runout (Label D): ISOL 2001D
  • Matrix / Runout (Label E): ISOL 2001E
  • Matrix / Runout (Label F): ISOL 2001F
  • Matrix / Runout (Label G): ISOL 2001G
  • Matrix / Runout (Label H): ISOL 2001H
  • Matrix / Runout (Label I): ISOL 2001I
  • Matrix / Runout (Label J): ISOL 2001J
  • Matrix / Runout (Label K): ISOL 2001K
  • Matrix / Runout (Label L): ISOL 2001L
  • Matrix / Runout (Runout side A - variant 1): BL34970-01 A1 0190296773259 VΛ
  • Matrix / Runout (Runout side B - variant 1): BL34970-01 B1 0190296773259 VΛ
  • Matrix / Runout (Runout side C - variant 1): BL34970-02 C1 0190296773259 1|
  • Matrix / Runout (Runout side D - variant 1): BL34970-02 D1 V= 0190296773259
  • Matrix / Runout (Runout side E - variant 1): BL34970-03 E1 0190296773259
  • Matrix / Runout (Runout side F - variant 1): BL38890-01 F1 1= 0190296773259
  • Matrix / Runout (Runout side G - variant 1): BL38890-01 G1 0190296773259 1+
  • Matrix / Runout (Runout side H - variant 1): BL34970-04 H1 0190296773259 ΛΛ
  • Matrix / Runout (Runout side I - variant 1): BL34970-05 I2 0190296773259 ΛΛ
  • Matrix / Runout (Runout side J - variant 1): BL34970-05 J1 0190296773259 ΛΛ
  • Matrix / Runout (Runout side K - variant 1): BL42007-01 K1 0190296773259 1x
  • Matrix / Runout (Runout side L - variant 1): BL34970-06 L1 0190296773259 1x
  • Matrix / Runout (Runout side A - variant 2): BL34970-01 A1 0190296773259 |1
  • Matrix / Runout (Runout side B - variant 2): BL34970-01 B1 0190296773259 |1
  • Matrix / Runout (Runout side C - variant 2): BL34970-02 C1 0190296773259 x1
  • Matrix / Runout (Runout side D - variant 2): BL34970-02 D1 0190296773259 =|1
  • Matrix / Runout (Runout side E - variant 2): BL34970-03 E1 0190296773259
  • Matrix / Runout (Runout side F - variant 2): BL38890-01 F1 T1 0190296773259
  • Matrix / Runout (Runout side G - variant 2): BL38890-01 G1 0190296773259 =1
  • Matrix / Runout (Runout side H - variant 2): BL34970-04 H1 0190296773259 =1
  • Matrix / Runout (Runout side I - variant 2): BL34970-05 I2 0190296773259 T1
  • Matrix / Runout (Runout side J - variant 2): BL34970-05 J1 1T 0190296773259
  • Matrix / Runout (Runout side K - variant 2): BL42007-01 K1 Δ1 0190296773259
  • Matrix / Runout (Runout side L - variant 2): BL34970-06 L1 Λ1 0190296773259
  • Matrix / Runout (Runout side A - variant 3): BL34970-01 A1 II 0190296773259
  • Matrix / Runout (Runout side B - variant 3): BL34970-01 B1 0190296773259 =I↾
  • Matrix / Runout (Runout side C - variant 3): BL34970-02 C1 0190296773259 =IΛ
  • Matrix / Runout (Runout side D - variant 3): BL34970-02 D1 ⇃IX 0190296773259
  • Matrix / Runout (Runout side E - variant 3): BL34970-03 E1 V↾ 0190296773259
  • Matrix / Runout (Runout side F - variant 3): BL38890-01 F1 V↾ 0190296773259
  • Matrix / Runout (Runout side G - variant 3): BL38890-01 G1 0190296773259 ⇃I=
  • Matrix / Runout (Runout side H - variant 3): BL34970-04 H1 =IΛ 0190296773259
  • Matrix / Runout (Runout side I - variant 3): BL34970-05 I2 0190296773259 TS
  • Matrix / Runout (Runout side J - variant 3): BL34970-05 J1 0190296773259
  • Matrix / Runout (Runout side K - variant 3): BL42007-01 K1 ΔΛ 0190296773259
  • Matrix / Runout (Runout side L - variant 3): BL34970-06 L1 Λ1 0190296773259

Other Versions (5 of 28)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Toy (The Lost Album) (CD, Unofficial Release) The Godfatherecords G.R. 649 2011
Toy (LP, Unofficial Release) Columbia (2) COL 502001 1, 502001 1, 502001100 Europe 2011
New Submission
Toy (LP, Album, Numbered, Special Edition, Unofficial Release, Stereo, Green Translucent) ISO Records (2) COL 502001 1 2011
New Submission
Toy (CDr, Limited Edition, Unofficial Release) Not On Label (David Bowie) none UK 2011
New Submission
Toy - Unreleased Album (CD, Album, Unofficial Release) Ashes Spread Records ASR-01 UK 2011

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Reviews

  • Karmageddon's avatar
    Karmageddon
    I am absolutely in heaven!

    I just picked up a still-sealed copy at a local store for $45 CAD on clearance!

    This has been on my wantlist, being a Bowie collector and all, but at the time I couldn’t justify the price.

    Getting it home, I was a bit worried that maybe a record or two would be scratched, based on a ton of issues I’ve had with Warner and Rhino lately (including the last Bowie boxset!) but luckily all albums are pretty much perfect, save for a couple of hairlines caused by a sleeve scuff (probably in travel)

    So far, all records are flat, silent and not defective.

    Sound is warm, crisp and open even with 3-4 songs crammed on each side.

    Yes it’s a weird way to listen to the album, but for the sake of a “conversation piece” about his older material (of which I adore!) this will make any Bowie fanatic and/or collector very happy.

    Despite the minimal presentation in the box (a recording summary or essay should have been included at least!) it is well built, sturdy and well designed and packaged.

    If you can find for less than $100, grab it while you can before prices shoot through the roof.
    • CriticalMaasCollect's avatar
      The pressing quality on this is uneven at best. Disc 2 had to be cleaned several times, because of sticky residue in the grooves, plus multiple scratches that indicate poor quality control at either the pressing or packaging stage.
      • Buzzdim's avatar
        Buzzdim
        Edited 2 years ago
        I love this. These reworkings are top drawer. But I suppose when you look at the band Inc Garson, Plati, Dorsey & Slick - we shouldn't be surprised. The box build and presentation is a high standard too.
        • Rashers70's avatar
          Rashers70
          Fantastic album showing his great late 90’s band in rip roaring form:
          Disc one highlights London Boys, Conversation Piece, Shadow Man and the E-Street Band-ish You’ve Got a Habit of Leaving Me are worth it alone.
          Disc two has some fascinating variations via Tony Visconti mixes, disc three has stripped back acoustic versions.
          Overall, a wonderful, lively set of songs from a band and singer at their peak!
          • astralplane's avatar
            astralplane
            Edited 3 years ago
            It appears as somehow absurd to me, that hardly anybody seem to know that nearly all of the titles on this album (only 3 of them were never heard before) were re-interpretations of songs that David Bowie wrote and recorded during the mid sixties, being 19 or 20 years old. The original songs are nicely collected on a 2-LP entitled "Images 1966-67" (on Deram Records, 1973) and include the following 21 recordings:

            * All twelve tracks from the stereo edition of the US 1967 Deram album "David Bowie"
            * The two tracks from the stereo UK 1967 Deram album that were omitted from the US release
            * The three outtakes from this period, as first released in 1970 on the stereo edition of The World of David Bowie (two titles are therefore 'electronically reprocessed to simulate stereo")
            * The unique titles released on 45s during 1966/67.

            I am not the first one here giving careful advice to listen to the original songs... instead to these far inferior re-recordings of old material. Not releasing "Toy" was a very wise decision way back in 2000. Releasing "Toy" in 2022 means money making, and the packaging of that various editions I would name "rip off". I am listening to David Bowie's music since 1977, but as an artist he never recovered from his extremely weak and disappointing 80's period, - risen to great heights again with (Blackstar) as his swansong - and IMHO "Toy" is just another proof of that. Additionally, the recent release shows the worst cover artwork ever given to a David Bowie album.
            • Choose-A-name's avatar
              Choose-A-name
              As a Bowie fan since the 70's, of course I also knew the songs from the 60's. Even back then, I found the original versions of many of the songs "naive" in a certain way, but beautifully playful and Bowie's distinctive voice was formative even then. No one could have predicted that he would later go through so many changes. Toy, in particular this box set, I've listened to several times now. No wonder that the record company rejected the album even then, because "covering" one's own songs (which has become fashionable in recent times) is not a bad idea per se, because these songs led a kind of shameful existence for decades, which only hardcore Bowie fans knew. However, Bowie was unable to credibly interpret the playfulness and naivety of the songs with the "resurrection" of his song selection for Toy. He was just too mellow for that and had way too many other side projects going on. The fact that after his unfortunately much too early death (we all miss him painfully) the scavengers are never far away can be seen from the numerous new and re-releases (see also the completely overpriced "Hunky Dory" picture disc), and always fitting to the anniversary of his death / birthday. That's not necessarily reprehensible either, but it has a stale aftertaste, especially since the Toy Box Vinyl is completely overpriced. In addition to creating a legend for an unnecessary album, because the originals are simply far more authentic, they make big money and many of his countless fans in this circus. And because of that, they willingly give the music bosses the power to cannibalize every little scrap that may have come into with Bowie. By the way, the box set is now available from jpc.de for €130.00. I can only recommend everyone to listen to the old originals, which appeared a few years ago, known as the debut album "David Bowie", as mono and stereo deluxe on CD and vinyl, by the way in excellent sound quality.
              • Stink-Foot's avatar
                Stink-Foot
                Great box set with great album art and great songs.
                What's not to like?
                • vinyljunkie1966's avatar
                  vinyljunkie1966
                  Edited 3 years ago
                  This is a fantastic album and VERY vintage sounding Bowie for 2001 when this was supposed to be released. I have no idea why Virgin rejected this as the music is incredible and some of Bowie’s best late career work. If the reason was only because of the cover art that would be so foolish. Yeah, it’s a bit off putting and I would have chosen the booklet cover photo of him instead but that’s Bowie’s design and that’s what HE wanted so who is anyone to tell him otherwise? The 10” vinyl plays immaculately with zero surface noise whatsoever and the mastering is dynamic. I’m not really a huge fan of the 10” format and I do wonder if this set could have just been a 4LP 12” set instead of 6LP 10” set. The 4 extra tracks would have fit great with the original album on 2LPs and the unplugged tracks also on 2LPs. The remix tracks are not that different from the album versions. I have the CD and the double 12” three sided set from the “Brilliant Adventure” box so for convenience I might play those other versions to hear this album more often as it really that good! Better late than never to have “new” Bowie to listen to.

                  ***update! Just noticed that my #3 disc is actually cracked and broken vinyl that goes well into track 2 on both sides. I HAVE A BROKEN TOY! Replacement ordered. Check your discs!
                  • PedroTS's avatar
                    PedroTS
                    Superb pressing and sound quality. Very clever and creative boxing of this work of art - would have made Bowie proud. Fantastic music allround. A must for Bowie fans.
                    • tomionvinyl's avatar
                      tomionvinyl
                      It’s a beautifully made set, and I actually like the cover as it’s a testament to Bowie’s great sense of humour. The content doesn’t warrant six 10” records indeed, but I guess that just makes this release as much of an oddball as the album itself is. Great stuff and the records sound great, too – didn’t experience any problems.

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