Bob Dylan – Blonde On Blonde
Label: |
Sony Music Commercial Music Group – 88697948091 |
|---|---|
Series: |
Gain 2™ Ultra Analog 45RPM 180g Series |
Format: |
Box Set
, Limited Edition, Numbered
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Folk Rock |
Tracklist
| A1 | Rainy Day Women #12 & 35 | 4:35 | |
| A2 | Pledging My Time | 3:55 | |
| B1 | Visions Of Johanna | 7:30 | |
| B2 | One Of Us Must Know (Sooner Or Later) | 4:57 | |
| C1 | I Want You | 3:10 | |
| C2 | Stuck Inside Of Mobile With The Memphis Blues Again | 7:07 | |
| C3 | Leopard-Skin Pill-Box Hat | 3:50 | |
| D1 | Just Like A Woman | 4:52 | |
| D2 | Most Likely You Go Your Way And I'll Go Mine | 3:30 | |
| D3 | Temporary Like Achilles | 5:07 | |
| E1 | Absolutely Sweet Marie | 4:57 | |
| E2 | 4th Time Around | 4:37 | |
| E3 | Obviously 5 Believers | 3:37 | |
| F | Sad Eyed Lady Of The Lowlands | 11:20 |
Companies, etc.
- Copyright © – Columbia Records
- Record Company – Sony Music Entertainment
- Licensed From – Sony Music Entertainment
- Manufactured For – Mobile Fidelity Sound Lab, Inc.
- Manufactured By – Sony Music Entertainment
- Distributed By – Mobile Fidelity Sound Lab, Inc.
- Recorded At – CBS Studios, Nashville
- Mixed At – Quad Recording Studios
- Manufactured By – Mobile Fidelity Sound Lab
- Mastered At – Mobile Fidelity Sound Lab
- Lacquer Cut At – Mobile Fidelity Sound Lab
- Pressed By – Record Technology Incorporated – 20704
Credits
- Design [For MFSL] – John A. Beck
- Harmonica – Bob Dylan
- Lacquer Cut By – KW*
- Mastered By – Krieg Wunderlich
- Mastered By [Assistant] – Shawn R. Britton
- Mixed By – Steve Berkowitz
- Musician – Wayne Moss
- Photography By – Jerry Schatzberg
- Producer – Bob Johnston
- Written-By – B. Dylan*
Notes
Repress of Bob Dylan - Blonde On Blonde. The difference with the other version (other than the higher numbers) is that the labels are redesigned and the back of the box is white rather than black.
Special Limited Edition
Mastered on THE GAIN 2 ULTRA ANALOG SYSTEM™
1/2" / 30 IPS analog remix master to DSD 64 to analog console to lathe
© 1966, 2013 Columbia Records, a division of Sony Music Entertainment / Originally released 1966
All rights reserved by Columbia Records, a division of Sony Music Entertainment / Manufactured for Mobile Fidelity Sound Lab, Inc. by Sony Music Entertainment
550 Madison Avenue, New York, NY 10022-3211
Printed in the U.S.A.
Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl ● Special Static Free - Dust Free
Inner Sleeve ● Heavy Duty Protective Packaging ● Mastered from the Original Master Tapes
Distributed by Mobile Fidelity Sound Lab, Inc., 318 N. Laflin St., Chicago, IL 60607, under License
from Sony Music Entertainment ● All Rights reserved
Special Limited Edition
Mastered on THE GAIN 2 ULTRA ANALOG SYSTEM™
1/2" / 30 IPS analog remix master to DSD 64 to analog console to lathe
© 1966, 2013 Columbia Records, a division of Sony Music Entertainment / Originally released 1966
All rights reserved by Columbia Records, a division of Sony Music Entertainment / Manufactured for Mobile Fidelity Sound Lab, Inc. by Sony Music Entertainment
550 Madison Avenue, New York, NY 10022-3211
Printed in the U.S.A.
Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl ● Special Static Free - Dust Free
Inner Sleeve ● Heavy Duty Protective Packaging ● Mastered from the Original Master Tapes
Distributed by Mobile Fidelity Sound Lab, Inc., 318 N. Laflin St., Chicago, IL 60607, under License
from Sony Music Entertainment ● All Rights reserved
Barcode and Other Identifiers
- Barcode (Text): 8 21797 45009 6
- Barcode (Scanned, UPC-A): 821797450096
- Matrix / Runout (Label, side A): 88697948091A
- Matrix / Runout (Label, side B): 88697948091B
- Matrix / Runout (Label, side C): 88697948091C
- Matrix / Runout (Label, side D): 88697948091D
- Matrix / Runout (Label, side E): 88697948091E
- Matrix / Runout (Label, side F): 88697948091F
- Matrix / Runout (Runout, side A): MFSL 3-45009 A2 KW@MoFi 20704.1(3)...
- Matrix / Runout (Runout, side B): MFSL 3-45009 B2 KW@MoFi 20704.2(3)...
- Matrix / Runout (Runout, side C): MFSL 3-45009 C2 KW@MoFi 20704.3(3)...
- Matrix / Runout (Runout, side D): MFSL 3-45009 D2 KW@MoFi 20704.4(3)...
- Matrix / Runout (Runout, side E): MFSL 3-45009 E2 KW@MoFi 20704.5(3)...
- Matrix / Runout (Runout, side F): MFSL 3-45009 E̶̷2̶̷ F2 KW@MoFi 20704.6(3)...
- Matrix / Runout (Runout, side A): MFSL 3-45009A2 KW@MoFi 20704.1 (3)...
- Matrix / Runout (Runout, side B): MFSL 3-45009B2 KW@Mofi 20704.2 (3)...
- Matrix / Runout (Runout, side C): MFSL 3-45009C2 KW@Mofi 20704.3 (3)...
- Matrix / Runout (Runout, side D): MFSL 3-45009D2 KW@Mofi 20704.4 (3)...
- Matrix / Runout (Runout, side E): MFSL 3-45009E2 KW@Mofi 20704.5 (3)...
- Matrix / Runout (Runout, side F): MFSL 3-45009F2 KW@Mofi 207. 6 (3)...
Other Versions (5 of 324)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Blonde On Blonde (2×LP, Album, Mono, Pitman Pressing) | Columbia | C2L 41 | US | 1966 | ||
|
New Submission
|
Blonde On Blonde (2×LP, Album, Mono) | CBS | 66012 A, 66012 B | 1966 | |||
|
New Submission
|
Blonde On Blonde (2×LP, Album, Mono) | CBS | 66012, DDP 66012 | UK | 1966 | ||
|
Recently Edited
|
Blonde On Blonde (2×LP, Album, Mono) | CBS | BP-473314, CL41 | New Zealand | 1966 | ||
|
New Submission
|
Blonde On Blonde (2×LP, Album, Mono) | CBS | 66012, DDP 66012 | UK | 1966 |
Recommendations
-
2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo -
2022 USVinyl —LP, Album, Reissue, Remastered, Stereo -
-
2013 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo -
2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo -
2016 USVinyl —LP, Compilation, Limited Edition, Numbered, Reissue, Remastered, Special Edition -
-
-
USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Special Edition -
Reviews
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I ordered the 2013 but the dishonest Discogs seller sent me the 2021 this has happened a few times to me but no one seems to care. Anyway this sounds very average. Most of MoFi releases are disappointing being sourced digitally instead of analog, (more dishonesty) the photo on the front cover of Mr.Zimmerman is very blurry
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I don't care how they made this pressing, it sounds fantastic. MOFI certainly did wrong but the fact they were able to deceive everyone for so long only shows quality of their work in my opinion. I'm 41 now and when I was 20 I got really into Dylan and I have never heard this album sound like this. The separation is amazing.
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This says it all. Very good review. Words words words.
https://uebervinyl.de/en/bob-dylan-blonde-on-blonde-comparison-mofi-45-vs-columbia-legacy/ -
Edited one year agoThis sounds great, indeed. Very smooth, detailed presentation. However, something about the grungey, overdriven sound of the originals and early reissues suits this album better, to my ears. -
If you want an all analogue version of this album then stay away from this.
Yes the MOFI debacle can leave an unsavoury taste but if sound & music quality is what drives you then IMO this version is the way to go. -
Thanks, MoFi, for the utter collapse in the price of this album.
Frankly, someone should sue them. Class action. -
Wonderful stereo pressing. Can hear the instruments clearly and great depth. Digital step yes but what matters is how great it sounds.
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Yes, MoFi was shady (to say the least). But I cannot deny this pressing sounds beautiful. 5/5
Arguably the best record I own -
As with all MoFi products proceed with caution.
Mobile Fidelity Sound Lab are aware of customer complaints regarding use of digital technology in their mastering chain. They have apologized for using vague language, allowing false narratives to propagate, and for taking for granted the goodwill and trust of their customers place in the Mobile Fidelity Sound Lab brand
Release
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Recently Edited
Recently Edited
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66 copies from $63.00