Bomb The Bass – Beat Dis
Label: |
Mister-Ron Records – D00D 121 |
|---|---|
Format: |
Vinyl
, 12", 33 ⅓ RPM, Single
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Breaks |
Tracklist
| A | Beat Dis [Extended Dis] | 6:02 | |
| B1 | Beat Dis [Radio Edit] | 3:50 | |
| B2 | Bonus Beats | 5:09 |
Companies, etc.
- Phonographic Copyright ℗ – Mister-Ron Records
- Copyright © – Mister-Ron Records
- Recorded At – Lunarville 7
- Published By – Copyright Control
- Marketed By – Rhythm King Records
- Licensed To – Rhythm King Records
- Licensed Through – Mute Records Ltd.
- Pressed By – P.R. Records Limited
- Record Company – The Voice Of The Underground
Credits
- Bass [Bassline] – Emilio Pasquez
- Design [Thanx To... For Bomb Pattern] – Artful Dodger (4)
- Design [Uncredited] – Barnsley
- Drum Programming [Bomb Pattern] – DJ Kid 33
- Plated By – PAG
- Producer [Produced by] – Tim Simenon
- Programmed By [Bomb Pattern] – DJ Kid 33
- Recorded By – The Planet Control
- Written By – E. Pasquez/C. Black/K.33
- Written-By – E. Pasquez*
Notes
Catalog number on back sleeve, labels: D00D 121
Catalog number on spine: DOOD 121
B1 is not listed on the back cover, only on the centre label.
[On label:]
Mister-Ron Records
"The names have been changed to protect the innocent"
114 BPM
℗ © 1987
Recorded at Lunarville 7
Copyright Control
Licensed to Rhythm King Records in association with Mute Records Ltd.
[On back sleeve:]
Made in England
The Voice Of The Underground
Mister-Ron Records: Marketed thru Rhythm King Records
Rhythm King Records in association with Mute Records
Produced by Tim Simenon and Emilio Pasquez (stated in different order to database linked credits)
Catalog number on spine: DOOD 121
B1 is not listed on the back cover, only on the centre label.
[On label:]
Mister-Ron Records
"The names have been changed to protect the innocent"
114 BPM
℗ © 1987
Recorded at Lunarville 7
Copyright Control
Licensed to Rhythm King Records in association with Mute Records Ltd.
[On back sleeve:]
Made in England
The Voice Of The Underground
Mister-Ron Records: Marketed thru Rhythm King Records
Rhythm King Records in association with Mute Records
Produced by Tim Simenon and Emilio Pasquez (stated in different order to database linked credits)
Barcode and Other Identifiers
- Barcode (Text): 5 016026 201012
- Barcode (Scanned): 5016026201012
- Matrix / Runout (Side A, variant 1, '121' below '001'): DOOD - 121 0̶0̶1 A1 PAG
- Matrix / Runout (Side B, variant 1, '121' below '12001'): DOOD - 121 1̶2̶0̶0̶1 B1 PAG
- Matrix / Runout (Side A, variant 2): D00D - 1210̶0̶1A1 PAG 0
- Matrix / Runout (Side B, variant 2, '121' below '1212001'): D00D1211̶2̶1̶2̶0̶0̶1 B1 PAG X
Other Versions (5 of 53)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Beat Dis (7", 45 RPM, Single) | BCM Records | B.C. 7-2093-41 | , Austria, & Switzerland | 1988 | ||
| Beat Dis (12") | Mister-Ron Records | DOOD 12 001 | UK | 1988 | |||
|
Recently Edited
|
Beat Dis (12", 33 ⅓ RPM) | Torso | TORSO 12057 | Netherlands | 1988 | ||
|
Recently Edited
|
Beat Dis (CD, Maxi-Single) | BCM Records | B.C. 50-2093-44 | Europe | 1988 | ||
|
Recently Edited
|
Beat Dis (12", 33 ⅓ RPM) | 4th & Broadway | BWAY 462 | US | 1988 |
Recommendations
Reviews
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Edited 3 months agoSuch a fantastic record. Acid House was such an extremely creative era, although it has somewhat dated. Production standards on this track are excellent, and the pressing is loud and detailed. Tim Simenon and Emilio Pasquez remain geniuses in their own right. -
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The 7" hit version of this can not be found on any CD as 'The Good, The Bad And The Ugly' sample was removed. -
Edited 3 years agoDespite what others have said here this still sounds amazing to me. Heard it for the first time in years this morning and it still bangs hard. For me this is a record that would have only been made in London. A true reflection of the scene then. Definitely wouldn't put it in the house category though.
Also was number 2 in the UK pop charts f0r 3 weeks and was kept off the top by....Kylie Minogue. Life can be so unfair. -
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One of the most famous records full of samples. Tim Simenon almost created a new genre with this record back in 1987.
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Edited 5 years agoThe only decent track on here is the Bonus Beats track. As it's pretty good for chopping with other records and for linking non four to the floor tracks with house rhythm beats. The beats are pretty raw as well. The other versions are inundated with cheesy ass crappy vocal samples taken from various sources and that awful tacky live vocal aswell. The main mixes are not very playable in my opinion and haven't really stood the test of time. Very tacky even for back then.
The Bonus Beats can be played alongside the more underground forms of freestyle, electro and rougher house tunes of that era. Definitely freestyle, pushing into the more commercial end of electro, maybe, if freestyle as a style never actually existed or had a name. Definitely NOT house. Definitely NOT acid house either. -
Edited 10 years agoOne more sample for the trainspotters is the opening one: "The names have been changed to protect the innocent" - lifted from the opening credits to the US TV show "Dragnet" from the 1950s. So now you now people :-)
Release
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